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One Fine Show: “Anselm Kiefer, Becoming the Sea” at the Saint Louis Art Museum

The Saint Louis Art Museum has opened “Anselm Kiefer: Becoming the Sea,” an exhibition featuring 40 works by the German artist from the 1970s to the present, including over 20 pieces made in the last five years and five monumental site-specific paintings. The show highlights Kiefer's 1991 journey up the Mississippi River during a visit to St. Louis, a formative trip that inspired new works such as the 30-by-27-foot painting *Missouri, Mississippi* (2024), which depicts the artist encountering the Melvin Price Lock and Dam in Alton, Illinois. The exhibition also includes pieces like *Die Milchstraße* (1985-87) and two works dedicated to beat poet Gregory Corso, whose lines about eternal life gave the show its title.

6 musées incontournables à visiter à Venise

Beaux Arts Magazine highlights six must-visit museums in Venice, including the Palazzo Ducale, Gallerie dell'Accademia, Peggy Guggenheim Collection, and the Pinault Collection venues Palazzo Grassi and Punta della Dogana. The article notes that during the Biennale, the city is filled with free pavilions, but the main museums have high entry fees, offset by passes like the Venice Museum Pass (€59) and Venice City Pass (€119). It also mentions a current Marina Abramović exhibition at the Gallerie dell'Accademia, marking her as the first living female artist honored there.

The Big Review | The reopening and rehang of the Sainsbury Wing, National Gallery, London ★★★★★

The National Gallery in London has reopened its Sainsbury Wing after a renovation led by architect Annabelle Selldorf, designed to create a more welcoming entrance. The wing, originally designed by Robert Venturi and Denise Scott Brown in 1991, now features a transformed ground floor with double-height spaces, improved lighting, and a new piazza linking to Trafalgar Square. The reopening coincides with the gallery's bicentenary and a major collection rehang titled "C C Land: the Wonder of Art," sponsored by a Hong Kong property developer. Old favorites like the chapel-like space for Piero della Francesca's works are restored, and new commissions, including Richard Long's "Mud Sun," greet visitors.

Frist Exhibition Dresses a Bloody History in Silk and Velvet

The Frist Art Museum's summer exhibition, "Venice and the Ottoman Empire," presents over 150 artifacts from Venice's civic museums, Fondazione Musei Civici di Venezia, and the University of Zadar's museum. Co-curated by Stefano Carboni and Trinita Kennedy, the show explores the complex relationship between the Ottoman Empire and the Republic of Venice, highlighting not only their centuries of brutal warfare but also their extensive trade networks and cultural exchange. Luxury textiles, including silk and velvet with Ottoman designs, feature prominently, alongside books, a qibla indicator, and military artifacts like a 17th-century Ottoman banner. The exhibition focuses on commerce and the elite who commissioned portraits, though it notably omits discussion of the slave trades and minimizes production processes.

NSIDER: Frist Art Museum Debuts ‘Venice and the Ottoman Empire’

The Frist Art Museum has debuted 'Venice and the Ottoman Empire,' an interactive exhibition exploring the cultural, artistic, and commercial exchanges between Venetians and Ottomans from 1400 to 1800. Featuring over 150 works from seven Venetian museums, the show includes ceramics, glass, metalwork, paintings, prints, and textiles by artists such as Gentile Bellini and Vittore Carpaccio, alongside anonymous craftspeople. Immersive elements like soundscapes, scent stations, and a video installation with Nashville chefs Paulette Licitra and Ilyas Bakla enhance the experience, with rooms dedicated to doges, sultans, shipwreck artifacts, and the spice trade.

BUAM exhibition explores artists’ interaction with historical movements

The Binghamton University Art Museum (BUAM) has opened its fall semester exhibition, “In the American Grain: Exploring America through Art, 1919-1946,” curated by art history professor Tom McDonough. The show spans the interwar period through World War II, featuring works from BUAM’s collection—many donated by local collectors Gil and Deborah Williams—alongside loans from the BU libraries, the Roberson Museum and Science Center, and the Art Bridges Collection. Originally conceived with Chelsea Gibson of the Binghamton Codes! Program, the exhibition grew from a pandemic-era digital project and includes thematic categories such as Americans Abroad, City Life, Picturing Black Lives, and War Time, with works by artists like Jane Peterson, Chiura Obata, James Lesesne Wells, and Helen Torr.

Inauguration of Moroccan Pavilion at 61st Venice Biennale International Art Exhibition

Morocco inaugurated its national pavilion at the 61st Venice Biennale International Art Exhibition on Friday, with Head of Government Aziz Akhannouch presiding over the ceremony. The pavilion features the project “Asǝṭṭa,” led by artist Amina Agueznay and curator Meryem Berrada, and will be on view at the Doges through November. The presentation aligns with the Biennale’s overarching theme, “In Minor Keys,” and showcases Moroccan heritage through contemporary artistic expression.