A family is seeking restitution of a painting they believe is a lost Rubens work, looted by Nazis during World War II. However, an expert has cast doubt on the claim, arguing the painting is a copy because it lacks a distinctive detail found in the original: a urinating cow. The dispute has shifted focus to this missing element, complicating the family's efforts to recover the artwork.
A Maya stone lintel, dating from AD600-AD900 and depicting a ritual scene associated with the ruler Cheleew Chan K'inich, was repatriated to Mexico on April 16 after being turned over to the Mexican consulate in New York by an unnamed US businessman. However, hours after the ceremony, experts determined the lintel actually originated from Guatemala's Petén Basin. Guatemala's cultural ministry, led by minister Luis Méndez Salinas, has formally requested the object's return through diplomatic channels, citing technical analysis and consultations with archaeologists.
Simon White, now 68, returned three fragments of medieval clay tiles he took as a nine-year-old from Wenlock Priory in Shropshire during a family outing in the late 1960s. The tiles, dating from the late 13th to early 14th century, were discovered in an old toffee tin during a house move. White contacted English Heritage, which confirmed the provenance using family diaries and historical analysis. One fragment features a previously unknown dragon motif, exciting medievalists.