Jean-Marc Bottazzi, a Japanese bond trader and collector based in Hong Kong, discusses his philosophy of collecting in an interview with The Art Newspaper. He emphasizes deep, focused support of artists rather than acquiring a superficial variety, citing his extensive holdings of over 100 works by the 96-year-old Japanese artist A-Yo and deep collections of Abstract Expressionism, Gutai, and conceptual photography.
Waddington Custot, a cornerstone of London’s art scene, is formalizing its leadership succession as Victor Custot joins his father, Stéphane, as board director. The younger Custot, who transitioned from a career in tech, is now spearheading the gallery’s strategic expansion. Central to this new chapter is a significant move toward Paris, reflecting a broader shift in the European art market landscape following Brexit.
Massachusetts-based painter John McAllister has been named the winner of the inaugural Dallas Art Prize. The award includes a $20,000 cash prize and the consideration of his work for the permanent collection of the Dallas Museum of Art. McAllister, who is represented by James Fuentes Gallery, is recognized for his vibrant, non-traditional landscapes that utilize a palette of pinks, purples, and yellows to evoke emotional responses rather than literal depictions of nature.