The article profiles the life and work of José Guadalupe Posada, a prolific Mexican printmaker who died in relative obscurity in 1913. It details his career from his early work in lithography and political cartoons to his later, defining collaboration with publisher Antonio Vanegas Arroyo in Mexico City, where he produced sensationalist broadsides and his iconic calaveras (skeletons).
Asheville-based artist Harley Burns discusses their transition from a career in public health to a full-time painting practice centered on trans and gender-nonconforming identity in the American South. The interview focuses on Burns's triptych "Buttoning Back Up" (2025), which translates a vulnerable public performance of chest-binding into a series of oil paintings that explore the hypervisibility and invisibility of non-binary bodies.
The New York Times profiles a previously overlooked or emerging artist whose work focuses on the iconography of 'caped crusaders' and superhero mythology. The feature explores the artist's journey from the periphery of the art world to a position of critical visibility, highlighting their unique aesthetic approach to pop culture figures.