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Cologne Cathedral, Germany’s most-visited landmark and a UNESCO World Heritage site, has announced it will begin charging tourists an admission fee starting this fall. The decision comes as the institution faces rising operating costs and depleted financial reserves following the pandemic, despite its recent surge in popularity on platforms like TikTok.
A nationwide general strike, called for Friday, January 30, 2026, in protest of U.S. Immigration and Customs Enforcement (ICE) operations in Minneapolis, has prompted numerous art galleries and organizations to close their doors. Major commercial galleries like Gagosian, David Zwirner, Hauser & Wirth, and Pace Gallery, alongside institutions such as the Museum of Contemporary Art Los Angeles and the Drawing Center, are participating in the shutdown.
A partial U.S. government shutdown occurred after the Senate passed a funding package but temporarily blocked additional funding for Immigration and Customs Enforcement (ICE). Unlike the previous shutdown, this one does not affect major cultural institutions; the Smithsonian Institution, the National Gallery of Art, the National Endowment for the Arts (NEA), and the National Endowment for the Humanities (NEH) remain open because their funding was approved on time.
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Federal immigration enforcement operations in Minneapolis, led by U.S. Customs and Border Protection and ICE under Operation Metro Surge, have resulted in the deaths of two American citizens, poet Renee Good and nurse Alex Pretti, near major art institutions. The violence and subsequent shelter-in-place orders have directly impacted the local arts community, forcing school closures, remote learning, and causing widespread fear.
The Andy Warhol Foundation for the Visual Arts is launching a new grant program to support U.S.-based visual arts nonprofits with budgets under $200,000, offering awards between $20,000 and $30,000. The program will begin accepting applications for its Spring 2026 grant cycle, with a deadline of March 1. This marks a significant expansion of the foundation's previous focus, which had been on organizations with budgets of $300,000 or more.
The Walker Art Center in Minneapolis is navigating the civic distress caused by 'Operation Metro Surge,' a federal immigration enforcement initiative that has disrupted the lives of local artists, staff, and residents. In response to the atmosphere of fear and the shift to virtual schooling, the museum has positioned itself as a sanctuary, offering art-making kits, indigenous-led workshops, and public screenings to foster community resilience.
Peru's Culture Ministry has reduced the protected area surrounding the Nazca Lines by nearly half, from approximately 2,162 square miles to 1,235 square miles. The move shrinks the Nazca Archaeological Reserve, a UNESCO World Heritage Site, and archaeologists warn it could expose the ancient geoglyphs to exploitation by informal miners seeking to legitimize their operations amid a global surge in precious metal prices.
A new Otis College Report on the Creative Economy, titled "In the Shadow of the Pandemic Cliff," was presented at the Getty Center in Los Angeles. The report, prepared by Westwood Economics and Planning Associates, analyzes financial data from 2011 to 2023 for nonprofit cultural organizations in Los Angeles County, including museums, art schools, and performing-arts groups. It reveals that while revenues for these nonprofits surged by 47% during the early pandemic years due to special relief funding, that support has since faded. By 2023, 60% of surveyed organizations reported less public funding and 51% saw declines in private donations, a trend the report calls the "Covid cliff."