The Studio Museum in Harlem has selected Derriann Pharr, Simonette Quamina, and Taylor Simmons as its 2026 Artists-in-Residence. This cohort will be the first to work in the museum's new Bruce Llewellyn Artist in Residence Center, with their residency running from March 15 to October 15, culminating in an exhibition and publication funded by the Glenstone Foundation.
Melissa Chiu has been appointed as the new director of the Guggenheim Museum in New York, departing her long-standing role at the Smithsonian’s Hirshhorn Museum and Sculpture Garden. Starting September 1, Chiu will report to Mariët Westermann, CEO of the Solomon R. Guggenheim Foundation, effectively splitting the leadership responsibilities previously held by Richard Armstrong. During her decade-long tenure at the Hirshhorn, Chiu was known for staging massive blockbuster exhibitions, including the record-breaking Yayoi Kusama "Infinity Mirror Rooms" show, though she also faced criticism for commercial ventures like a reality TV competition.
Barbara Chase-Riboud, now 86, reflects on her transformative 1958 trip to Egypt, which she undertook on a dare as a 19-year-old student at the American Academy in Rome. The journey, during which she explored the pyramids and temples of Luxor and Karnak alone, profoundly influenced her artistic practice, leading her to create abstract bronze sculptures that evoke ancient Egyptian forms. The article traces her remarkable career as a sculptor and writer, highlighting her many firsts: the first Black female artist acquired by MoMA (at age 16), the first Black woman to earn an MFA from Yale, the first living female artist to have a solo show at the Metropolitan Museum of Art, and the only visual artist to appear on the cover of Ebony.
Alissa Friedman has returned to Salon 94, the New York gallery where she spent 15 years shaping its identity, after a stint at Stephen Friedman Gallery's US outpost, which is closing. In an interview with ARTnews, she discusses the gallery's early days in the mid-2000s, its unconventional program that embraced Indigenous artists, ceramics, and design before such categories were widely accepted, and how the art world has since aligned with that vision. She also explains her departure in 2021 when founder Jeanne Greenberg Rohatyn joined LGDR, as Friedman preferred working directly with living artists.
This ARTnews industry moves roundup from December 30, 2025, reports that Fabienne Levy Gallery now represents Amit Berman, whose work is currently in a group show at the Haifa Museum of Art and was previously presented at the Jewish Museum of Venice during the 2024 Venice Biennale. Kevin Umaña has joined The Pit gallery; the New York-based artist had his first solo exhibition in Los Angeles in 2025 and received the Louis Comfort Tiffany Foundation Award that same year. Additionally, Qatar Museums and the Nita Mukesh Ambani Cultural Center have signed a five-year partnership to create educational programs in India and Qatar. The article also notes that the Bayeux Tapestry will be loaned to the British Museum in 2026, requiring a UK Treasury guarantee of $1 billion to insure the work while its French owner undergoes renovation.
The John D. and Catherine T. MacArthur Foundation announced its 2025 class of 22 MacArthur Fellows, each receiving an $800,000 no-strings-attached grant. Among the winners are several visual artists: Garrett Bradley, known for her Oscar-nominated documentary *Time* (2020) and works centering Black resistance; Gala Porras-Kim, whose practice questions how art institutions convey or conceal information about objects; Tuan Andrew Nguyen, whose films and installations explore trauma and colonization; and Jeremy Frey, a seventh-generation Passamaquoddy basket maker whose midcareer survey is on view at the Bruce Museum. Photographers Matt Black and Tonika Lewis Johnson also received fellowships, along with archaeologist Kristina Douglass and non-artists such as novelist Tommy Orange and astrophysicist Kareem El-Badry.
Bridget Finn, who became director of Art Basel Miami Beach in July 2023, has organized the 22nd edition of the fair from start to finish for the first time. In an interview days before the VIP opening at the Miami Beach Convention Center, she discussed welcoming 286 galleries, the importance of hospitality, and the fair's role in Miami's art scene. She highlighted 34 new galleries joining this year, notable works by Augusto Machado and Roberto Huarcaya, and the fair's efforts to engage diverse audiences including VIPs, institutions, and the general public.
