Fee or free? How entry charges affect museums in the US

The article examines the financial impact of eliminating or reducing admission fees at US museums, using Baltimore's Walters Art Museum and Baltimore Museum of Art as case studies. While the Walters saw a 45% attendance increase and a tripling of minority participation after going free in 2006, the surge did not generate enough ancillary revenue from merchandise, food, or memberships to offset lost ticket income. Over time, attendance at both institutions declined—by 18.6% at the Walters and 12.7% at the BMA—according to a 2021 survey. Experts like former Met president Daniel Weiss and economist John Silvia argue that free admission often fails to meaningfully boost visitation and can strain museum finances.

In Washington, the Women's Museum will not see the light of day

À Washington, le Musée des femmes ne verra pas le jour

The U.S. House of Representatives has rejected a bill to establish the Smithsonian American Women's History Museum on the National Mall in Washington, D.C., after a bipartisan consensus collapsed. The original bill, introduced by Republican Representative Nicole Malliotakis in February 2025, had over 230 co-sponsors and aimed to allocate a site opposite the National Museum of African American History and Culture. However, an amendment by Representative Mary Miller redefined the museum's mission as dedicated to "biological women," explicitly excluding transgender women, and removed references to diversity. The committee approved the amendment along party lines (7-4), leading to the bill's failure to secure the necessary votes.

Management of Mont-Saint-Michel by the Centre des Monuments Nationaux Called into Question

La gestion du Mont-Saint-Michel par le Centre des Monument Nationaux remise en question

On May 20, the French newspaper La Lettre reported that Prime Minister Sébastien Lecornu has decided to transfer management of the Mont-Saint-Michel abbey from the Centre des monuments nationaux (CMN) to the Établissement public du Mont-Saint-Michel (EPMSM), which currently handles the bay, parking, and shuttles. The CMN, which administers the abbey and 110 other national monuments, has denounced the move as opaque and lacking impact studies or consultation. Unions including CGT-Culture and CFDT-Culture warn that losing the abbey's revenue—1.4 million annual visitors generating over 15% of CMN's income—would jeopardize maintenance of less profitable sites and restoration projects.

Simone Venturini is the new mayor of Venice: here's what he wants to do for culture (and yes, the councilor will return)

Simone Venturini è il nuovo sindaco di Venezia ecco cosa vuole fare per la cultura (e sì, tornerà l’assessore)

Simone Venturini, a 38-year-old center-right candidate, has been elected mayor of Venice in a surprise first-round victory on May 25, 2026. Born and raised in Marghera, Venturini entered politics at 22 and is seen as the protégé of outgoing mayor Luigi Brugnaro. His campaign emphasized daily belonging and crisis management experience, from the pandemic to overtourism.

Pourquoi ce secret autour du Désespéré de Gustave Courbet ?

Gustave Courbet's painting *Le Désespéré* (1843-1845), owned by Qatar Museums Authority, was loaned to the Musée d'Orsay in Paris. The French art publication La Tribune de l'Art requested the loan agreement under transparency laws, but the museum refused, citing a confidentiality clause. The publication then appealed to the Commission d'Accès aux Documents Administratifs (CADA), which has not responded for five months. Separately, the heritage association Sites & Monuments made a similar request to the Ministry of Culture and received a negative response from CADA in March 2026, citing a Conseil d'État ruling that disclosure could harm France's foreign policy.