"Du bist nun in die ewigen Jagdgründe der Kunst entschwunden"

This week's art news roundup covers several stories: Jonathan Meese publishes an obituary for his mother Brigitte Meese in Der Spiegel, describing her as a central figure in his life and work. Pussy Riot seeks to take over the Russian Pavilion at the Venice Biennale. The European Media Art Festival (EMAF) in Osnabrück faces controversy over antisemitism allegations linked to Palestinian-American filmmaker Basma al-Sharif, leading the city and state government to distance themselves from the festival. In the NZZ, Christian Wildhagen reports on conflicts over official political portraits, citing examples like Swiss councilor Martin Neukom rejecting paintings and Donald Trump criticizing his portrait. Art historian Horst Bredekamp pays tribute to Italian philosopher Federico Vercellone (1955–2026) in the FAZ, highlighting his theory of the 'self-activity of form.'

Gardens in Your Pocket

Les jardins en poche

Phaidon has reissued its best-selling book 'Le Musée des jardins' in a new, affordable pocket-sized format. This updated edition offers a global panorama of both historic and contemporary garden design.

Caravaggio and Rubens works destroyed by fire in Second World War are brought back to (digital) life

The Gemäldegalerie in Berlin has completed the digitization of its high-resolution glass-negative archive, which documents hundreds of Old Master paintings destroyed in a fire at the end of the Second World War. The collection includes lost works by Caravaggio, Peter Paul Rubens, Anthony van Dyck, and Paolo Veronese, which were stored in a flak tower for protection and burned in May 1945.

America’s Venice Biennale artist was scorned by tastemakers — he says he’s misunderstood

American sculptor Alma Allen, a self-taught artist with an unconventional background, has been selected to represent the United States at the 2025 Venice Biennale. His selection was made by the American Arts Conservancy, a new nonprofit with no art-world track record, which was awarded the commission through a State Department process that removed diversity requirements and emphasized art reflecting "American values."