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the monument maker barbara chase riboud 2650705

Barbara Chase-Riboud, now 86, reflects on her transformative 1958 trip to Egypt, which she undertook on a dare as a 19-year-old student at the American Academy in Rome. The journey, during which she explored the pyramids and temples of Luxor and Karnak alone, profoundly influenced her artistic practice, leading her to create abstract bronze sculptures that evoke ancient Egyptian forms. The article traces her remarkable career as a sculptor and writer, highlighting her many firsts: the first Black female artist acquired by MoMA (at age 16), the first Black woman to earn an MFA from Yale, the first living female artist to have a solo show at the Metropolitan Museum of Art, and the only visual artist to appear on the cover of Ebony.

Frank O’Hara’s Curatorial Eye

The article examines the largely overlooked curatorial work of poet Frank O'Hara during his tenure at the Museum of Modern Art in New York. It details his role in organizing significant exhibitions, championing emerging artists like Robert Rauschenberg and Jasper Johns, and his influential collaborations with artists such as Larry Rivers.

Did Andrea Fraser’s Career Bloom Because Her Mother’s Career Died?

A New York Times article examines the complex relationship between artist Andrea Fraser's career and her mother's unfulfilled artistic ambitions. It details how Fraser's mother, a talented painter, largely abandoned her own practice to support her daughter's education and early career, a sacrifice that Fraser has grappled with both personally and within her institutional critique-focused artwork.