Melissa Chiu is stepping down as director of the Hirshhorn Museum and Sculpture Garden after a decade-long tenure to lead the Solomon R. Guggenheim Museum in New York. Appointed by Guggenheim Foundation CEO Mariët Westermann, Chiu will officially assume her new role on September 1, while deputy director Aaron Seeto takes the interim helm at the Hirshhorn.
The Venice Biennale has announced the five-member jury for its 2026 edition, which will award the prestigious Golden Lion prizes. The jury president is Solange Oliveira Farkas, founder of the Videobrasil Biennial, and she will be joined by curators and academics Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi.
The Robert Rauschenberg Foundation has announced the recipients of its Rauschenberg Centennial Awards, granting $100,000 in unrestricted funds to five creators across four disciplines. The winners include Senga Nengudi for art, David Thomson for performance, Chandra McCormick and Keith Calhoun for photography, and Patricia Spears Jones for writing. Established to commemorate the late artist’s 100th birthday in 2025, the awards recognize alumni of the foundation’s Captiva Residency program who demonstrate artistic excellence and community impact.
Lauren Haynes has been appointed as the new executive director of Atlanta Contemporary, effective March 16. She succeeds interim director Everett Long, who assumed the role last summer after Floyd Hall's resignation. Haynes joins from the Trust for Governors Island, where she served as vice president of arts & culture and head curator, and brings extensive experience from institutions including the Queens Museum, the Nasher Museum, Crystal Bridges, and the Studio Museum in Harlem.
Ralph Lemon has been awarded the 2025 ARTnews Lifetime Achievement Award for his multidisciplinary practice spanning dance, drawing, painting, installation, sculpture, and writing. The article highlights his career trajectory from founding the Ralph Lemon Dance Company to disbanding it in 1995 to focus on broader artistic collaborations. Central to his work is the Geography Trilogy (1996–2004) and his long-term collaboration with Walter Carter, a former Mississippi sharecropper, whose life and family became a recurring subject. Lemon's recent exhibition "Ceremonies Out of the Air: Ralph Lemon" at MoMA PS1 (November 14, 2024–March 24, 2025), curated by Connie Butler and Thomas Lax, featured videos, found African sculptures, drawings, and a four-channel performance piece, Rant (redux), with Kevin Beasley and Okwui Okpokwasili.
Tania Willard, a mixed Secwépemc and settler artist from Neskonlith, British Columbia, has won the 2025 Sobey Art Award, receiving CAD$100,000 ($71,000). The announcement was made at the National Gallery of Canada in Ottawa. The award, established in 2002 by the Sobey Art Foundation, supports contemporary Canadian artists. The five other shortlisted artists—Tarralik Duffy, Chukwudubem Ukaigwe, Sandra Brewster, Swapnaa Tamhane, and Hangama Amiri—each receive CAD$25,000. Willard's land-based, community-focused practice centers Indigenous resurgence, and her site-specific installation *Declaration of the Understory* is on view at Bentway Staging Grounds in Toronto through spring 2026.
The Wadsworth Atheneum Museum of Art in Hartford, Connecticut, has appointed Allison Blais as its new president and CEO, effective January 2026. Blais, currently executive vice president and chief strategy and operations officer at New York’s 9/11 Memorial & Museum, will succeed Jeffrey N. Brown, who held the role for five years. The announcement was made by board chair Duffield Ashmead IV MD, who praised Blais's experience with large-scale capital projects and stakeholder engagement. Blais, a Connecticut native, expressed her long familiarity with the Wadsworth and her enthusiasm for working with museum director Matthew Hargraves.
The Getty has appointed Joan Weinstein, current director of the Getty Foundation, to the newly created role of vice president for Getty-wide program planning. She will continue as foundation director until a successor is found. In her new position, Weinstein will develop strategy across the institution's four divisions: the Museum, Research Institute, Conservation Institute, and Foundation, focusing on strengthening art historical scholarship and community partnerships. She is known for co-directing PST ART, a major Southern California collaboration, and for overseeing the LA Arts Community Fire Relief Fund and LA Arts Recovery Fund.
