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Insider’s Look at Curating a Show Inspired by the Declaration of Independence’s 250th Anniversary [Interview]

The Fabric Workshop and Museum (FVM) in Philadelphia has opened "Some American Dreams," an exhibition marking the 250th anniversary of the U.S. Declaration of Independence. Curated by Hilde Nelson, FVM curatorial fellow, the show features 27 works by 20 artists created during the museum's Artist-in-Residence Program over four decades. The exhibition includes pieces in furniture, sculpture, textiles, clothing, video, and photography, and is on view until June 14, 2026. In an interview with My Modern Met, Nelson discusses her curatorial approach, which poses the question, "What if 'America' is not one project, but many?" and explores how these multiple Americas are affirmed, resisted, or remade through the artworks.

Chiara Camoni on Representing Italy at the 61st Venice Biennale

Chiara Camoni, the artist representing Italy at the 61st Venice Biennale, discusses her upcoming pavilion installation titled "Con te con tutto" in an interview with ArtReview. The single installation will fill the entire Italian Pavilion in the Arsenale, combining existing and new works that incorporate ceramic, stone, plant elements, industrial waste, plastics, and found objects. Camoni emphasizes the choral dimension of her practice, involving family, neighbors, friends, schools, and museum groups in the creative process, thereby expanding the concept of authorship. She notes that her project aligns with the Biennale's curatorial theme "In Minor Keys" by Koyo Kouoh, focusing on monumentality defined not by scale but by reiteration and presence.

Endre Koronczi on Representing Hungary at the 61st Venice Biennale

Endre Koronczi, the artist representing Hungary at the 61st Venice Biennale (2026), discusses his upcoming exhibition in the Giardini pavilion. His project, titled "Pneuma Cosmic," explores the movement of air as both a physical and metaphysical phenomenon, drawing on decades of research into invisible forces like wind and breath. The exhibition also references his long-term experimental zone, Ploubuter Park, inspired by drifting plastic bags. Koronczi notes a strong resonance with the Biennale's curatorial theme, "In Minor Keys" by Koyo Kouoh, describing it as a "cosmic zeitgeist."