vefa gallery andy scott

Scottish sculptor Andy Scott, renowned for his massive 300-ton steel horse heads known as The Kelpies, is the subject of a new solo exhibition titled “Monumental” at VEFA Gallery in Torrance, California. The show shifts the focus from his colossal public landmarks to a more intimate human scale, featuring maquettes, sketches, and a ten-foot steel horse head. By showcasing the evolution of his work from initial drawings to complex engineering feats, the exhibition highlights the technical precision and emotional depth behind Scott’s animal forms.

The Photographs that Shaped the Black Arts Movement in the Mid-20th Century

The Mississippi Museum of Art will present "Photography and the Black Arts Movement, 1955-1985," an exhibition featuring over 100 photographers whose work shaped the Black Arts Movement. The show includes iconic images such as Ernest Withers's 1968 photograph of Memphis sanitation workers striking with "I Am A Man" signs, Ming Smith's portrait of Sun Ra, and Ralph Arnold's collage critiquing war and violence. Running from July 25 to November 8 in Jackson, the exhibition spans editorial and commercial photography, self-portraits, and mixed-media works that document protest, cultural identity, and resistance during the Jim Crow era.

Ornamental Carpets Release Wild Animals in Debbie Lawson’s Provocative Sculptures

Debbie Lawson presents a solo exhibition, "In a Cowslip's Bell I Lie," at Sargent's Daughters in New York, featuring her signature large-scale sculptures of life-size animals cloaked in ornamental Persian carpets. Using wire mesh, masking tape, and Jesmonite resin, she meticulously wraps each limb in carpet, creating the illusion that the animals have emerged from the textiles themselves. The show includes works such as "Wild Dog Sundown" (2025), "Red Eagle" (2026), and "Black Cougar" (2025), and draws its title from Shakespeare's *The Tempest*.

Brushstrokes Transform into Beaded Topographies in Liza Lou’s Mixed-Media Paintings

Artist Liza Lou is presenting a new body of work that merges the legacy of Abstract Expressionist brushstrokes with intricate beadwork. Her solo exhibition, 'FAQ,' at Thaddaeus Ropac in London features mixed-media paintings where thousands of glass beads are meticulously placed atop fields of oil paint, creating textured, chromatic topographies that transform gestural marks into sculptural forms.

Gagosian's spring show skips and rhymes through De Kooning's career

Gagosian Gallery in New York has opened "Willem de Kooning: Endless Painting," a non-chronological exhibition curated by Cecilia Alemani that spans the artist's career from 1944 to 1986. The show features institutional loans from MoMA and the Guggenheim, includes two sculptures—including the colossal bronze "Standing Figure" displayed indoors for the first time in nearly 30 years—and runs through June 14. A panel with artists John Currin and Dana Schutz will explore de Kooning's influence on May 15.

15 Artists Explore the Potentiality of Fabric and Fiber in ‘Textile Art Redefined’

The Saatchi Gallery in London is hosting 'Textile Art Redefined,' a group exhibition featuring 15 artists who push the boundaries of fiber and fabric. Curated by Helen Adams, the show includes diverse works ranging from Ian Berry’s immersive installations made of recycled denim to Kenny Nguyen’s undulating silk wall pieces and Anne von Freyburg’s textile reinterpretations of Rococo paintings. The exhibition coincides with the release of Adams' new book, 'Textile Fine Art,' which explores the medium's evolution from functional craft to a celebrated pillar of contemporary art.

museo jumex football and art exhibition 2026 world cup fifa

Museo Jumex in Mexico City will host "Fútbol y Arte. Esa misma emoción" (Football & Art. A Shared Emotion), an exhibition timed to the 2026 FIFA World Cup. Opening March 28 and running through July 26, the show features around 100 works by 60 international artists, including Marta Minujín, Graciela Iturbide, Melanie Smith, and Rafael Ortega. Curated by Guillermo Santamarina with exhibition design by Mauricio Rocha, the museum will be transformed into elements symbolic of soccer, with sections exploring gender, community, identity, and the political dimensions of the game. New commissions by Diego Berruecos, Iñaki Bonillas, and Sofía Echeverri are included, along with a sculptural installation by Tercerunquinto made from recycled Estadio Azteca seats.

