President Donald Trump announced the planned closure of the John F. Kennedy Center for the Performing Arts for up to two years, starting July 4, as part of a major renovation project. The closure, pending board approval, aims to transform what Trump called a "tired, broken, and dilapidated" facility into the "finest Performing Arts Facility of its kind."
South Africa’s official pavilion at the Venice Biennale will remain empty this year following the government's abrupt cancellation of artist Gabrielle Goliath’s planned exhibition. The controversy erupted when Culture Minister Gayton McKenzie pulled the project just days before the deadline, labeling Goliath’s work "highly divisive" due to its inclusion of a tribute to Palestinian poet Hiba Abu Nada. Despite the official ban and a failed court challenge by the artist and curator, the work, titled *Elegy*, will now be staged independently at the Chiesa di Sant’Antonin nearby.
À Rome, l’extension de la Galerie Borghèse provoque une fronde
The Galleria Borghese in Rome has sparked controversy by initiating a feasibility study for a new building attached to its 17th-century villa. Museum director Francesca Cappelletti, in office since 2020, cites the need to increase visitor capacity, improve security, and create spaces for mediation, conferences, and temporary exhibitions. The museum, which saw nearly 630,000 visitors in 2025, operates with strict two-hour time slots capped at 180 people, often sold out in high season. Engineering firm Proger has offered to fund the study for €875,750 in exchange for institutional visibility, and Rome's mayor Roberto Gualtieri has declared the project of public interest.
Indigenous Brazilian leader Ninawa Huni Kui has condemned the Science Museum in London for accepting sponsorship from BP on the eve of its new exhibition, *Water, Pantanal, Fire*, which highlights climate breakdown in Latin America. The exhibition focuses on the Pantanal wetland, a threatened ecosystem spanning Brazil, Paraguay, and Argentina. Huni Kui called BP's sponsorship "dirty funds stained with blood," and was joined by activists from 350.org and Culture Unstained in criticizing the museum for partnering with a major fossil fuel company while presenting a show about climate impacts.