Madeleine Grynsztejn, the director of the Museum of Contemporary Art Chicago since 2008, will step down at the end of 2026. Her departure marks the end of an 18-year tenure during which she significantly expanded the museum's budget and collection, secured major donations, and launched high-profile exhibitions and artist-focused programs.
Chinese artist Sun Yitian has partnered with the Samsung Art Store to feature her large-scale painting "Ken" (2023) as part of the Art Basel Hong Kong 2026 digital collection. The work, which depicts Barbie’s male counterpart at a massive three-meter scale, explores themes of mass production, the male gaze, and the hollow nature of modern plastic icons. The collaboration marks a bridge between Sun's physical painterly practice and the digital accessibility of contemporary art on domestic screens.
Un hommage à deux grands marchands
Two major Parisian art dealers, Giovanni Sarti and Jean-Marie Rossi, have recently retired. This spring, exhibitions are being held to honor their pivotal roles as discoverers of artistic treasures, highlighting specific masterpieces they brought to light, such as the 'Sarti Madonna' attributed to Duccio and Bramantino's 'Pietà Artaria'.
Lorena Bradford, the first head of Accessible Programs at the National Gallery of Art, has left the institution after pioneering numerous initiatives to make museums more inclusive. Her work included launching American Sign Language tours, creating programs for individuals with memory loss, and spearheading the Short Description Project to provide detailed online artwork descriptions.
Lavoro nell’arte: opportunità da Accademia Belle Arti Catania, MADRE Napoli, Camera Austria, Teatro Maggio Musicale Fiorentino
Several prominent Italian and international cultural institutions have launched open calls for professional roles, residencies, and artistic competitions. Key opportunities include the search for a new director at the MADRE Museum in Naples with a three-year contract, a social media manager position at the Teatro del Maggio Musicale Fiorentino, and various residency programs for photographers and designers at the Academy of Fine Arts in Catania and Camera Austria in Graz.
The article profiles acclaimed portraitist Nasir Shehzad, who has spent over four decades preserving and advancing the art of portraiture and cinematic painting in Abbottabad, Pakistan. His artistic journey began in childhood and gained early recognition through scouting competitions in the 1980s, leading him to professional cinematic painting by 1989. Shehzad has since become a central figure in the local art community through mentorship, founding his own creative platform, and participating in numerous exhibitions and residencies across the country, including recent shows at major institutions like the Lahore Museum and Pakistan National Council of the Arts.
「NCAR×AWARE 女性アーティストリサーチフェローシップ」の第1回採択者が決定
The National Center for Art Research (NCAR) and Archives of Women Artists, Research and Exhibitions (AWARE) have announced the first recipients of their joint research fellowship dedicated to women artists in Japan. Sculptor and critic Nodoka Odawara and Tokyo Photographic Art Museum curator Yuri Yamada were selected from 19 applicants to conduct specialized research on marginalized female figures in Japanese art history. Odawara will focus on pioneering female sculptors Kamono Ota and Toko Kuhara, while Yamada will investigate early female photographers from the Meiji to early Showa eras, including Ryu Shima and Yoshino Hanawa.
Come si fa maglieria etica? Il fondatore del brand milanese Vitelli ci spiega
Mauro Simionato, founder of the Milanese brand Vitelli, discusses the evolution of his label as it returns from a year-long hiatus. Known for its 'Doomboh' regenerative process, Vitelli utilizes recovered yarns and vintage 1980s machinery to transform knitwear into a medium for aesthetic and cultural experimentation. The brand draws heavy inspiration from the 'Gioventù Cosmica' counterculture scene, blending music, material culture, and inclusive community-building into its production model.