Expo Chicago art fair returns with a ‘refined’ floor plan and Obama Center ties

Expo Chicago, the city's major international art fair, has opened its 2024 edition at Navy Pier with a redesigned floor plan intended to improve visitor flow and gallery visibility. The fair features over 170 galleries from 29 countries, with a notable contingent of Chicago-based exhibitors and a special section dedicated to art from the African diaspora.

Thousands of Strips of Silk Undulate in Kenny Nguyen’s ‘Deconstructed Paintings’

Kenny Nguyen, a Vietnamese-born artist based in Charlotte, North Carolina, creates large-scale wall works using thousands of hand-cut strips of silk. Drawing on his background in fashion design, he employs techniques like pinning, weaving, sewing, and layering to produce what he calls “deconstructed paintings.” Each piece is built around an imaginary body, with creases and undulating forms that evoke movement. Though the works appear fixed, they are malleable—their shape changes depending on pin placement during installation. Nguyen’s work is currently on view in the group exhibition *Textile Art Redefined* at Saatchi Gallery in London.

LR Vandy’s Rope Sculptures Disentangle Histories of Colonialism and Transportation

London-based artist LR Vandy has opened her first solo museum exhibition, "Rise," at the Yorkshire Sculpture Park. The show features a series of sculptures crafted from nautical materials like Manila rope, ship's helms, and hull-shaped wooden forms, many of which were created in her studio at the Chatham Historic Dockyard. The works explore the complex intersections of maritime history, trade, and the labor systems that powered the Age of Discovery.

Lina Lapelytė Fills Hamburger Bahnhof with 400,000 Wood Blocks for Communal Building

Lithuanian artist Lina Lapelytė has filled Berlin's Hamburger Bahnhof with 400,000 wooden blocks made of pine and spruce, creating a participatory installation titled “We Make Years Out of Hours.” Commissioned by Chanel, the work invites the public to build and rebuild structures from the 10-centimeter cubes. A series of weekly performances featuring a libretto by writers including Ocean Vuong, Etel Adnan, Forugh Farrokhzad, and Mahmoud Darwish will accompany the installation, which opens on May 1 and runs through January 10, 2027.

‘Let Us Gather In a Flourishing Way’ Convenes 58 Artists to Survey Contemporary Latinx Painting

A major exhibition titled 'Let Us Gather In a Flourishing Way' has opened at the Buffalo AKG Art Museum, featuring 58 artists in a comprehensive survey of contemporary Latinx painting. The show, curated by Andrea Alvarez over several years, is organized into seven thematic sections and is designed as a fluid, conversational space that celebrates community and cultural convergence.

Spectral Birds Endemic to New Zealand Find New Life in Fiona Pardington’s Portraits

Spectral Birds Endemic to New Zealand Find New Life in Fiona Pardington’s Portraits

New Zealand artist Fiona Pardington will present her photographic series *Taharaki Skyside* in the Aotearoa New Zealand Pavilion at the 2026 Venice Biennale. The large-scale, spectral portraits depict preserved specimens of endemic birds, including extinct and critically endangered species like the huia and the South Island Takahe, captured from within the country's natural history collections.

Sad Cowboy

What Pipeline gallery presents "Sad Cowboy," a group show organized for Miguel Bendaña at The Falstaff Project in El Paso, running from May 28 to July 4, 2026. The exhibition features three Detroit artists—Israel Aten, Cay Bahnmiller, and Dylan Spaysky—whose works explore American mythology, masculinity, and identity through collage, drawing, and sculpture. The title references a collage by Bahnmiller incorporating Amiri Baraka's poem "Sad Cowboy," critiquing the lone cowboy myth. Aten's colossal figures blend medieval iconography with video games, Bahnmiller's text-based works deconstruct language, and Spaysky's carbon paper drawings capture disposable media moments.

Bubbles, Algae, and Plastics Go Haute Couture in ‘Iris van Herpen: Sculpting the Senses’

The Brooklyn Museum is opening a new edition of 'Iris van Herpen: Sculpting the Senses,' building on a 2023 retrospective at the Musée des Arts Décoratifs in Paris. The exhibition features over 140 haute couture designs by Dutch fashion designer Iris van Herpen, known for merging high-tech materials like laser-cut Plexiglas with biological elements such as glowing algae and plastic bubbles. It includes recent collections like 'Sympoiesis' and works by artists including Kenny Nguyen, Wim Delvoye, and Tara Donovan, alongside a soundscape by Salvador Breed. The show runs from May 16 to December 6.

