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On November 11, the Paul Taylor Dance Foundation will honor painter Alex Katz at Lincoln Center’s David H. Koch Theater, celebrating a decades-long creative partnership between Katz and the late choreographer Paul Taylor. The collaboration began in 1960 when poet Edwin Denby introduced them for a commission at the Spoleto Festival, leading to 16 works together including "Meridian," "Scudorama," "Private Domain," "Diggity," and "Sunset." At the gala, the company will perform "Sunset," which Katz conceived after observing soldiers in Madrid’s Retiro Park. Katz is also showing new paintings at Gladstone Gallery in New York, while the Museum of Contemporary Art San Diego hosts "Alex Katz: Theater and Dance," the first major survey of his stage work.

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Museums across the United States are preparing exhibitions to mark the 250th anniversary of American independence in 2026. The New York Historical will present "Democracy Matters," opening June 19, 2026, exploring voting, free speech, and land rights through works by Thomas Cole, Mel Chin, and Lady Pink alongside historic documents. The Museum of Fine Arts, Boston will debut "America at 250" on the same date, integrating Native and non-Native art with pieces like Gilbert Stuart's portrait of George Washington and a critique by Mohawk artist Alan Michelson. The National Portrait Gallery had planned "Amy Sherald: American Sublime" for September 2025, but Sherald canceled the show over censorship concerns in July 2025. The Philadelphia Museum of Art will host "A Nation of Artists" from April 2026 through September 2027, featuring Frederic Edwin Church's "Pichincha."

10 Exhibitions to See in Upstate New York This May

Hyperallergic's guide highlights 10 exhibitions opening in Upstate New York this May, including the Hessel Museum of Art's annual showcase of thesis exhibitions by graduates of the Center for Curatorial Studies at Bard College, featuring works by Alice Aycock, Arthur Jafa, Mike Kelley, and Ana Mendieta. Other notable shows include Daniele Frazier's camera-less photography at September Gallery, Onnis Luque's investigation into resource exploitation at Art Omi, and Japanese woodblock prints at the Frances Lehman Loeb Art Center. The guide also covers Lukaza Branfman-Verissimo's mixed-media works and Maria Auxiliadora da Silva's paintings.

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Kevin Beasley has created a large-scale acoustic mirror for Storm King Art Center, opening May 7. The 11-foot-tall, 100-foot-wide four-part sculpture is inspired by World War I–era concrete acoustic mirrors used for detecting enemy aircraft. Unlike those obsolete relics, Beasley's work is made from recycled clothes cast in resin and will amplify visitors' voices and outdoor sounds. The piece engages with the history of the Hudson River School painters and themes of colonialism, Manifest Destiny, and contested land, while also celebrating agricultural cycles through its seasonal titles: Proscenium| Rebirth, Growth, Harvest, and Dormancy.

Van Gogh Museum Explores the Artist's Obsession with Yellow

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The Van Gogh Museum in Amsterdam has launched a major exhibition centered on Vincent van Gogh’s profound obsession with the color yellow. The show explores how the artist utilized the hue—from the 'pale sulfur' of his Arles landscapes to his iconic sunflowers and the famous Yellow House—as a symbol of life-giving sunshine and modernity. Beyond Van Gogh’s own masterpieces, the exhibition features works by 19th- and 20th-century masters like Wassily Kandinsky and Hilma af Klint, as well as a contemporary light installation by Olafur Eliasson.

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A Frank Lloyd Wright home, the Elizabeth and Rollin Furbeck House (1898), has been listed for sale at $2 million in Oak Park, Illinois. The 5,000-square-foot, five-bedroom property features a 9-foot-wide picture window thought to be the first such residential feature by Wright, along with Roman brickwork, diamond-paned windows, and a heated pool. The current owners, Tom and Deb Abrahamson, have lived there for 27 years and are seeking a buyer who will appreciate its historic and architectural significance.

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Valparaiso University in Indiana has finalized the sale of two valuable paintings from the Brauer Museum of Art—Childe Hassam's *The Silver Veil and the Golden Gate* (1914) and Georgia O'Keeffe's *Rust Red Hills* (1930)—and is in the process of selling a third, Frederic Edwin Church's *Mountain Landscape* (c. 1849). The sales, collectively valued at up to $20 million, are intended to fund renovations of freshman dormitories amid budget shortfalls. The decision has sparked vocal protests, a lawsuit, and a vote of no confidence from the faculty senate against university president José Padilla, who announced his retirement. Moody's Ratings downgraded the school's credit rating to junk status, partly due to the controversy.

