Fatima Hellberg, the newly appointed director of Vienna's mumok (Museum Moderner Kunst Stiftung Ludwig), has outlined her inaugural exhibition program and curatorial philosophy. Her first season, launching in June, will feature Kate Millett's newly acquired 1972 installation 'Terminal Piece,' an installation by scenographer Anna Viebrock, and a project by artist Tolia Astakhishvili.
Several key personnel changes occurred in the art world this week. Boston gallery Praise Shadows hired Rebecca Hayes as its new Sales Director, while Hong Kong's Para Site appointed curator James Taylor-Foster as its Executive Director. Concurrently, galleries Lehmann Maupin and Jessica Silverman announced a co-representation agreement for artist Guimi You, and London's Timothy Taylor gallery revealed it will close its New York outpost after ten years.
Laura Phipps has been appointed director of the Gochman Family Collection, a private collection focused on contemporary Indigenous art. She joins from the Whitney Museum of American Art, where she was an associate curator, and will oversee the collection's strategic direction and the opening of its new 10,000-square-foot exhibition space in Katonah, New York this fall.
The Haystack Mountain School of Crafts, supported by the Windgate Foundation, has announced the eight recipients of its inaugural Artist Grant Initiative. Each emerging artist received an unrestricted $10,000 grant and participated in an online mentorship program with artists Vivian Chiu and Cedric Mitchell. The 2025 cohort, selected by jurors Curtis Arima and Annie Evelyn, includes Aminata Conteh, David Gutierrez, Payton Harris-Woodard, Celina Hernandez, Jason McDonald, Alex Paat, David Vuong, and Tzyy Yi (Amy) Young.
Hyperallergic is hosting an online member event on April 15 featuring a conversation with social justice artist and 2025 MacArthur Fellow Tonika Lewis Johnson. The event will focus on her community-driven projects, including the "Folded Map Project," and will include readings from her 2024 book, *Don’t Go: Stories of Segregation and How to Disrupt It*.
Amandine Blier : « Aura est le nouveau nom d’Edeis Culture »
Trévise Participations, the holding company of the Noisiez family, has consolidated its cultural activities by granting autonomy to its subsidiary Edeis Culture and rebranding it as Aura. Amandine Blier, a seasoned communications professional with experience at the City of Versailles and the opening of Citéco, has been confirmed as the head of the new entity, which manages eight cultural sites including venues in Nîmes and the recently won concession for the Villa Kérylos.
Gala Alica, a prominent contemporary artist, has been appointed as the new Artistic Director of the prestigious Kunsthalle Basel. The interview details her vision for the institution, which includes a renewed focus on interdisciplinary projects and supporting emerging artists from underrepresented regions.
Tobias Berger, a veteran curator who held senior roles at Hong Kong’s M+ and Tai Kwun, has transitioned from the public sector to lead two new private initiatives: Serakai Studio and the Tanoto Art Foundation. Ahead of Art Basel Hong Kong, Berger is launching "Gold," an experimental salon space in Wong Chuk Hang that merges contemporary art with design and fashion. These roles mark a shift toward agile, privately funded cultural models that prioritize regional focus and experimental programming over the bureaucratic structures of large public museums.
London-based gallerist and advisor Varvara Roza has established a unique business model that merges commercial representation with strategic artist development and collector education. Drawing from her background as a second-generation collector, Roza’s eponymous gallery focuses on mid-career and established international artists, prioritizing long-term career sustainability over short-term market trends. Her approach emphasizes a dual perspective, acting as both a mediator of cultural value and a strategic manager for her roster.
Artnet News has published its second annual Innovators List, highlighting 35 individuals from across the global art world who are driving change. The list, curated with input from 50 art-world leaders, features a diverse range of ages and geographies, spotlighting pioneers in digital art, institutional reform, new sales models, and Web3.