The Getty has appointed Joan Weinstein, current director of the Getty Foundation, to the newly created role of vice president for Getty-wide program planning. She will continue as foundation director until a successor is named, and in her new position she will develop strategy across the institution’s four divisions: the Museum, Research Institute, Conservation Institute, and Foundation. Weinstein is best known for co-directing PST ART, a major Southern California cultural collaboration, and has overseen significant grantmaking and community relief efforts, including the LA Arts Community Fire Relief Fund and the LA Arts Recovery Fund.
The Getty has appointed Joan Weinstein, current director of the Getty Foundation, to the newly created role of vice president for Getty-wide program planning. Weinstein will continue as foundation director until a successor is named, and in her new position she will develop strategy across the institution’s four divisions: the Museum, Research Institute, Conservation Institute, and Foundation, focusing on art historical scholarship and community partnerships. She is best known for co-directing PST ART, a major Southern California cultural collaboration, and has overseen significant relief funds for artists affected by wildfires and the COVID-19 pandemic.
The Nasher Sculpture Center in Dallas has awarded its 2027 Nasher Prize to Petrit Halilaj, a Kosovo-born sculptor known for works addressing his country's history and sociopolitical realities. At 40, Halilaj is the youngest recipient of the prize since its 2015 inception. The award, now given biannually, includes $100,000 and a future exhibition at the Nasher. In an unusual gesture, Halilaj will donate the entire prize purse to the Hajde! Foundation, a Kosovo-based nonprofit he co-founded in 2014 to support Kosovar artists.
The Nasher Sculpture Center in Dallas has awarded its 2027 Nasher Prize to Petrit Halilaj, making him the youngest recipient since the prize was established in 2015. The biannual award includes $100,000 and an exhibition at the Nasher, with details to be announced later. In an unusual move, Halilaj has decided to donate the entire prize purse to the Hajde! Foundation, a Kosovo-based nonprofit he cofounded with his sister in 2014 to support Kosovar artists. Halilaj, born in 1986 in Kosovo, is known for sculptures and installations that explore Kosovo's history and sociopolitical realities through a lens of childlike whimsy, often drawing on his own experience of the Kosovo War.
Meg Molloy, founder of the Working Arts Club, discusses the systemic barriers facing working-class professionals in the art world. Launched last year, the independent network provides social and professional support for arts workers from lower socioeconomic backgrounds, a demographic often excluded by the industry's reliance on unpaid internships, low entry-level salaries, and expensive urban hubs like London.
Nnena Kalu, a Glasgow-born, London-based artist known for her charged abstract works driven by rhythmic repetition, has won the 2025 Turner Prize, the U.K.'s top award for contemporary art. The announcement was made at a ceremony at Bradford Grammar School, with Kalu receiving £25,000 ($33,000) for her presentation at Bradford's Cartwright Hall Art Gallery, featuring a colorful installation of suspended bundles made from found materials like VHS tape, fabric, rope, and paper. Kalu, born in 1966, is the first learning disabled artist to be nominated for and win the Turner Prize, marking a historic milestone.
The author recounts their personal journey to meet the self-taught sculptor Thaddeus Mosley, driven by a profound impression left by his 2004 New York debut exhibition. After a late-night phone call revealed Mosley's vibrant spirit, the author reflects on the artist's decades-long practice of carving salvaged wood into towering, abstract sculptures in Pittsburgh, inspired by jazz, African visual culture, and modernist art, yet operating largely outside the mainstream art world.
Komal Shah, a prominent art collector, announced the renaming of her Shah Garg Foundation to the Making Their Mark Foundation, coinciding with a three-day forum in Washington, D.C., scheduled for March 2025. The foundation takes its name from the traveling exhibition "Making Their Mark: Works from the Shah Garg Collection," curated by Cecilia Alemani, which highlights women artists from Shah and her husband Gaurav Garg's collection. The forum, held at the Martin Luther King Jr. Memorial Library, will feature panels, keynotes, and performances organized around themes like Visionary Voices and Changemakers, with Alemani as curatorial director and Loring Randolph as director.