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The Porter County Superior Court has approved Valparaiso University's plan to sell three valuable paintings from the Brauer Museum of Art—works by Frederic Edwin Church, Childe Hassam, and Georgia O'Keeffe valued at around $20 million—to fund renovations to freshman dormitories. The decision follows a year and a half of controversy, including a lawsuit from the museum's founding director Richard Brauer and condemnation from major museum professional organizations, who argue that deaccessioning art for non-collection purposes violates ethical standards.

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This year marks the 150th anniversary of Impressionism, which began in 1874 when 31 artists including Paul Cézanne, Claude Monet, and Berthe Morisot staged a groundbreaking exhibition in Paris. To commemorate the sesquicentennial, international institutions are hosting exhibitions such as the Musée d'Orsay's "Paris 1874: Inventing Impressionism," while Artnet and Morgan Stanley have collaborated to analyze auction data from 2014 to 2023, examining the market for works by approximately 120 Impressionist and Post-Impressionist artists. Despite perceptions that Impressionism has lost its luster, the number of lots offered at auction has remained steady, averaging 6,091 annually over the decade.

Fred Tomaselli Turns Newspaper Headlines Into Mulch at His New Show at James Cohan

Fred Tomaselli presents his new exhibition “Blooms Disrupted,” opening May 15 at James Cohan’s 48 Walker Street location in New York. The show features his signature densely layered resin paintings embedded with organic matter like leaves and pharmaceutical pills, alongside a new series of collages constructed from New York Times front pages. The anchor piece, *Month of August (evening)*, combines a geometric spiral of headlines with a photographic Mexican sunflower, while other works reference art-historical gardens such as Frederic Edwin Church’s estate. Tomaselli, a Brooklyn-based artist born in 1956, uses the garden as both subject and metaphor throughout the exhibition.

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The Thomas Cole National Historic Site in Catskill, New York, is hosting the largest exhibition of Emily Cole's work since the 19th century. Emily Cole (1843–1913), the daughter of Hudson River School founder Thomas Cole, took up painting in his studio as an adult, creating delicate botanical studies on porcelain ceramics. The show features over 100 pieces from the museum's collection, including works on paper and painted china, alongside contemporary responses from eight women artists such as Ann Agee, Jacqueline Bishop, and Francesca DiMattio.

Why yellow was Van Gogh's favourite colour

The Van Gogh Museum in Amsterdam has launched a new exhibition titled "Yellow: Beyond Van Gogh’s Colour," running until May 17. The show explores Vincent van Gogh’s profound obsession with the color yellow, featuring eight of his works alongside pieces by contemporaries like Paul Gauguin and Aubrey Beardsley. It highlights Van Gogh's technical use of chrome yellow pigments to capture the "high yellow note" of the Provencal sun and the symbolic association of the color with modernity and life-giving energy.

35 Art Centers Every Hudson Valleyite Should Visit

A regional guide profiles 35 art centers across New York's Hudson Valley, highlighting destinations such as the Albany Institute of History & Art, Dia Beacon, Olana State Historic Site, and Art Omi Sculpture & Architecture Park. The article provides practical visitor information for each venue, covering museums, galleries, and historic artist estates in Albany, Columbia, and Dutchess counties.

You’ll Need a Magnifying Glass to Read Some of the World’s Smallest Books at the V&A

You’ll Need a Magnifying Glass to Read Some of the World’s Smallest Books at the V&A

The Victoria and Albert Museum (V&A) in London is showcasing a collection of the world's smallest books, many of which require a magnifying glass to read. The highlights include miniature volumes from Queen Mary's Dolls' House library, such as a tiny 1896 Bible, a Quran, and works by authors like Robert Burns, alongside even smaller modern creations like a 2002 book measuring just 2.4 by 2.9 millimeters.

Various Small Fires OC pulls back the Orange Curtain in Tustin

Various Small Fires (VSF) founder Esther Kim Varet opened a new gallery space, VSF OC, in Tustin, Orange County, in April 2025. The inaugural exhibition, “The Orange Curtain,” features Southern California contemporary artists Edwin Arzeta, Jackie Castillo, and Marcel Alcalá, all born and raised in Orange County. Curated by Varet, the show explores the cultural and political divide between Orange County and Los Angeles, and runs through May 31. The opening drew local art leaders, collectors, and families, including Heidi Zuckerman, CEO of the Orange County Museum of Art.

