The New York art scene was bustling with events this week. The New York Botanical Garden held its annual Orchid Dinner at the Plaza Hotel, featuring elaborate floral designs and guests like Martha Stewart and Sigourney Weaver. Meanwhile, Sotheby's hosted the Art for Water benefit auction for the Waterkeeper Alliance, with works by Jeff Koons and Ed Ruscha, and the New Museum celebrated the opening of a major Raymond Pettibon exhibition.
Scholar Thierry de Duve discusses the legacy of Marcel Duchamp in conjunction with a new exhibition at the Museum of Modern Art (MoMA) featuring seven of the artist’s “boîtes-en-valise.” These portable miniature museums, created decades before Duchamp’s first formal retrospective, are framed as evidence of his genius in anticipating the institutional logic of the modern museum. The conversation explores how Duchamp’s provocative works, such as the readymade "Fountain," fundamentally altered the trajectory of art history and defined the "post-Duchamp" era.
Julie Mehretu has established herself as a preeminent voice in contemporary abstraction by creating dense, multilayered canvases that synthesize architectural drawings, maps, and media imagery. Her work is characterized by a meticulous accumulation of marks that transform sociopolitical data and historical events into ethereal, gestural compositions. By layering information until it reaches a point of abstraction, she explores how individual and collective identities are shaped by the built environment and global shifts.
Hyperallergic's April newsletter features a roundup of the best April Fools' jokes from the art world this year, compiled by staff writer Rhea Nayyar. The issue also highlights critic Aruna D'Souza's meditation on the work of abstract painter Kamrooz Aram, who is having a prominent year with appearances from Mumbai Art Week to the Whitney Biennial.
The Serpentine x FLAG Art Foundation Prize has announced its selection committee for the inaugural award, the largest contemporary art prize in the UK given to a single artist. The five-person jury includes Michelle Kuo (Chief Curator at Large and Publisher at MoMA), Venus Lau (director of Museum MACAN), Hans Ulrich Obrist, Jon Rider, and artist Rirkrit Tiravanija. The committee met in London on 23rd April to select the first recipient, who will be announced on 12th May. The prize awards £200,000 biennially over ten years, totaling £1 million across five artists, with each recipient developing a new body of work culminating in exhibitions at Serpentine in London and The FLAG Art Foundation in New York.
The art world mourns the passing of Celeste Dupuy-Spencer, a prominent artist and activist known for her politically charged paintings and human rights advocacy, who died at the age of 46. Simultaneously, dissident artist Ai Weiwei has released a new book titled 'On Censorship,' which reflects on his career-long struggle against state persecution and the nuances of freedom of expression. Other notable developments include Gagosian's announcement of a new Upper Manhattan space dedicated to Marcel Duchamp and the detention of artist Criselda Vasquez’s father by ICE.
The Audain Art Museum in Whistler, British Columbia, raised a record-breaking $1.5 million at its 2026 annual gala, marking the institution's 10-year anniversary. The sold-out event, attended by over 500 guests, featured a live art auction of works by artists in the museum's permanent collection, with Stan Douglas's 1974 piece 'Coat Check' achieving a $200,000 hammer price—the highest ever for the gala.
Singapore is solidifying its position as a central hub for Southeast Asian art, supported by government initiatives, established institutions like the National Gallery Singapore and Singapore Art Museum, and major events such as Art SG, the Singapore Biennale, and Singapore Art Week. While other regional hubs like Jakarta, Bangkok, and Manila are growing, Singapore uniquely fosters a pan-Southeast Asian focus, attracting collectors and artists from across the region. However, recent closures of smaller independent spaces like Sàn Art in Saigon and Your Mother Gallery in Singapore, along with the absorption of S.E.A. Focus into Art SG, have impacted the independent scene, though new venues such as Bangkok Kunst-halle and Vũ Dân Tân Museum offer fresh opportunities.
The article surveys the art world's turbulent 2025, beginning with devastating Los Angeles wildfires that destroyed artworks and the political shockwaves of Donald Trump's re-election. Trump's administration targeted the National Portrait Gallery, whose director Kim Sajet resigned after threats of firing, while immigration crackdowns, tariffs on art imports, and attacks on diversity initiatives chilled the art community. The year also saw Venice residents protest Jeff Bezos's lavish wedding, Trump's gilded Oval Office renovations, and a major Veronese exhibition at the Prado that drew parallels between historical extravagance and decline.
Hyperallergic's newsletter previews the upcoming 61st Venice Biennale, noting the charged political climate that may overshadow the art. It highlights the main exhibition "In Minor Keys" conceived by the late Koyo Kouoh, and includes a guide to national pavilions, collateral events, and notable exhibitions in Venice. The edition also features a studio visit with 93-year-old artist Joan Semmel, an interview with Lebanese artist Tania El Khoury about her "revenge art," and news about Barbara Chase-Riboud declining to represent the US at the Biennale, a $116M gift to the National Gallery of Art, and the death of Argentine painter Ides Kihlen at 108.
