Theaster Gates gifts David Drake pot from his collection to enslaved ceramicist’s descendants

Artist Theaster Gates has gifted a 19th-century ceramic vessel by the enslaved potter David Drake, known as Dave the Potter, to Drake's descendants. The gesture is part of Gates's exhibition "Dave: All My Relations" at Gagosian in New York, which also features a second Drake pot recently restituted by the Museum of Fine Arts, Boston. Gates pulverized 45 of his own ceramic works to create a plinth for the vessel, framing the act as a "poetic justice" that elevates Drake's legacy above his own.

leon black art collection revealed jeffrey epstein file

A 51-page document released as part of the Jeffrey Epstein files appears to catalog the extensive private art collection of billionaire collector and former MoMA board chair Leon Black. The document, which lists works by masters from Michelangelo to Picasso under corporate entities linked to Black, reveals valuations and details of a collection largely kept from public view, including works held as promised gifts to major museums like MoMA and the Metropolitan Museum of Art.

strongan african artist collective calls museums rectify their debt plantation workers seven easy steps strong

The Congolese Plantation Workers Art League (CATPC), an artist collective based at a plantation in the Democratic Republic of Congo, has released a toolkit titled "Seven Easy Steps for Museums to Liberate the Plantations that Funded Them." The toolkit urges major museums—including London's Tate Britain, Cologne's Ludwig Museum, the Stedelijk Museum in Amsterdam, and the Van Abbemuseum in Eindhoven—to acknowledge and rectify their historical reliance on plantation wealth and exploited labor. CATPC presented the toolkit at a restitution conference at the Wereldmuseum in Amsterdam, organized with the Mondriaan Fund. The collective, founded in 2014, creates art from chocolate and has exhibited internationally, including at the 2024 Venice Biennale and the 2017 Armory Show.

parthenon marbles update

Greece is building a cultural coalition with Italy to strengthen its campaign for the return of the Parthenon Marbles from the British Museum. Italy's culture minister Alessandro Giuli pledged support during a visit to Athens and announced the repatriation of 145 ancient coins. Greek culture minister Lina Mendoni is leading efforts to build international backing, and the two countries have devised joint cultural initiatives, including an exhibition of modern Greco-Italian metaphysical painters. Meanwhile, the U.K.'s Labour government has taken a neutral stance on the issue, departing from the previous Conservative government's opposition, and negotiations between Greece and the U.K. are described as "ongoing and constructive."

British artist says the Met ‘should take responsibility’ for dress copyright dispute

British artist Anouska Samms has publicly criticized the Metropolitan Museum of Art in New York over a copyright dispute involving a dress displayed in the Met Gala opening exhibition. Samms claims the museum included a garment called the Nervina Hair Dress, which she says is a copy of her collaborative work Hair Dress, created with fashion designer Yoav Hadari during their residency at the Sarabande Foundation. The Met had expressed interest in acquiring the original dress for its Costume Art exhibition but shelved those plans in December. Samms says she was not credited or paid, while Hadari acknowledges her IP rights over the textile but asserts the design and construction are his own. The Met has declined to comment, directing the artists to resolve the matter themselves.

Famous Cranach painting spotted in rare photograph of Hitler’s apartment

A rare photograph from the early 1940s reveals that Lucas Cranach the Elder's painting *Cupid complaining to Venus* (1526-27), now a masterpiece in the National Gallery, London, once hung in Adolf Hitler's private Munich apartment. The image, previously published in Germany by provenance expert Birgit Schwarz, appears for the first time in an English-language publication. The painting was acquired by the National Gallery in 1963 from E. and A. Silberman Galleries in New York, which provided a false provenance. It had been taken from a warehouse of recovered art in 1945 by American journalist Patricia Lochridge, who smuggled it into the United States.

France’s new restitution law passes final vote

The French parliament has officially passed framework legislation establishing a legal pathway for the restitution of cultural artifacts looted from former colonies. This landmark law, inspired by a report from former Louvre director Jean-Luc Martinez, allows for the deaccession of items taken by force or under duress between 1815 and 1972. While the law fulfills a 2017 pledge by President Emmanuel Macron, it remains strictly supervised, requiring bilateral scientific committees to verify claims and excluding military archives and archaeological shares.

Lost Parthenon Piece Unearthed From Lord Elgin’s Shipwreck

A small marble fragment from the Parthenon has been recovered from the wreck of the Mentor, a ship owned by Lord Elgin that sank in 1802 while transporting sculptures from the Acropolis to Britain. The fragment, discovered off the Greek island of Kythira by the Greek Ministry of Culture's underwater antiquities unit, is a decorative gutta likely from the temple's entablature or roof edge.

France Returns Looted Talking Drum to Côte d’Ivoire

france returns looted talking drum cote divoire

France has officially returned the Djidji Ayôkwé, a historic "talking drum," to the Republic of Côte d’Ivoire during a ceremony at the Musée du Quai Branly in Paris. The 940-pound artifact, which was used by the Atchan people to communicate across distances and warn of colonial troop movements, was seized by French authorities in 1916 to suppress local resistance. After decades in French collections, the drum is being transferred to the Museum of Civilizations in Abidjan following a specific vote by the French parliament.

mfa boston david drake vessels restitution

The Museum of Fine Arts, Boston has restituted two large-scale ceramic vessels by David Drake, an enslaved potter, to his known descendants. The works—a "Poem Jar" and a "Signed Jar," both from 1857—were acquired by the museum in 1997 and 2011 respectively. On October 16, the MFA deaccessioned the jars and transferred ownership to Drake's descendants via the Dave the Potter Legacy Trust. The museum then repurchased the "Poem Jar," which re-entered the collection on October 23, while the "Signed Jar" remains with the family on long-term loan to the museum. The decision followed discussions prompted by the exhibition "Hear Me Now: The Black Potters of Old Edgefield, South Carolina," co-organized with the Metropolitan Museum of Art.

mfa boston to rescind promised gift of benin bronzes close dedicated gallery

The Museum of Fine Arts, Boston, will return a promised gift of Benin Bronzes and close its dedicated Benin gallery on April 28, 2025. The gallery will be repurposed for Nubian art. The collection, pledged by Robert Owen Lehman, includes objects traceable to the 1897 British looting of the Kingdom of Benin. Lehman has donated five objects outright, which will be displayed in the Art of Africa Gallery. The MFA stated it could not reach a mutually agreeable resolution for the gallery's long-term sustainability.