Remembering Pope Francis, for 12 years head of the Catholic church and proprietor in trust of the Vatican's library and art collections

Pope Francis, the 266th pope and the first from the Americas and the Global South, has died. He was the spiritual leader of 1.3 billion Catholics, head of state of the Vatican, and proprietor in trust of the Vatican's vast art and architectural collections. Born Jorge Mario Bergoglio in Argentina, he was the first Jesuit pope and the first to take the name Francis, signaling a commitment to austerity and social justice. His papacy, beginning in 2013 after Benedict XVI's resignation, addressed theological controversies, church culture wars, interfaith relations, Vatican financial reform, the clergy sexual abuse crisis, and cultural restitution from the Vatican's holdings.

Black Artists Inspire

The Mead Art Museum at Amherst College is currently hosting two concurrent exhibitions celebrating Black art. The first is 'Kwame Brathwaite: Revolutionary Movements,' a photography exhibition showcasing the work of the late photographer Kwame Brathwaite, curated in partnership with his family. The second is the ninth annual Black Art Matters exhibition, featuring works by current Amherst students, organized in collaboration with several campus cultural organizations.

April Book Bag: from a Matthew Wong catalogue to a history of dogs in art

The Art Newspaper’s April book roundup highlights four significant new publications spanning art history and contemporary practice. Featured titles include Thomas Laqueur’s visual history of dogs in art, a study of marble depictions in Late Gothic and Early Renaissance painting edited by Karl Kolbitz, a comprehensive overview of Antony Gormley’s drawings, and a new catalogue focusing on Matthew Wong’s interior scenes.

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The School of Visual Arts (SVA) in New York has transferred ownership from the Rhodes family, which owned it for nearly 80 years, to the SVA Alumni Society, a nonprofit that has funded student scholarships since 1972. The transfer took effect on September 1, with longtime president David Rhodes stating that day-to-day operations would not change. The move comes amid financial difficulties, a recent faculty unionization effort by SVA Faculty United (affiliated with United Auto Workers), and reported layoffs of around 30 workers.

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Artnet News has compiled a selection of artworks created in anticipation of Pope Francis's first visit to the United States. The works include Anthony VanArsdale's portrait for the North American College in Rome, a new addition to the 'Franks' mural at Philadelphia's Dirty Franks bar, a massive photo-realistic mural by Van Hecht-Nielsen overlooking Madison Square Garden in New York, a large-scale mural by Caesar Viveros for the Philadelphia Mural Arts Program, and a controversial, officially licensed portrait by Perry Milou. Other featured pieces include an illustration by Omkar Shivaprasad and a vandalized mural in Bolivia by William Luna and Guillermo Rodriguez.

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This article explores the artistic tradition of Singerie, or 'monkey trick,' a genre that depicts primates dressed and acting like humans. It traces the history from its origins in the early 1600s through its peak in the Rococo period, citing examples such as Jan Brueghel the Elder's 'Monkeys Feasting' (c. 1620) and Edwin Landseer's 'The Monkey Who Had Seen the World' (1827). The piece connects this historical convention to contemporary culture, noting its influence on the 2024 Robbie Williams biopic 'Better Man,' where the singer is portrayed as a chimpanzee, and on modern satirical works like Banksy's 'Devolved Parliament' (2009).

Summer Exhibitions Coming to West Texas & the Panhandle

Art galleries and institutions across West Texas and the Panhandle have announced their summer exhibition schedules. Highlights include the El Paso Museum of Art's "From the Collection: Portraiture, 1903-2021," featuring works by César Martínez, Edward Curtis, and Andy Warhol; Ballroom Marfa's solo show "Raven Halfmoon: Flags of Our Mothers" with colossal stoneware sculptures; and The Grace Museum in Abilene's "Memory Painters: The Art of Memories," showcasing Texas intuitive painters. Other venues include the Rubin Center for the Visual Arts, the Louise Hopkins Underwood Center for the Arts in Lubbock, and the Museum of the Southwest in Midland, with exhibitions spanning portraiture, student art, memory painting, and immersive installations.

