Restoration of L’Aquila’s Teatro San Filippo, Damaged by Earthquake, Concludes After 17-Year Closure

Si conclude all’Aquila il recupero del Teatro San Filippo danneggiato dal terremoto. Era chiuso da 17 anni

The Teatro San Filippo in L’Aquila has officially completed a comprehensive restoration process after being shuttered for 17 years due to the devastating 2009 earthquake. The reopening ceremony, attended by Italian Minister of Culture Alessandro Giuli, marks the return of a historic site that originated as a 17th-century Baroque church before being converted into a theater and artistic hub in the 1970s. The project was funded through a combination of state resources and private donations, including significant contributions from the "Artisti Uniti per l’Abruzzo" initiative.

Between Fashion and Design, a New Issue of TAILOR Returns, Artribune's Newsletter on the Culture of Clothing

Tra moda e design torna un nuovo numero di TAILOR, newsletter di Artribune sulla cultura del vestire

Artribune has announced the return of TAILOR, a specialized newsletter exploring the intersections of art, fashion, and design. The upcoming April 19, 2026 edition focuses on the synergy between fashion brands and the Milan Design Week, featuring an interview with Mauro Simionato, founder of the experimental knitwear brand Vitelli, regarding sustainable material processes and community-building.

Venice Biennale Awards Jury Won’t Consider Russia and Israel

The international awards jury for the 61st Venice Biennale has announced it will not consider countries whose leaders are charged with crimes against humanity by the International Criminal Court (ICC) for prizes. The all-women jury, chaired by Solange Farkas, published a statement on e-flux declaring this policy, which implicitly targets Russia and Israel, whose leaders Vladimir Putin and Benjamin Netanyahu face ICC warrants. The jury is responsible for awarding Golden Lions for the best national pavilion and best artist in the central exhibition. A majority of artists in the main show issued an open letter supporting the decision, while the Biennale Foundation faces criticism for allowing both nations to participate in 2026.

The New Entrance of the Louvre

La nouvelle entrée du Louvre

The article, titled "La nouvelle entrée du Louvre," reports on the upcoming redesign of the main entrance to the Louvre Museum in Paris. It also covers several other art-world stories: the return of American Rousseau works to Paris, the growing trend of outsourcing museum reception services, the New Museum's expansion, the troubled Musée des Tissus project, and Art Brussels adapting to contemporary trends.

Venice Biennale Jury Says It Won’t Consider Countries Charged with Crimes Against Humanity, Including Israel and Russia

The Venice Biennale's jury announced it will not consider nations whose leaders are charged with crimes against humanity by the International Criminal Court, effectively excluding Israel and Russia from competing for top honors. The jury, led by Videobrasil founder Solange Farkas, stated this decision aligns with curator Koyo Kouoh's vision and the Biennale's historical role as a platform connecting art to urgent issues. The ICC has issued arrest warrants for Israeli Prime Minister Benjamin Netanyahu and Russian President Vladimir Putin, while other indicted leaders like Sudan's Omar al-Bashir and Afghan officials lack Biennale pavilions.

What You Need to Know About the Venice Biennale’s Russian Pavilion Controversy

The Russian pavilion is set to return to the Venice Biennale for the first time since the 2022 invasion of Ukraine, presenting an exhibition titled 'The tree is rooted in the sky.' This has sparked significant controversy, with artists, curators, and politicians from Ukraine and several European nations calling for the pavilion's exclusion, citing the ongoing war and sanctions. The Biennale organizers have refused to remove Russia, stating they lack the authority to exclude a state recognized by Italy and emphasizing the event's role as a neutral space for cultural dialogue.

There Has Never Been an Apolitical Venice Biennale

"Es hat niemals eine unpolitische Venedig-Biennale gegeben"

The Venice Biennale is embroiled in political controversy, with the US Pavilion's selection process criticized for bypassing traditional curatorial expertise in favor of a politically connected outsider. Simultaneously, a collective of artists and academics is protesting Russia's return to the Biennale, arguing it uses art as a political instrument to normalize its actions amid the war in Ukraine. An analysis in ArtReview contends the Biennale has never been apolitical, serving as a stage for geopolitical power plays since its inception.

How Pussy Riot Is Challenging Russia’s Return to the Venice Biennale

The feminist art collective Pussy Riot is campaigning to replace the official Russian exhibition at the 2024 Venice Biennale with their own show, "Resistance Imprisoned." The alternative exhibition features art created by nearly 30 current and former political prisoners in Russia, using improvised materials like envelopes, bedding, and blood. The collective's founder, Nadya Tolokonnikova, aims to expose the country's repressive system, drawing from her own experience in a penal colony.

Unpacking the Venice Biennale controversies and highlights

The 2026 Venice Art Biennale is proceeding with a posthumous main exhibition, "In Minor Keys," curated by the late Cameroonian-born artistic director Koyo Kouoh, who died in May 2025. The event features 100 national participations, including seven first-time countries, and has reinstated Russia's pavilion after its voluntary withdrawal following the 2022 invasion of Ukraine.