Multidisciplinary artist Trevor Paglen has been awarded the 2026 LG Guggenheim Award. The honor, established by the Solomon R. Guggenheim Museum and LG, includes an unrestricted $100,000 grant and recognizes artists working at the intersection of art and technology.
Five Gen Z art collectors are profiled, revealing their distinct approaches to acquiring art. They prioritize direct relationships with artists, often via social media, and favor emerging and digital art, with many focusing on artists from their own generation and diverse backgrounds.
Artnet News has published its second annual Innovators List, highlighting 35 individuals from across the global art world who are driving change. The list, curated with input from 50 art-world leaders, features a diverse range of ages and geographies, spotlighting pioneers in digital art, institutional reform, new sales models, and Web3.
sarah alruwayti on riyadhs shift from vision to execution interview
Sarah Alruwayti, director of the Tuwaiq Sculpture Symposium, discusses the evolution of Riyadh Art’s public art initiatives under Saudi Arabia’s Vision 2030. The symposium has grown from a local project into a global open-call forum, commissioning over 120 international sculptors to create permanent works using local materials like Saudi granite and reclaimed metal. The latest edition, themed "Traces of What Will Be," focuses on urban transformation and the historical context of Riyadh’s changing landscape.
Maria Balshaw, the director of Tate, will step down in the new year after nine years at the helm, the museum announced Friday. Appointed in 2017, Balshaw was the first woman to lead the institutional network, which includes Tate Modern and Tate Britain. Her tenure was marked by a substantial diversification of Tate’s collection and programming to spotlight new art forms, indigenous artists, and artists from the Global South. She also oversaw the launch of a landmark £150 million endowment fund for Tate Modern to address financial woes. Memorable exhibitions included surveys of pre-internet digital artists, modern art in Nigeria, and retrospectives for Leigh Bowery, Isaac Julien, Yoko Ono, and Emily Kam Kngwarray.
Maya Man, an artist who earned her MFA from UC's Media Art program in 2023, is the subject of a conversation with critic Ben Davis. Her work *A Realistic Day in My Life Living in New York City* is the first commission for the Whitney Museum's 'On the Hour' program, appearing on the museum's website for 30 seconds each hour. Man also founded the experimental art space HEART in New York City, which operated briefly but left a significant impact on the online/offline art scene before closing earlier in 2025.
Jacob Pabst, CEO of Artnet, reflects on the company's transformation since taking the helm in 2012, including the launch of Artnet News in 2014 as a digital-first publication. In an interview, he discusses how the platform grew to become the most-read art publication globally, with over 200 million annual page views, by prioritizing real-time news and market analysis over traditional print cycles.
Paul Slocum, artist and gallerist, celebrated the 20th anniversary of his Dallas-based And/Or gallery, a pioneering space dedicated to new media and digital art. The gallery, founded in 2006, has championed early internet and computer-based artists like Cory Arcangel and Petra Cortright, operating from a DIY ethos largely independent of the traditional art market.
Ernest Edmonds, a pioneering computer artist, discusses his six-decade career and his latest exhibition 'Networked' at Gazelli Art House in London. The interview covers his early works from 1968, including 'Nineteen' and 'Communications Game', and his ongoing exploration of human-machine interaction through interactive installations, videos, and algorithmic systems. His latest piece, 'Quantum Tango', continues his interest in networked interactivity. The article also highlights his collaborations with fellow pioneers like Stroud Cornock and his inclusion in the 2015 exhibition 'Primary Codes' in Rio de Janeiro.
Chinese artist Sun Yitian has partnered with the Samsung Art Store to feature her large-scale painting "Ken" (2023) as part of the Art Basel Hong Kong 2026 digital collection. The work, which depicts Barbie’s male counterpart at a massive three-meter scale, explores themes of mass production, the male gaze, and the hollow nature of modern plastic icons. The collaboration marks a bridge between Sun's physical painterly practice and the digital accessibility of contemporary art on domestic screens.
Digital artist Mike Winkelmann, known as Beeple, is expanding his practice beyond the record-breaking NFT sale of *Everydays: The First 5,000 Days* (2021) into interactive video sculptures and public art. His latest works, *The Tree of Knowledge* (2024) and *Diffuse Control* (2025), debut this month at SXSW London and The Shed in New York, respectively. These generative pieces allow ongoing collaboration between artist, owner, and public, building on his earlier kinetic sculpture *Human One* (2021), which has toured globally. Beeple continues his daily social media posts (Everydays) as a form of satire and commentary on technology and media noise.
Jonathon Sturgeon has been appointed deputy editor of Artnet News. Sturgeon brings nearly a decade of experience editing arts and culture coverage, having written for publications including Flavorwire, American Reader, n+1 Magazine, e-flux, the Guardian, the Paris Review, Frieze, and the Baffler. He will work closely with editor-in-chief Rozalia Jovanovic to guide the editorial process, handling both news stories and long-form features.
Jacob Pabst, CEO of Artnet AG, resigned late Sunday night just before the company's annual general meeting in Berlin. His contract had expired at the end of August, and he cited a failure to reach an agreement on continuing. Andrew E. Wolff, who holds about 98.93% of Artnet shares and also owns rival platform Artsy, will serve as interim CEO. The meeting proceeded without Artnet management present, leading to criticism from investor-protection group DSW. Shareholders were given an overview of 2024 finances and approved the creation of authorized capital for a possible increase of up to 50% of share capital. Former major shareholder Rüdiger K. Weng announced he will pursue civil and criminal claims against members of the founding Neuendorf family and board members.
Artist Walter Paul Bebirian discusses the Volord Kingdom Art Collection, a vast and growing trove of hundreds of thousands of digital artworks he has created over decades. In an interview with Artnet News, Bebirian recounts significant personal challenges since 2022, including a stroke in April 2023 that led to rheumatoid arthritis, limiting his mobility and forcing a hiatus from his practice. He lowered his prices to make his art more affordable and gradually resumed work despite physical difficulties. The collection, born from a need to unify his oeuvre and create a generative artistic world, blends abstraction and representation, photography and digital imagination.
Artist Jehan Legac, originally from Paris and based in Bangkok, discusses his practice of oil painting and photorealistic surrealism in an interview. His work, which explores femininity, sensuality, and sci-fi or fantasy narratives, has been exhibited at Nave8 Gallery in Ibiza, Saba Gallery in Miami, and Chaiyos Gallery in Bangkok. Legac describes his creative process as a slow, intuitive dialogue with the medium, emphasizing patience and emotional depth over intellectual understanding.
Curator Miranda Lee is redefining the presentation of digital and physical art by prioritizing "spatial practice" and the ethics of attention over the art world's typical demand for speed and novelty. Through major projects like RECRAFTED and the MULT Island virtual platform, Lee designs exhibition layouts and digital environments that incorporate "pause points," encouraging viewers to linger and reflect rather than succumb to frictionless scrolling. Her work spans physical galleries in Shanghai and London, as well as immersive virtual spaces, consistently focusing on how identity is staged across different environments.