A Giant Wool Form by Nicola Turner Heaves and Skitters Through an 18th-Century Chapel

Artist Nicola Turner has unveiled a site-specific installation titled "Time’s Scythe" within an 18th-century chapel at the Yorkshire Sculpture Park. The work features massive, creature-like forms made from hand-stitched recycled wool and horsehair that appear to crawl and surge through the building's architectural openings, spilling from balconies and wrapping around the exterior.

Cinga Samson Conjures Mystery and the Sublime in Large-Scale Oil Paintings

South African artist Cinga Samson is currently presenting a series of large-scale oil paintings in a solo exhibition titled "Ukuphuthelwa" at White Cube in New York. The works feature dreamlike, nocturnal tableaux characterized by deep pigments, spectral figures with all-white eyes, and symbolic animals that bridge the earthly and divine. The title, which translates from isiXhosa as "unable to sleep," frames sleeplessness as a state of heightened spiritual alertness rather than a medical condition.

You’ll Need a Magnifying Glass to Read Some of the World’s Smallest Books at the V&A

You’ll Need a Magnifying Glass to Read Some of the World’s Smallest Books at the V&A

The Victoria and Albert Museum (V&A) in London is showcasing a collection of the world's smallest books, many of which require a magnifying glass to read. The highlights include miniature volumes from Queen Mary's Dolls' House library, such as a tiny 1896 Bible, a Quran, and works by authors like Robert Burns, alongside even smaller modern creations like a 2002 book measuring just 2.4 by 2.9 millimeters.

Arghavan Khosravi Breaks Through Gendered Restrictions in Her Architectural Portraits

Arghavan Khosravi's solo exhibition "What Remains" opens today at Uffner & Liu in New York, presenting a new body of sculptural paintings that fuse Persian architecture with Christian altarpieces. The works explore women's fight for equality under censorship and religious dogma in Iran, featuring figures restricted by domestic objects, hinged shutters, and suspended cords, with fragments of limbs or faces visible. Key pieces include "Suspended" (2026), "Bearing" (2026), and "The Whisper" (2026), running through July 2.

Nasher Museum’s ‘Everything Now All At Once’ Celebrates Diversity, Resilience, and Joy

The Nasher Museum of Art at Duke University is presenting 'Everything Now All At Once,' an exhibition drawn entirely from its permanent collection that features works by over a dozen contemporary artists including Nick Cave, Ai Weiwei, Nina Chanel Abney, Wangechi Mutu, Jeffrey Gibson, Amy Sherald, and Barbara Chase-Riboud. The show focuses on painting and sculpture—deliberately analog mediums in an era of rapid technological change—and highlights pieces acquired over the past twenty years that center artists from historically marginalized backgrounds. Running since August 2025, the exhibition will rotate new works next month and continue through November 1 in Durham, North Carolina.

Hilary Pecis Paints Saturated Snapshots of West Coast Life

Hilary Pecis presents a new series of acrylic paintings in her solo exhibition "Love Letters" at David Kordansky Gallery in Los Angeles, running from May 16 to June 20. The works capture everyday scenes—a backyard pool, a studio corner, a picnic with strawberry cake—using her signature saturated palette and meticulous attention to texture and pattern, working from photographs onto linen.

Moffat Takadiwa’s Scrounged Sculptures Confront Africa’s ‘Colonial Hangover’

Zimbabwean artist Moffat Takadiwa transforms discarded consumer waste—including computer keys, toothbrush heads, and plastic combs—into intricate, tapestry-like sculptures. His latest solo exhibition, "The Crown!" at Semiose in Paris, features large-scale works foraged from landfills in Harare’s Mbare neighborhood. These meticulously sorted and woven objects create organic patterns that mask their industrial origins, forcing a confrontation with the physical reality of global overconsumption.

Semiprecious Stones Coat Kathleen Ryan’s Oversized Sculptures of Rotting Food

Artist Kathleen Ryan creates large-scale sculptures of rotting fruit and food items, meticulously covering them with thousands of semiprecious stones and beads to mimic the textures and colors of mold and decay. Works like "Bad Lemon (Slice of Paradise)" and "Screwdriver" juxtapose luxurious materials like amethyst, turquoise, and serpentine with salvaged metal from vintage cars, creating a dual personality of hidden beauty and grotesque rot.

