A regional guide profiles 35 art centers across New York's Hudson Valley, highlighting destinations such as the Albany Institute of History & Art, Dia Beacon, Olana State Historic Site, and Art Omi Sculpture & Architecture Park. The article provides practical visitor information for each venue, covering museums, galleries, and historic artist estates in Albany, Columbia, and Dutchess counties.
A derelict mansion called Parndon Hall, located within the grounds of Princess Alexandra Hospital in Harlow, Essex, has been named to the Victorian Society’s annual list of the top ten at-risk buildings in England and Wales. The house, built in 1867, contains a hidden trove of wall paintings by the almost-forgotten Victorian artist Elizabeth Arkwright, who covered walls, ceilings, and doors with nymphs, mermaids, and cherubs—many still concealed under Edwardian whitewash. The building has been used for storage and has sat unoccupied since flood repairs in 2024.
A group of Hamptons locals—including fashion designer Ulla Johnson, hotelier Sean MacPherson, and landscape designer Edwina Von Gal—share their favorite under-the-radar spots in the East End for CULTURED's July/August Hamptons issue. Recommendations range from the curated art and design space Galerie Sardine in Amagansett to secluded beaches like Culloden Point, hiking trails at Camp Hero and Shadmoor, and nature preserves such as the Walking Dunes. The guide emphasizes quiet, scenic alternatives to crowded hotspots, with personal anecdotes about kayaking, bonfires, and local services like barber Danny Dimauro.
Art Garden, a combination art gallery and plant shop in Asheville, North Carolina, reopens on May 7, 2025, at a new downtown location at 98 N. Lexington Ave. The business was displaced after its former home in Riverview Station was flooded by over 25 feet of water during Tropical Storm Helene in September 2024. The reopening includes a preview party for the ReRoot art exhibit, a fundraising gala, a theatre performance, and a Mother's Day plant sale, celebrating community support that helped rebuild the space.
The Naracoorte Art Gallery has launched 'ORIGIN', a retrospective exhibition showcasing the foundational pieces of its permanent public collection. The show features acquisitions made between the gallery's founding in 1968 and the early 1980s, including the institution's very first acquisition, a pencil drawing by Robert Walter Felling, alongside significant works by Australian modernists like Mervyn Smith and Judith Heidenreich.
The article profiles praxis ARTSPACE in Adelaide, Australia, which was originally a former brothel and is now a leading arts space celebrating its tenth anniversary. Founded and directed by Patty Chehade, the space offers professional exhibition facilities for emerging and established artists, featuring a mix of one-person and thematic shows. Notable artists exhibited include Liz Butler, Dianne Longley, Olga Sankey, and Margaret Ambridge.
The Columbus Arts Council in Mississippi hosted the opening reception of its second Black Excellence Art Exhibition, featuring fiber artist Stephany Brown reading from 'Of Salt and Spirit: Black Quilters in the American South' and a poem by Alabama Poet Laureate Ashley M. Jones. The exhibition showcased a diverse range of works including Brittany Horne's luminous portrait of her daughter, Brown's hand-sewn quilts, Kenneth Smith's stained glass mosaics, and live music by vocalist-pianist Kyia King. Culinary arts students from East Mississippi Community College contributed food honoring Black chefs and agricultural scientists, creating a multisensory celebration of Black artistry and heritage.
RichesArt Gallery, the only Black-owned art gallery in Austin, hosted its Rhythms and Poetry open mic night on February 3, featuring slam poetry, rappers, and spoken word performances. The event, organized by poetry director Jonathan Ezemba in collaboration with gallery founder Richard Samuel, operated on a pay-what-you-can basis to keep it accessible. Performers like Maya Edwin shared personal poems about identity, queerness, and Blackness, emphasizing the gallery's role as a safe space for Black artists.
Yale University's latest Humanitas column highlights several arts and humanities developments: an exhibition by artist Nontsikelelo Mutiti at Schwarzman Center titled "Rusununguko," inspired by Black hair-braiding traditions and community; a new interdisciplinary certificate in Native American and Indigenous Studies approved by Yale College Faculty; and a Yale-run art space opening to local New Haven artists. Mutiti's installation uses black vinyl braids to transform the domed gallery, reflecting her experiences as a Zimbabwean graduate student finding community in Harlem's hair-braiding salons.