Paris Gallery Weekend 2026 returns for its 14th edition from May 29th to 31st, organized by the Comité Professionnel des Galeries d’Art. The event features 73 galleries across the Marais and other districts, offering three days of programming with must-see exhibitions during the city's vibrant late spring season.
En 1955, Calder active son célèbre « Cirque » face à la caméra de Jean Painlevé
A 1955 film by Jean Painlevé captures Alexander Calder performing his famous "Cirque" (Circus), a handmade miniature circus he created between 1926 and 1931 in Paris. The film shows Calder manipulating fragile wire-and-wood figures—weightlifters, trapeze artists, clowns, and dancers—while a gramophone plays. The work, now preserved at the Whitney Museum of New York, is on loan for a major Calder retrospective at the Fondation Louis Vuitton in Paris (April 15–August 16, 2026). Painlevé's film is also the subject of a concurrent exhibition at the Musée de Pont-Aven (February 7–May 31, 2026).
The article is an interview with Ramuntcho Matta about the exhibition "Brion Gysin: The Last Museum" at the Musée d’Art Moderne de Paris. It explores the life and work of Brion Gysin, a multifaceted artist associated with Surrealism, the Beat Generation, and the invention of the Dreamachine. The exhibition traces Gysin's career through his calligraphy, painting, and multimedia works, including collaborations with William S. Burroughs and Ian Sommerville. A complementary show, "Underwood 2246449-5 (Les diables de Brion)," organized by Matta at New Galerie, features Burroughs's typewriter and related instruments.
Louvre Abu Dhabi has opened "Picasso, the Figure," its first exhibition dedicated entirely to Pablo Picasso, running until May 31. The show brings together around 60 works exploring Picasso's fascination with the human figure, spanning his cubist experiments, neoclassical portraits, surrealist compositions, and late works. It is presented in collaboration with Musée National Picasso-Paris and France Muséums, housed within Jean Nouvel's iconic floating dome on Saadiyat Island.
Endre Koronczi, the artist representing Hungary at the 61st Venice Biennale (2026), discusses his upcoming exhibition in the Giardini pavilion. His project, titled "Pneuma Cosmic," explores the movement of air as both a physical and metaphysical phenomenon, drawing on decades of research into invisible forces like wind and breath. The exhibition also references his long-term experimental zone, Ploubuter Park, inspired by drifting plastic bags. Koronczi notes a strong resonance with the Biennale's curatorial theme, "In Minor Keys" by Koyo Kouoh, describing it as a "cosmic zeitgeist."
Rising Melbourne and Battersea Arts Centre (BAC) have announced that British artist and game designer Danielle Brathwaite-Shirley will design the ninth hole artwork for the playable exhibition 'The Art of Mini Golf' when it travels to London this summer. The exhibition, formerly known as 'Swingers', will take over BAC from 17 June to 26 July, featuring nine interactive golf hole artworks by leading women artists including Miranda July, Kaylene Whiskey, Saeborg, Delaine Le Bas, Natasha Tontey, BKTHERULA, Soda Jerk, and Pat Brassington. Brathwaite-Shirley's new commission, 'Enough Is Enough', uses video game language to critique technology's impact on society, addressing issues like surveillance, censorship, and wealth inequality.