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editors picks december 17

Artnet News's weekly roundup highlights six free holiday-themed art installations and events across New York City through early January 2019. Featured works include Bovey Lee's paper snowflake installation 'Flower Knot Snowflake' at 10 Hudson Yards, Studio Cadena's yellow vinyl 'Happy' installation at Flatiron Plaza, David Hoey's window displays at Bergdorf Goodman, a For Freedoms Christmas tree at the New York EDITION hotel, LAB at Rockwell Group's 'Luminaries' light show at Brookfield Place, and a Charles Dickens manuscript exhibition at the Morgan Library & Museum.

The best museums in the U.S. for art, history and culture

The article presents a curated list of the 10 best museums in the United States, as compiled by U.S. News & World Report, covering art, history, science, and cultural heritage. It begins with a philosophical reflection on the unique power of museums to provide direct, physical encounters with objects that cannot be replicated by digital media. The first museum profiled is The Metropolitan Museum of Art in New York City, highlighting its 5,000-year collection, 5 million annual visitors, and its two distinct locations: The Met Fifth Avenue and The Met Cloisters.

In Tuscany, an Artistic Sculpture Hub Thrives

The article profiles Pietrasanta, a small town in Tuscany, Italy, that has evolved into a thriving international sculpture hub. It traces the town's artistic lineage back to Michelangelo, who sourced marble from local quarries in 1518, and highlights how today a dense network of workshops, foundries, and craftspeople attracts artists from around the world. The local government has established the Fondazione Centro Arti Visive di Pietrasanta to promote the town as a year-round art center, not just a seasonal destination. The piece features the Armenian-born artist Mikayel Ohanjanyan, who has seven sculptures on display in the town.

The Boston Collective: Assembled at the Right Time and Place

Boston Art Review (BAR), an independent online and print publication focused on contemporary art in Boston, has published an article titled "The Boston Collective: Assembled at the Right Time and Place." The piece explores how a group of artists, curators, and cultural organizers in Boston have come together at a pivotal moment to form a collective that amplifies local creative voices and fosters collaboration across the city's art scene.

Desert art and youthful joy fill Cobre Valley Center for the Arts

The Cobre Valley Center for the Arts in Arizona is hosting a month-long Desert Art Show through April, featuring hand-painted items, paintings, and photography from local and international artists including Debbie Yerkovich, Amanda Moore, Jessica Goodwin, Ivan Macarambon, and Wanda Mitchell-Tucker. During the same period, the Center celebrated the 'Week of the Young Child' with a special elementary student display titled 'A Joyful World,' showcasing artwork by local schoolchildren that explores themes of joy, family, and community. The children's exhibit also serves as a tribute to Carolyn Haro, a former key figure at the Center who had long envisioned such a display.

Opening reception for Eastside 11 Art Crawl planned for Valentines Day

Artist Chris Moss is organizing the Eastside 11 Art Crawl, a free, multi-venue art event in Savannah, Georgia, with an opening reception scheduled for Valentine's Day. The event aims to showcase local artists across various businesses and includes a map for self-guided tours.

Plattsburgh art exhibition spotlights intersection of art and mental health

An ongoing exhibition in downtown Plattsburgh, titled “Holding Space: A Community Exhibition on Art and Mental Health,” is on display at the Strand Center for the Arts through May 30 for Mental Health Awareness Month. The show, a collaboration between the Strand and Behavioral Health Services North (BHSN), features artwork from individuals in BHSN’s recovery programs, including pieces by Barb Guay, who runs a recovery program and creative expression therapy group at BHSN. Guay’s watercolor self-care plan, with panels like “Pink Power Suit Barbara” and “Fruit Bat Barbara,” explores her own recovery from opioid and cocaine use since 2015, as well as her chronic illness and artistic identity.