Flemish Baroque painter Michaelina Wautier is receiving renewed critical attention as scholars work to correct centuries of misattributions. Despite achieving significant success and recognition during her lifetime, her oeuvre was largely subsumed into the names of male contemporaries until recent research restored her identity to her masterpieces.
The article profiles eleven artists poised for breakout moments in 2026, highlighting their recent achievements and upcoming projects. Featured artists include Diambe, a nonbinary Brazilian artist who will debut a major solo show at Kunsthalle Basel; Tuan Andrew Nguyen, a Vietnamese-born MacArthur fellow who will unveil a public commission for New York's High Line Plinth; and Balraj Khanna, a self-taught Indian painter who died in 2024 and is gaining posthumous recognition. Other artists on the list include Klára Hosnedlová, Kim Hankyul, Gabriel Chaile, Benni Bosetto, Pat Oleszko, Seba Calfuqueo, Tony Lewis, and Nat Faulkner, each noted for significant exhibitions, gallery representation, or awards that have built momentum toward wider acclaim.
NSCAD University (Nova Scotia College of Art and Design) in Halifax has reported a dramatic surge in applications and acceptances from US-based students for fall 2025, driven by tightening US immigration policies under the Trump administration. Undergraduate applications from the US spiked 220%, acceptances rose 186%, and student responses increased 66%, with interest coming from 23 different states. NSCAD president Jana Macalik noted that student feedback cited concerns over trans rights, disability, same-sex marriage, and women's freedoms as motivating factors. Similar trends are being seen at other Canadian institutions like the University of Toronto, University of British Columbia, and Alberta University of the Arts.
Banksy has unveiled two identical murals in London, one near Tottenham Court Road Tube station and another in Queen's Mews, Bayswater. The artwork depicts two children lying on their backs, one pointing skyward, and was confirmed via the artist's Instagram. The piece appears during the Christmas season, but its placement near the landmark Centre Point skyscraper—a symbol of London's housing crisis—suggests a critique of homelessness and unaffordable housing.
The article reports on several major arts and literary prize winners announced in November 2025. Swedish photographer Martina Holmberg won the £15,000 Taylor Wessing Photo Portrait Prize for her portrait 'Mel,' with other prizes awarded to Luan Davide Gray, Byron Mohammad Hamzah, and Hollie Fernando. Australian author Helen Garner won the Baillie Gifford Prize for Non-Fiction for 'How to End a Story.' The Forward Poetry Prizes named joint winners Vidyan Ravinthiran and Karen Solie for best collection, while Bogdan Ablozhnyy received the Camden Art Centre Emerging Artist Award. Historian Sunil Amrith won the British Academy Book Prize for 'The Burning Earth,' and the Women's Prize for Playwriting announced its longlist.
Archaeologists from Mexico’s Instituto Nacional de Antropología e Historia (INAH) have identified 16 petroglyphs and cave paintings near the Tula River in Hidalgo. The artworks span over 4,000 years, ranging from prehistoric times through the Mesoamerican Postclassic period and into the early colonial era. The discovery, which includes depictions of the rain god Tláloc and various anthropomorphic figures, was made during archaeological salvage work for a new passenger rail line connecting Mexico City and Querétaro.
Lavorare nell’arte: opportunità da Museo Novecento, Giudicesse 2030, Premio Combat e Fondazione Club Silencio
This article from Artribune compiles five current job and grant opportunities in the Italian art world. It highlights a crowdfunding campaign by Museo Novecento for Agnese Galiotto's artwork "Sogni" in Empoli, an open call for the fourth edition of the Giudicesse 2030 residency for filmmakers and video artists in Sant'Antioco, a call for artists using AI from Associazione culturale 360° Creativity Events for PARMA 360 Festival, a paid internship at Blob Art ETS for Premio Combat in Livorno, and a search for a project manager by Fondazione Club Silencio ETS.
A group of artists, curators, and gallerists from Xinjiang, operating anonymously as the collective Yixak, have publicly criticized the Beijing exhibition "Greetings" held at the Maca Art Center from March to June 2025. The show, featuring works by Han Chinese artist Dan Er, focused on her travels through Xinjiang and its heritage arts. Yixak accuses the exhibition of cultural appropriation, misrepresentation, and reinforcing ethnic stereotypes, including conflating distinct ethnic cultures, stripping traditional Adras textile patterns of context, and mislabeling Xinjiang traditions. The collective also claims the show failed to credit local collaborators and excluded Xinjiang communities. Both Dan Er and Maca declined to comment, citing "irresistible factors."