South African visual activist Zanele Muholi has won the prestigious 2026 Hasselblad Award, one of the highest honors in photography. The award, which includes a cash prize and a major exhibition at the Hasselblad Foundation in Gothenburg, Sweden, recognizes Muholi's decades-long dedication to documenting and celebrating Black LGBTQIA+ communities in South Africa and beyond. Their powerful portraits and self-portraits challenge historical erasure and create a profound visual archive of resistance and existence.
Yuko Mohri, a Japanese sculptor known for her assemblages of fruit and found objects, has won the Calder Prize, awarded by the Calder Foundation with a $50,000 prize. Mohri, who represented Japan at the 2024 Venice Biennale, has seen her career accelerate with international museum shows, including a recent exhibition at Pirelli HangarBicocca in Milan, which will travel to Centro Botín. She also has upcoming shows at the Bass museum in Miami, the Barbican Centre in London, and her first US gallery exhibition at Tanya Bonakdar Gallery in New York. The prize includes a residency at Atelier Calder in Saché, France.
This week's art industry moves include Allison Blais being named President and CEO of the Wadsworth Atheneum, succeeding Jeffrey N. Brown. The Onassis Foundation's ONX art-and-tech hub is expanding with a new Tribeca space opening in January 2026, debuting with the exhibition "TECHNE: Homecoming." Other appointments include Frank Lord joining Withers as senior counsel, Matthew Stavro becoming Senior Specialist at Freeman's, and Madeline Cornell as Sales Director at Morgan Presents. Galleries announced new artist representations: Anthony Meier and von Bartha jointly represent the estate of Barbara Stauffacher Solomon, Jessica Silverman now represents Lava Thomas, Kendall Koppe represents Michael Bühler-Rose, and David Kordansky Gallery takes on Tristan Unrau. The Spector Craft Prize launches with Crystal Bridges Museum partnership. A blue diamond pendant known as the Mellon Blue sold at Christie's for $25 million, a 22% drop from its previous sale. The New York Times explores whether artist-podcaster Joshua Citarella could be the "Joe Rogan of the left."
Roland Augustine, cofounder of New York's Luhring Augustine gallery, is stepping down to focus on philanthropy. Cofounder Lawrence Luhring will continue leading the gallery alongside longtime directors Lauren Wittels and Donald Johnson Montenegro, who will become equity partners. Luhring bought out Augustine's share at the end of last year, and the gallery plans to restructure in 2026, potentially changing its name within three years.
The Solomon R. Guggenheim Museum has appointed Melissa Chiu as its new director, effective September 1. Chiu joins the New York flagship after a 12-year tenure at the Smithsonian’s Hirshhorn Museum and Sculpture Garden, where she was credited with doubling attendance and significantly increasing fundraising. Her appointment is part of a leadership restructuring by Guggenheim Foundation Director and CEO Mariët Westermann, who will shift her focus toward the foundation's international outposts, including the upcoming Abu Dhabi location.
Renowned Ghanaian artist El Anatsui is currently experiencing a significant professional moment with concurrent exhibitions at White Cube in Hong Kong and Seoul, timed to coincide with Art Basel Hong Kong. The artist, known for his monumental sculptures crafted from discarded liquor-bottle caps and copper wire, recently saw his 2023 work "G6" sell for $995,000 at Sotheby’s London to benefit the Royal Academy of Arts. Now living back in Ghana after decades teaching in Nigeria, Anatsui continues to explore the fluidity of his medium, which mimics the organic processes of growth and decay.
British artist and filmmaker Steve McQueen has been awarded the 2024 Erasmus Prize by the Dutch Praemium Erasmianum Foundation. The prize includes a cash award of 150,000 euros (approximately $172,000) and a specially designed booklet featuring the script of the 16th-century scholar Desiderius Erasmus.