Art Fund has announced the five finalists for the 2026 Museum of the Year prize, the world’s largest award of its kind. The shortlist includes Norwich Castle Museum and Art Gallery, the Fitzwilliam Museum in Cambridge, The Box in Plymouth, and London’s National Gallery and V&A East Storehouse. The winner, to be announced on June 25 at the Cutty Sark, will receive £120,000, while the four runners-up will each be awarded £20,000.
An Egyptian archaeological mission has unearthed a unique temple complex at Tell el-Farama, the site of the ancient city of Pelusium in northern Sinai. The discovery features a massive circular water basin, approximately 100 feet in diameter, surrounded by drainage channels and a central plinth likely intended for a statue. Initially mistaken for a civic building when first excavated in 2019, further study has revealed the site to be a sacred water installation used for religious rituals between the 2nd century BC and the 6th century AD.
A rare 17th-century mourning jewel, depicted in the celebrated 1635 painting 'Sir Thomas Aston at the Deathbed of His Wife' by John Souch, has been rediscovered after 400 years. The heart-shaped pendant, which contains a tassel of hair from Aston’s deceased son Robert, was identified by its current owners during a chance visit to an exhibition featuring the portrait. Valued at £650,000, the gold and enamel memento mori features intricate Latin inscriptions that were previously illegible in the painting.
Insetti, abiti e ribellione: perché “La legge di Lidia Poët” è diversa da tutte le altre serie in costume
The third and final season of the Netflix series "The Law of Lidia Poët" concludes the story of Italy's first female lawyer in 1880s Turin. While the narrative follows her legal battles and social defiance, the production distinguishes itself through a rigorous and symbolic approach to costume design led by Stefano Ciammitti. Rather than modernizing the past, the series uses historical aesthetics—specifically gothic literature and naturalistic obsessions—to construct a visual language of rebellion.