The Founders of Open Restitution Africa (ORA) on Their New Open Data Platform

On March 31, the research initiative Open Restitution Africa (ORA) launched the ORA Open Data Platform, a database providing information on the restitution of African artifacts and ancestral remains. Developed over six years by ORA’s all-woman, pan-African team, the site uses case histories and AI-powered tools to offer practical insights into the return process, available in French and English. It presents 25 case histories spanning 200 years, using data visualizations, essays, and interactive tools to help individuals and communities develop their own restitution strategies. ARTnews interviewed founders Chao Tayiana Maina and Molemo Moiloa about the project's origins and goals.

vatican returns cultural objects indigenous groups canada

The Vatican will return several dozen cultural objects, including an Inuit kayak, to Indigenous communities in Canada. The objects are housed in the Vatican Museum's Anima Mundi ethnographic collection and have been subject to scrutiny from Indigenous advocates who argue that cultural heritage stolen during colonial periods should be repatriated. The return follows Pope Francis's 2022 "penitential pilgrimage" to Canada, where Indigenous leaders requested the return of war clubs, masks, and wampum belts. The Vatican plans to use a "church-to-church" model, handing the objects to the Canadian Conference of Catholic Bishops, with the understanding that Indigenous communities will be the ultimate custodians. An announcement is expected in the coming weeks, with the objects potentially arriving in Canada by the end of 2025.

British Museum's looted ewer set for return to Ghana on long-term loan

The British Museum is expected to loan the 14th-century Asante Ewer to Ghana on a long-term basis, following discussions between the Manhyia Palace Museum in Kumasi and the London institution. The ewer, made in England and later looted from the Asante royal palace in 1896, has been in the British Museum's collection ever since. Ivor Agyeman-Duah, director of the Manhyia Palace Museum, plans to travel to London to make a formal loan request on behalf of Asantehene Otumfuo Nana Osei Tutu II. The British Museum has already lent other looted artefacts to the Ghanaian museum, and the loan would likely be for three years, with Ghanaian authorities acknowledging British Museum ownership.

france national assembly vote bill looted artifacts

The French National Assembly has unanimously passed a landmark bill designed to streamline the restitution of cultural artifacts looted during the colonial era between 1815 and 1972. This legislative framework aims to replace the previous requirement for individual laws for every return, fulfilling a long-standing pledge by President Emmanuel Macron to restore African heritage. While the vote was unanimous, the debate was contentious, with critics arguing over the omission of the word "colonialism" to avoid far-right backlash regarding national "repentance."

Proposed Restitution Law in France Advances in National Assembly

The French National Assembly’s Cultural Affairs Committee has approved a landmark bill aimed at streamlining the restitution of cultural property looted from Africa during the colonial era. Moving away from the previous requirement for case-by-case legislation, the new framework allows restitutions to be ordered by ministerial decree, provided they fall within the 1815–1972 timeframe. This advancement follows years of debate sparked by President Emmanuel Macron’s 2017 pledge and the influential 2018 Sarr-Savoy report.

In historic move, MFA Boston returns works by 19th-century enslaved artist David Drake to his heirs

The Museum of Fine Arts (MFA) Boston has agreed to return two 1857 ceramic jars by David Drake, an enslaved Black potter, to his living descendants. One vessel will remain on loan to the museum for at least two years, while the other—the "Poem Jar"—has been purchased back by the MFA from the heirs for an undisclosed sum, now carrying a "certificate of ethical ownership." The museum acknowledges that Drake created the works involuntarily and without compensation, marking the first time the MFA has resolved a claim for art wrongfully taken under U.S. slavery.

French government adopts bill for restitution of colonial-era objects

The French government has adopted a bill that facilitates the restitution of cultural objects plundered from former colonies, eight years after President Emmanuel Macron pledged to return African heritage. Presented by Culture Minister Rachida Dati, the bill maintains that French public collections are inalienable but creates an exemption for items taken by force between 1815 and 1972. Restitution requests must come from foreign states, be for public preservation and display, and involve items allegedly stolen, looted, or sold under duress. A bilateral scientific committee will examine each case, with final approval from the Conseil d'État. The bill aims to replace the current slow, case-by-case legislative process that has resulted in only 30 objects returned since 2017.

Man who pocketed tiles from medieval priory as boy returns them 60 years later

Simon White, now 68, returned three fragments of medieval clay tiles he took as a nine-year-old from Wenlock Priory in Shropshire during a family outing in the late 1960s. The tiles, dating from the late 13th to early 14th century, were discovered in an old toffee tin during a house move. White contacted English Heritage, which confirmed the provenance using family diaries and historical analysis. One fragment features a previously unknown dragon motif, exciting medievalists.

Rare Books Stolen From a Jesuit Archive in Rome Are Returned to Italy

A collection of rare 17th-century books, written in Chinese by Jesuit missionaries and stolen from the Jesuit Historical Institute in Rome, has been returned to Italy. The books, which cover astronomy and other scientific topics, were recovered by the Carabinieri art squad after being illegally exported to the United States.