Nostalgia and Decay Meet Theatricality in Andrew Moore’s Dramatic Photos

Photographer Andrew Moore has opened a solo exhibition titled 'Theater' at Jackson Fine Art. The show features his large-format, atmospheric photographs of aging theaters, grand staircases, and other architectural spaces in locations like New York, Cuba, and Russia, which evoke a sense of timelessness and a bygone era.

Alfonso Gonzalez Jr. Gives New Context to Street Art and Commercial Signage in New LACMA Show

Alfonso Gonzalez Jr., a second-generation Los Angeles artist with roots in graffiti, sign painting, and muralism, has opened his first museum exhibition at LACMA. Titled “In Between Stops,” the show features 12 benches installed along the museum’s Kendall Concourse, each serving as a functional sculpture that honors the street art and vernacular signage of LA. Gonzalez Jr., who learned the sign-painting trade at Los Angeles Trade Tech College and worked for outdoor advertisement companies like Wall Dogs and Colossal Media, draws on his background to create fictitious ads that critique advertising tactics while preserving rapidly disappearing elements of LA culture, such as mom-and-pop shops and barber shops.

Must-see exhibitions in 2026: APAC

The article highlights a curated selection of must-see art exhibitions across the Asia Pacific region in 2026. Key shows include Zao Wou-Ki's printmaking retrospective at M+ in Hong Kong, a major Cartier jewelry exhibition at the National Gallery of Victoria in Melbourne, and a survey of Western landscape art from the Centre Pompidou collection. Other notable exhibitions feature ancient Egyptian treasures at the Hong Kong Palace Museum, as well as shows dedicated to Klimt, Van Gogh, and Vermeer in Taipei and Japan.

Interview with Wallace Chan, the artist who created a bridge between Venice and Shanghai through water

Intervista a Wallace Chan, l’artista che attraverso l’acqua ha creato un ponte tra Venezia e Shanghai

Wallace Chan, the Hong Kong-born artist turning 70, has launched a dual-exhibition project titled "Vessels of Other Worlds" between Venice and Shanghai, curated by James Putnam. In Venice, the show runs concurrently with the Biennale at the Cappella di Santa Maria della Pietà (Vivaldi's church), featuring three titanium sculptures inspired by Catholic holy oils, surrounded by smaller works evoking water droplets. In Shanghai, the same sculptures appear at the Long Museum (West Bund) starting July 18, 2026, on a monumental scale—seven, eight, and ten meters tall—with a kaleidoscopic interior accessible through a door in the central piece. The exhibitions also include sound compositions by Brian Eno and reference Chan's earlier Venice shows (Titans, Totem, Transcendence).

Get ‘Super/Natural’ Inside Judith Schaechter’s Stained Glass Sculpture

Judith Schaechter's large-scale stained glass sculpture "Super/Natural" has opened in a solo exhibition at Claire Oliver Gallery in Harlem. The immersive, eight-foot-tall installation, resembling a secular chapel, is filled with intricate depictions of flora and fauna and is designed for a single viewer to contemplate nature.

egyptian god erect phallus met

A 5,000-year-old statue of the Egyptian god Min, currently on display in the Metropolitan Museum of Art's exhibition "Divine Egypt," has gone viral on social media after a user on X posted a humorous comment about its erect phallus. The statue, which originally featured a separate stone phallus now lost, depicts Min with his hand at his groin, a pose linked to male fertility. The exhibition includes nearly 250 artworks and objects related to Egyptian deities, with loans from the Louvre, the Ny Carlsberg Glyptotek, and the Museum of Fine Arts, Boston.

Centenary of Elizabeth II: Two colossal statues of the queen to be erected in London's St James's Park

Centenaire d’Elizabeth II : deux statues colossales de la reine seront érigées à Londres, dans St James’s Park

London has unveiled the final design and models for a colossal memorial to Queen Elizabeth II in St James's Park, to be completed by 2028. The centerpiece is a seven-meter bronze statue of the queen at age 28, inspired by a Pietro Annigoni portrait and created by sculptor Martin Jennings. It will be accompanied by a statue of Prince Philip by Jennings and a second, more intimate statue of the queen in old age by Karen Newman. The project marks the centenary of Elizabeth II's birth (1926–2022) and is designed by Foster + Partners. Models are on display at the British Museum until June 21.