I Have Always Been Drawn to the Despised

"Ich habe mich schon immer zum Verachteten hingezogen gefühlt"

Irish artist Alice Maher discusses her ongoing exploration of patriarchal structures, mythology, and the symbolic power of female hair in her practice. Her current work focuses on large-scale drawings of Sibyls—ancient female prophets—whose excessive hair serves as a metaphor for identity, power, and the 'monstrous feminine.' Maher reflects on her career-long engagement with Irish history, from collecting hair during the Troubles to her collaborative textile masterpiece, "The Map," which reclaims the legacy of Mary Magdalene from Catholic institutional narratives.

Tania El Khoury’s Soothing “Revenge Art”

Lebanese artist and Bard College professor Tania El Khoury discusses her multidisciplinary practice and her recent experience living through the escalation of conflict in Beirut. The interview highlights her interactive performance piece, "The Search for Power," which uses her own 2018 wedding blackout as a jumping-off point to investigate the colonial roots of Lebanon's systemic infrastructure failures. Originally set for a Beirut run in March, the production was postponed due to the outbreak of war.

Re-Air: The Young Painter Curators Are Rushing to Work With

Artnet News resurfaces an interview with painter Taína H. Cruz, who is featured in both the Whitney Biennial and MoMA PS1's Greater New York exhibition. Cruz, born in 1998 and a recent MFA graduate from Yale School of Painting, creates moody paintings often depicting Black female figures, drawing on African American and Caribbean folklore, horror, fantasy, and personal imagery. The interview, conducted by Ben Davis, explores her influences and her response to the sudden surge of attention from major institutions.

Cosmic Province. Between bar and studio, or the punk life of Jacopo Benassi

Provincia Cosmica. Tra bar e studio, ovvero la vita punk di Jacopo Benassi

Italian artist Jacopo Benassi, born in 1970 and shaped by the punk scene, discusses his return to his hometown of La Spezia after years in Milan, where he worked as a photographer for Rolling Stone. He describes his life revolving around his studio and local bars, and reflects on founding the underground club B-Tomic in 2011, which became a hub for his artistic and photographic work blending music and performance. He also mentions an upcoming book of drawings and texts by Renzo Daveti (alias Benzo), a formative figure from the Italian punk scene.

A brush with... Sanya Kantarovsky—podcast

Artist Sanya Kantarovsky is the subject of a podcast interview. He discusses his artistic practice, influences, and the guiding principle of 'ostranenija' or 'making strange' in his figurative paintings, which blend bodies, animals, and plants in atmospheric, often threatening scenarios.

Can You Climb a Ladder? A Conversation with Yvonne Garcia

Yvonne Garcia, owner and director of Houston's oldest operating gallery, Hooks-Epstein Galleries, discusses her journey from aspiring actor to gallery leader in a new interview. She details her initial career in acting and talent representation, her return to the art world through roles at the Museum of Fine Arts, Houston and Sicardi Gallery, and her fateful hiring by pioneering gallerist Geri Hooks in 2006.

Cathalijn Wouters’s Lyrical Practice Blurs Painting and Drawing

Amsterdam-based artist Cathalijn Wouters has joined the roster of SmithDavidson Gallery. Her practice, which blends painting and drawing through fields of color and linework, is informed by her graphic design training and a pivotal encounter with modern art at the Stedelijk Museum. She describes her process as beginning with drawings and sketches on linen treated like paper, and cites influences ranging from Marcel Proust to Egon Schiele and postwar painting.

Hans Ulrich Obrist Reveals the One Artist Who Refused to Let Him Into Their Studio

Hans Ulrich Obrist, the artistic director of London's Serpentine Galleries, revealed in an interview with the Wall Street Journal that he has never been able to secure a studio visit with the reclusive painter Jasper Johns. Obrist, known for his extensive artist interviews and visits, stated that Johns, now 95, "doesn't see anyone," making him the one artist who has consistently refused Obrist's requests.

What is it like to be a young artist in Milan today? Denise Ceragioli answers

Com’è oggi essere una giovane artista a Milano? Risponde Denise Ceragioli

The article features an interview with young Milan-based artist Denise Ceragioli, who discusses the challenges and realities of sustaining an artistic practice in the city after graduating from the Brera Academy. She details her journey of finding a studio, the evolution of her painting from figurative to highly material-based work involving wax, and the importance of building relationships within Milan's art ecosystem of institutions, galleries, and independent spaces.

Kengo Kuma: "The first time architecture moved me, it was a church"

Kengo Kuma : « La première fois qu’une architecture m’a ému, c’était celle d’une église »

Renowned Japanese architect Kengo Kuma discusses his design philosophy and his recent intervention at the Angers Cathedral in France. He emphasizes a "dialogue with the place" over architectural ego, focusing on topography, local materials, and the Japanese concept of wabi-sabi, which finds beauty in the aging of materials over time. Kuma reflects on how his first emotional encounter with architecture occurred in a Christian chapel as a child, an experience that continues to inform his use of light and verticality.

How is ethical knitwear made? The founder of Milanese brand Vitelli explains

Come si fa maglieria etica? Il fondatore del brand milanese Vitelli ci spiega

Mauro Simionato, founder of the Milanese brand Vitelli, discusses the evolution of his label as it returns from a year-long hiatus. Known for its 'Doomboh' regenerative process, Vitelli utilizes recovered yarns and vintage 1980s machinery to transform knitwear into a medium for aesthetic and cultural experimentation. The brand draws heavy inspiration from the 'Gioventù Cosmica' counterculture scene, blending music, material culture, and inclusive community-building into its production model.