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Thailand is emerging as a major contemporary art destination, with a wave of new institutions, fairs, and tax incentives drawing international attention. The government-initiated Thailand Biennale opens in Phuket, while the third and final edition of the Ghost biennial just concluded in Bangkok. Collector Marisa Chearavanont recently opened Bangkok Kunsthalle and Kai Yao Art Forest, and Purat “Chang” Osathanugrah is launching Dib Bangkok, billed as the country’s first international contemporary art museum, on December 21. New York dealer Harper Levine plans to open a Bangkok outpost of his Harper’s gallery in spring, and Seoul-based Artue is planning a scaled-up art fair called Art Bangkok International for next year. In August, the Thai government approved tax deductions for purchasing artworks by national artists and higher tax breaks for artists.

art basel paris louvre heist security response 1234757955

Days before Art Basel Paris opens at the Grand Palais, a brazen daytime robbery at the Louvre Museum saw thieves escape with jewels once belonging to Napoleon III and Empress Eugénie. The heist, carried out by three masked men using a cherry picker and power tools, targeted the Galerie d’Apollon and has dominated headlines in France. Art Basel organizers have offered general reassurances about security but declined to provide specifics when asked about steps taken in light of the robbery. The fair is debuting a new invitation-only preview called Avant Première, and features 206 galleries from 41 countries, including Gagosian, Hauser & Wirth, and David Zwirner. It also marks the final edition under director Clément Delépine.

The Art World This Week: 20 June 2025

This week's art news is dominated by the opening of Art Basel 2025, where dealers reported a strong start with numerous six-figure sales, including a David Hockney painting at Annely Juda Fine Art for $13–17 million and a $9.5 million Ruth Asawa sculpture at David Zwirner. Other major developments include the Museum of Modern Art announcing a major Marcel Duchamp survey for 2026, the reopening of a historic Paris building (temporary home for Centre Pompidou) after a £395 million rebuild, and the Studio Museum in Harlem receiving a significant gift from Vancouver real estate magnate Bob Rennie. The article also covers gallery representation changes, awards, and the passing of sculptor Joel Shapiro and businessman/art patron Leonard Lauder.

These 16 Artists Are the Biggest at U.S. Museums Right Now

This article presents a quarterly analysis of which living artists are most featured in temporary exhibitions across U.S. museums during September 2025. The author ranks artists based on the number and type of shows they appear in, prioritizing career retrospectives, dedicated exhibitions, and special commissions. The list is dominated by Black and Indigenous artists whose work addresses racism, colonialism, and nature, with Jeffrey Gibson topping the chart due to his Met facade commission, Broad show, and Venice Biennale U.S. Pavilion recreation. Other prominent artists include Firelei Báez, Rashid Johnson, Anila Quayyum Agha, and Ai Weiwei, the only non-U.S.-based artist on the list.

How to Keep a Gallery Open: Lessons From One of London’s Longest-Operating Dealers

London gallerist David Juda of Annely Juda, one of the city's longest-operating dealers, shares his strategies for keeping a gallery open amid a wave of closures. He emphasizes staying small, avoiding expensive art fairs for newcomers, and planning succession—handing responsibilities to co-director Nina Fellmann as he approaches 80. The gallery is moving to a new space on Hanover Square, inaugurating with new paintings by David Hockney.

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The nonprofit organization Artemisia Gold has announced a major restoration project for Plautilla Bricci’s 17th-century altarpiece, 'Birth of the Virgin' (ca. 1660), located in Rome’s Church of Santa Maria in Campo Marzio. Bricci, a rare female polymath of the Baroque era, was Italy’s first professional female architect as well as a prolific painter and sculptor. The restoration team, led by Jane Adams, aims to clean the darkened canvas and conduct X-ray analysis to potentially uncover a hidden signature and more details regarding its commission by Abbess Anna Maria Mazzarino.

The World's Most-Visited Museums – and Why Germany is Falling Behind

Die meistbesuchten Museen weltweit – und warum Deutschland hinterherhinkt

The Art Newspaper's 2025 ranking of the world's most-visited museums reveals a global landscape dominated by institutions in Paris, Seoul, London, and New York. The Louvre leads with just over nine million visitors, followed by the Vatican Museums and Seoul's National Museum of Korea, which doubled its attendance to 6.5 million. Notable trends include strong post-pandemic recoveries at New York's MoMA and the State Russian Museum in St. Petersburg, while London's Tate Modern and National Gallery still lag significantly behind their 2019 numbers.

‘La Musée’: The history and challenges behind a landmark acquisition of works by women artists

The Museums of Poitiers in France have officially acquired 'La Musée,' a landmark collection of 523 works by women artists spanning the 17th to the 21st centuries. Assembled by artist and historian Eugénie Dubreuil since 1999, the collection includes paintings, sculptures, and decorative arts intended as a 'counterproposal' to the male-dominated art historical canon. The acquisition was finalized in March 2024 following a rigorous two-year review process and was accompanied by a €150,000 grant from the Les Beaux Yeux endowment fund to support a five-year project dedicated to women artists.

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Archaeologists from INRAP (the National Institute of Preventive Archaeological Research) have unearthed a Renaissance-era limestone equestrian statue in Toul, northeastern France. The statue, broken into 27 pieces, was found buried under a roadway among the remains of a medieval gate demolished around 1700. The largest fragment measures about three-and-a-half feet, and the intact work would have stood over five feet high. The horse's trunk and head are preserved, along with the rider's hips and upper thighs, but the rider's head and limbs are missing, making identification uncertain. INRAP suggests the rider may have been Henry II, King of France, or more likely John III of Lorraine, Cardinal of Lorraine and Bishop of Toul, and that Italian artists may have been involved in its creation.