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U.K. Arts Center Lands Seismic $122.4M Gift

The Sainsbury Centre near Norwich, England, has received a landmark gift of £91.2 million ($122.4 million) from Lord David Sainsbury through his Gatsby Charitable Foundation. In other news, Art Basel has appointed Wassan Al-Khudhairi as artistic director for its 2027 Qatar edition; Christie's led New York's spring auction season with $1.3 billion, driven by the S.I. Newhouse collection; Sotheby's brought in $737 million; Phillips rebounded with $115.2 million; and Bonhams achieved $22 million. Pace now represents the Constantin Brancusi Estate, Yinka Shonibare joined Mennour, and several other gallery and museum appointments were announced, including Clarissa Morales as COO of the Modern Art Museum of Fort Worth and new interim leadership at Dallas Contemporary. The Museum für Moderne Kunst in Frankfurt will inherit Henrike Naumann's estate, Dubai announced a new Museum of Digital Art, and the Centre Pompidou partnered with Chanel.

Yinka Shonibare Joins Mennour, a Fake Fake Monet, and More: Industry Moves for May 20, 2026

The article reports on several key moves in the art world as of May 20, 2026. Tina Kim Gallery will represent the estate of Singaporean British sculptor and printmaker Kim Lim, with a debut at Art Basel in June and a solo show in 2027. Yinka Shonibare has joined Paris gallery Mennour, which will host his first solo exhibition in October. Pace Gallery now represents the Brâncuși estate, planning a London exhibition this fall. Clarissa Morales has been named the first Chief Operating Officer of the Modern Art Museum of Fort Worth, moving from the Carnegie Museum of Art. Additionally, Jackson Pollock's Number 7A, 1948 sold for $181.2 million at Christie's, setting a new artist record. A viral social media post featuring a fake Monet painting created by AI sparked debate online.

A New Residency Aims to Give Indigenous Artists the Tools to Make Art in Neon

The Walker Youngbird Foundation, a Native-led nonprofit, has launched a new residency program in collaboration with Lite Brite Neon Studio in Kingston, New York, aimed at giving Indigenous artists the opportunity to create work in neon for the first time. The inaugural resident is Sarah Rowe (Ponca Tribe of Nebraska), a painter and installation artist selected from over 100 applicants. The residency is valued at around $50,000 per cycle, covering fabrication, travel, lodging, a $10,000 stipend, and full ownership of the artwork and intellectual property. The program was inspired by foundation founder Reid Walker's acquisition of neon works by artists such as Watt and Jeffrey Gibson.

New residency in upstate New York will give Indigenous artists access to neon fabrication studio

Lite Brite Neon Studio in Kingston, New York, has partnered with the Walker Youngbird Foundation to launch Native Neon, a residency program providing Indigenous artists with access to neon fabrication. The inaugural recipient is Sarah Rowe, an enrolled member of the Ponca Tribe of Nebraska and of Lakota descent, who receives $50,000, a $10,000 stipend, and a week-long residency to create an immersive neon environment. The studio, known for collaborations with artists like Glenn Ligon and Jeffrey Gibson, aims to lower the technical and financial barriers to working with neon.

Chanel Expands Support for Centre Pompidou Amid $535 Million Renovation

Chanel has announced a new five-year partnership with the Centre Pompidou in Paris, expanding its support for the museum during its landmark €460 million ($535 million) renovation. The fashion house, which has backed the Pompidou since 2019, will help preserve access to modern and contemporary art while the museum is closed to the public until its scheduled reopening in 2030. This follows a separate three-year deal in 2025 to grow the museum's collection of contemporary Chinese art by 30 percent, with a focus on women artists, and a 2024 acquisition of 21 works by 15 Chinese artists tied to an exhibition co-organized with Shanghai's West Bund Museum.

Everyone Keeps Getting Yoko Ono Wrong

Paul Morley's new biography of Yoko Ono, *Love Magic Power Danger Bliss*, attempts to reframe the artist beyond her reputation as a 'Beatles wife' but ultimately fails, according to this critical review. The book covers Ono's first three decades, from her birth in Japan in 1933 to meeting John Lennon in 1969, but is dominated by lengthy asides on male avant-garde figures like George Maciunas and Pete Townshend, leaving Ono a passive presence in her own story. Morley promises not to mention Lennon but breaks that promise, and the review argues the book is aimed more at 'rock dads' still upset about the Beatles breakup than at understanding Ono's artistic contributions.

Husband Found Guilty of Scheming Murder of Art Dealer Brent Sikkema

A federal jury has found Daniel Sikkema guilty of orchestrating the murder-for-hire of his estranged husband, New York art dealer Brent Sikkema. Brent Sikkema, 75, was stabbed 18 times in his Rio de Janeiro townhouse in January 2024. The hitman, Alejandro Triana Prevez, a Cuban security guard, was arrested days later and remains in prison awaiting trial. Prosecutors presented evidence including voice notes in which Daniel Sikkema allegedly threatened to become a widower, phone calls via a burner phone, and a $9,000 payment to Prevez. Daniel Sikkema was arrested in March 2024 on passport fraud charges and later charged with conspiracy to commit murder for hire.

Weekly News Roundup: May 22, 2026

This weekly roundup from ArtAsiaPacific covers four major developments in the art and architecture world. Chinese architects Wang Shu and Lu Wenyu have announced the theme for the 2027 Venice Architecture Biennale, titled “Do Architecture – For the Possibility of Coexistence Facing a Real Reality,” emphasizing hands-on, context-driven design. The 2026 Sovereign Asian Art Prize winners were revealed, with Balinese artist Citra Sasmita winning the Grand Prize for her work "Poetry of the Fountain" (2025). Dubai announced plans for the Museum of Digital Art (MODA), a new institution dedicated to new media and immersive technologies, as part of a major district expansion. Finally, the Asian Cultural Council (ACC) named 70 grantees for its 2026 cycle, awarding over USD 1.6 million to support cultural exchange between the US and Asia.

