Nairy Baghramian and Ibrahim Mahama to create major new commissions for Art Basel 2026.

Art Basel has announced that Nairy Baghramian and Ibrahim Mahama will create major new site-specific sculptures for the 2026 edition of its flagship fair in Switzerland. Baghramian will present "Modèle vivant (S’empilant)" (2026), an elaborate installation designed for the Messeplatz fountain, while Mahama's commission details are yet to be fully disclosed. Both artists are part of Art Basel's inaugural class of Gold Awardees, with the commissions first revealed in February 2026.

Naked jetskiers, giant bells and a celebrity seagull! Venice Biennale’s wildest moments – in pictures

The Guardian presents a photo essay capturing the most eccentric and memorable moments from the 61st Venice Biennale, running until 22 November 2026. Photographer David Levene documents installations including a concrete 'Origami Deer' evacuated from war-torn Pokrovsk, Ukraine, by artist Zhanna Kadyrova; a seagull that became a minor celebrity after nesting outside the Polish pavilion; and the Holy See pavilion's immersive sound installation curated by Hans Ulrich Obrist and Ben Vickers. Other highlights include the Egyptian pavilion's touch-and-smell 'Silence Pavilion' and a Polish pavilion film featuring deaf and hearing singers.

Welcome to Venice: the shows you won’t want to miss at the 61st Biennale

The 61st Venice Biennale, titled "In Minor Keys," opens with a keynote exhibition conceived by the late Koyo Kouoh and realized by her team after her sudden death in May 2025. The show spans the Central Pavilion in the Giardini and the Arsenale, featuring 110 artists and collectives. Highlights include Bracha L. Ettinger's installation at the Hotel Metropole, where she transforms a room where Sigmund Freud wrote part of *The Interpretation of Dreams* into a feminist 'borderspace,' and works by artists such as Arthur Jafa, Richard Prince, Issa Samb, Beverly Buchanan, and Daniel Lind-Ramos. The exhibition explores themes of history, colonialism, war, and environmental destruction, aiming for a 'sotto voce' tone that nonetheless delivers powerful, liberating statements.

Exhibition | Lee Mingwei, 'Lorsque la Beauté Paraît' at Perrotin, Paris Marais, France

Perrotin gallery in Paris is presenting 'When Beauty Appears', the second solo exhibition by Taiwanese artist Lee Mingwei and his first at the gallery's Paris location. The show features seven interactive works created between 1995 and 2025, including 'La fleur en chemin (The Moving Garden)', 'The Mending Project', and 'The Copyist’s Paradox', which invite visitors to engage directly with the art through simple gestures like offering a flower or mending an object.

In Minor Keys A Cacophony At 61st Venice Biennale – Miranda Carroll

The 61st Venice Biennale, titled 'In Minor Keys,' opened with a central exhibition curated by the late Koyo Kouoh, who died in 2025. The show features 110 artists and collectives, realized by a team of five curators known as 'la squadra di Koyo.' The exhibition spans the Giardini and Arsenale venues, with works including Otobong Nkanga's living facade installation, Theo Eshetu's dying olive tree, and Nick Cave's vibrant sculptures. Poems and quotes by Refaat al-Areer, Etel Adnan, Toni Morrison, and Ben Okri punctuate the spaces, encouraging visitors to pause and reflect.

Ten Political Statements By Artists At The 2026 Venice Biennale

The 61st Venice Biennale opened with unprecedented political tension, set against the backdrop of the international jury's mass resignation, the death of curator Koyo Kouoh, Russia's closed pavilion, threats from the European Commission to withdraw funding, and Italy's culture minister boycotting the opening. The article highlights ten works and moments where art and power intersected most explicitly, including Alfredo Jaar's 'Red Room' installation in the Chilean pavilion confronting humanitarian crisis, and Ukraine's collateral event 'Still Joy' at Palazzo Contarini Polignac, which frames joy as an act of resistance amid war.

A sturdy soldier in a sequin dress

"Eine kräftige Soldatin im Paillettenkleid"

Media reviews of the Venice Biennale's opening week offer contrasting takes on the German and US pavilions. Critics describe the German pavilion, curated by Sung Tieu and Henrike Naumann, as a dense, ironic East-West narrative that layers Nazi architecture with DDR prefab construction, creating what Jörg Häntzschel calls a "shockingly seamless symbiosis." The US pavilion, featuring sculptures by Alma Allen, is panned by Maximilíano Durón in ArtNews as politically timid and empty, lacking the clear colonial critiques of previous editions by Simone Leigh and Jeffrey Gibson.

Senior Art Exhibition 2026 Showcases the ‘Incredible Crossroads’ of Studio Art Majors

The Senior Art Exhibition 2026 at Colby College Museum of Art's Joan Dignam Schmaltz Gallery of Art in Waterville showcases capstone projects from 17 graduating studio art majors. The works span painting, photography, printmaking, digital media, and sculpture, created after a yearlong capstone course coordinated by Associate Professor Bradley Borthwick. The exhibition runs through May 23 and includes a catalog with artist statements and critical essays.

A Landmark Show Returns, Looking for Blackness in a PersonalWay

The sixth edition of the Studio Museum in Harlem’s landmark group survey exhibition has returned, taking a deeply personal and introspective approach to exploring Blackness. The show is described as political yet inwardly focused, operating at a quieter metabolism than previous iterations, emphasizing individual perspectives over broad declarations.

Locky Morris, Liz Vitlin at Gertie

Locky Morris and Liz Vitlin are featured in a two-person exhibition at Gertie, a gallery space. The show presents a selection of works by both artists, documented through 59 images on the Contemporary Art Daily platform, though no text descriptions or curatorial statements are provided in the article.

Strange Stranger at Timeshare

Contemporary Art Daily presents documentation of the exhibition "Strange Stranger at Timeshare," featuring 35 images and no videos. The page provides a visual record of the show without text descriptions or additional context about the artists, works, or venue involved.