The extraordinary boom in modern Indian art

Despite a general art market downturn, modern Indian art auctions have seen extraordinary demand. Over the past two weeks, sales at Christie’s in New York, Saffron Art in New Delhi, Pundole’s in Mumbai, and Sotheby’s in London all sold out. Sotheby’s London sale raised £19 million, more than five times its estimate, led by record-breaking works from Francis Newton Souza, including *Houses in Hampstead* (1962) sold for £5.6 million and *Emperor* (1957) sold for £5.2 million. The article traces Souza’s rebellious career, from his expulsion from school in Mumbai for pornographic graffiti, to his founding role in the Progressive Artists’ Group, his struggles in England and the US, and his eventual death in 2002 with little recognition.

Summer Previews: The Season’s Most Anticipated Shows

Artforum's editors preview twenty-five anticipated institutional exhibitions opening worldwide between May and August. Highlights include "Fade" at the Studio Museum in Harlem, the latest in its career-making "F show" series featuring seventeen emerging artists of African descent; "Modernity and Opulence: Women of the Wiener Werkstätte" at the Jewish Museum in New York, showcasing over 180 women designers from Austria's famed atelier; "Replica of a Chip: The Weaving Technology of Marilou Schultz" at the Hessel Museum of Art, exploring the intersection of Navajo weaving and microchip history; the 59th Carnegie International at the Carnegie Museum of Art, with 61 artists spread across Pittsburgh venues; and "Mary Ellen Carroll: How to Talk Dirty and Influence People" at the Contemporary Arts Museum Houston.

Kent Monkman at Akron Art Museum: Reimagining North American landscapes

Indigenous Canadian painter Kent Monkman, a member of the Fisher River Cree Nation, presents his exhibition "Kent Monkman: History is Painted by the Victors" at the Akron Art Museum, on view through August 16. The show features over 30 large-scale paintings that mimic 19th-century landscape works by settler artists like Albert Bierstadt and Frederic Edwin Church, but inserts Indigenous figures who were historically romanticized, stereotyped, or omitted. Monkman uses his two-spirit alter ego Miss Chief Eagle Testickle to challenge colonial narratives and reverse the artistic gaze. The exhibition was organized by the Denver Art Museum and the Montreal Museum of Fine Arts, with co-curators John Lukavic and Léuli Eshrāghi.

Gwen John: The 'reclusive spinster' artist who shunned conformity

A major retrospective of Gwen John, one of Britain's greatest 20th-century artists, is opening at National Museum Cardiff on the 150th anniversary of her birth. The exhibition, titled 'Gwen John: Strange Beauties,' brings together works from across the UK and the USA for the first time, including a significant collection acquired from her nephew Edwin in 1976 that has never been extensively researched or exhibited. John, born in 1876 in Haverfordwest, Pembrokeshire, was long overshadowed by her younger brother, the artist Augustus John, and was often dismissed as a 'reclusive spinster.' However, curators and biographers now challenge that myth, revealing her as a socially engaged, determined artist who pursued her own path despite Victorian-era constraints on women.

Your country needs you(r content): National Gallery of Art in Washington DC launches social media open call

The National Gallery of Art in Washington, D.C. has launched an open call for 50 digital content creators to produce short videos reinterpreting 100 selected works from its collection. The campaign, celebrating the 250th anniversary of the United States, offers a $3,000 honorarium to each selected creator and will feature their work on the museum's social media channels and within the museum itself.

The Crocker Art Museum’s CEO Wants the World — and People of Sacramento — to Love His Newly Adopted City

Agustín Arteaga, the new Mort and Marcy Friedman director and CEO of the Crocker Art Museum in Sacramento, discusses his first months on the job, including extensive meetings with staff, board members, and community stakeholders. Arteaga, who previously led the Dallas Museum of Art, the Museo Nacional de Arte in Mexico City, and the Museo de Arte de Ponce in Puerto Rico, emphasizes the need to balance fundraising, donor relations, educational programming, and political transparency while maintaining the museum's relevance as the oldest art museum in the American West.

Women on the Verge: Five Museums in Maine Showcase Nicole Wittenberg and Ann Craven

Five museums across Maine are simultaneously presenting exhibitions featuring the work of painters Nicole Wittenberg and Ann Craven, in a coordinated initiative titled "Women on the Verge." The participating institutions include the Portland Museum of Art, the Center for Maine Contemporary Art in Rockland, the Colby College Museum of Art in Waterville, the Bowdoin College Museum of Art in Brunswick, and the Farnsworth Art Museum in Rockland. Each venue is showing a distinct body of work by either Wittenberg or Craven, highlighting their vibrant, often nature-inspired paintings that explore themes of femininity, perception, and the natural world.

Venice

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