Who Should Design NYC’s New Billie Holiday Monument?

The New York City Department of Cultural Affairs (DCLA) has revealed six commission proposals for a monument honoring legendary jazz vocalist Billie Holiday, to be installed outside the Jamaica Performing Arts Center in Queens through the Percent for the Art program. The artists in the running are Thomas J Price, Tanda Francis, Nekisha Durrett, La Vaughn Belle, Tavares Strachan, and Nikesha Breeze, and the public is invited to share input on the conceptual designs before the final selection. The monument emerged from the 2018 She Built NYC initiative, which aimed to address the lack of historical monuments dedicated to influential women in the city, and was revitalized in 2024 after delays caused by the COVID-19 pandemic.

“José de Jesús Rodríguez’s Back & Forth” New Art21 Film to Premiere May 27, 2026

Art21 has announced the release of a new documentary film titled “José de Jesús Rodríguez’s Back & Forth,” premiering online on May 27, 2026. Directed by Andrea Yu-Chieh Chung, the film follows painter José de Jesús Rodríguez as he transitions into new techniques like mosaic and relief sculpture, exploring themes of personal and collective identity through references ranging from Mexican muralists to popular culture. The film will be available on Art21.org and YouTube as part of Art21's ongoing series documenting contemporary artists.

Lagos curator establishes private art society with focus on cross-disciplinary exchange

Ugoma Chinelo Ebilah, an economist-turned-curator who founded Bloom Art Lagos in 2010 and the Mbari Kola Arts and Culture Foundation in 2019, is opening Mbari Kola, a private art society and members club in Lagos. Located in the affluent Ikoyi district, the 800 sq. m space will include a public gallery, shop, and garden, along with a private lounge, terrace, library, and multifunctional rooms for members. The venue will host exhibitions, residencies, film screenings, concerts, performances, and readings, focusing on pan-African art and culture. A soft launch for founding members is set for Africa Day (25 May), with further phases after summer and during Lagos Art Week in November. The club is part-funded by Ebilah and crowdfunded through around 50 founding patrons and members.

Fraudster trying to sell fake ancient statues to Sotheby’s foiled over bogus invoices

A fraudster named Andrew Crowley, 46, attempted to sell fake ancient statues to Sotheby's, claiming they were inherited from his grandfather. The items—three Cycladic figures and one Anatolian stargazer statuette—were valued at up to £680,000 if genuine. However, the scheme unraveled when forensic analysis revealed that the accompanying invoices, purportedly typed in 1976, were produced using printing methods invented in 2001. Sotheby's experts also spotted spelling errors. Crowley received a two-year suspended sentence after admitting to making a false representation to the auction house.

Biennale’s Kazakh Pavilion Roiled by Controversy after Artwork Fails to Make It on View

Controversy has erupted at the Kazakhstan pavilion of the Venice Biennale after artist Äsel Kadyrhanova's multimedia installation *Machine* (2013), which addresses Stalin-era repression in Kazakhstan, was dismantled before the exhibition opened. An open letter published on e-flux, signed by prominent Kazakhstani art community members, alleges the work was removed on May 5 on orders from the nation's Ministry of Culture or pavilion organizers. The pavilion's curator, Syrlybek Bekbota, claims he personally made the decision to dismantle the work after negotiations with the artist failed, citing contractual restrictions from the venue, the Museo Storico Navale di Venezia, which prohibits "political, ideological," or "propagandistic" content. The venue's management company, D'Uva, denies any role in the removal, while the project's co-commissioner, Danagul Tolepbay, disputes the accuracy of the open letter's claims.

Sarah Rowe Will Light Up Native Neon Residency in Kingston, NY

A new residency program for Indigenous artists working with neon for the first time has been launched through a collaboration between the Walker Youngbird Foundation and Lite Brite Neon Studio in Kingston, New York. Sarah Rowe, a painter and installation artist from Omaha, Nebraska, was selected as the first recipient from over one hundred applicants. She plans to create a work inspired by the heyoka, a trickster figure from Lakota tradition, and will receive a $10,000 stipend plus fully funded fabrication, materials, studio time, and technical instruction valued at around $50,000. The resulting artwork will be publicly presented, and Rowe will retain full intellectual property rights and ownership.

“Villa Borghese è perfetta e non si tocca”. Siamo andati a vedere se è proprio così perfetta

A private company donated a design competition to the Galleria Borghese in Rome, aiming to expand the museum's exhibition spaces and services. Before any winning project was selected, associations like Italia Nostra protested, claiming the initiative would desecrate Villa Borghese. The article's author visited the park to document its current state, finding decay: a wrecked Globe Theatre, neglected ponds, graffiti, trash, dilapidated buildings, and a degraded horse-riding track. The author argues that while the park is defended as "perfect and untouchable," it is actually suffering from real neglect that goes unaddressed by the same groups opposing development.

Il Museo Nazionale d’Arte dell’Ucraina di Kiev colpito e danneggiato dai bombardamenti russi. Le immagini

Between the night of May 23 and the early hours of May 24, 2026, Russia launched a massive attack on Kyiv and other areas of Ukraine using 600 drones and 90 missiles. The National Art Museum of Ukraine (NAMU) in Kyiv suffered severe structural damage, along with government buildings. The attack was reportedly a response to a Ukrainian bombing of a dormitory in Russian-occupied Starobilsk. The museum, founded in the late 19th century and housed in a neoclassical building opened in 1904, holds nearly 40,000 works spanning over a thousand years of Ukrainian art, including medieval icons, Baroque masterpieces, and avant-garde pieces.