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British artist says the Met ‘should take responsibility’ for dress copyright dispute

British artist Anouska Samms has publicly criticized the Metropolitan Museum of Art in New York over a copyright dispute involving a dress displayed in the Met Gala opening exhibition. Samms claims the museum included a garment called the Nervina Hair Dress, which she says is a copy of her collaborative work Hair Dress, created with fashion designer Yoav Hadari during their residency at the Sarabande Foundation. The Met had expressed interest in acquiring the original dress for its Costume Art exhibition but shelved those plans in December. Samms says she was not credited or paid, while Hadari acknowledges her IP rights over the textile but asserts the design and construction are his own. The Met has declined to comment, directing the artists to resolve the matter themselves.

Famous Cranach painting spotted in rare photograph of Hitler’s apartment

A rare photograph from the early 1940s reveals that Lucas Cranach the Elder's painting *Cupid complaining to Venus* (1526-27), now a masterpiece in the National Gallery, London, once hung in Adolf Hitler's private Munich apartment. The image, previously published in Germany by provenance expert Birgit Schwarz, appears for the first time in an English-language publication. The painting was acquired by the National Gallery in 1963 from E. and A. Silberman Galleries in New York, which provided a false provenance. It had been taken from a warehouse of recovered art in 1945 by American journalist Patricia Lochridge, who smuggled it into the United States.

NYC Mayor Zohran Mamdani Calls on King Charles to Return Treasured Diamond to India

New York City Mayor Zohran Mamdani publicly called on King Charles III to return the Koh-i-Noor Diamond to India during the British monarch's visit to New York City on Wednesday. Speaking at a press conference before a 9/11 commemoration ceremony, Mamdani said he would encourage the King to return the diamond, which was given to Queen Victoria in 1850 after Britain's colonial governor-general arranged its exchange from a deposed Indian leader. The two leaders later met at the ceremony, but Buckingham Palace declined to comment on the discussion.

Malaysia Showcases Recovered 1MDB Artworks, From Picasso to Miró

Four artworks recovered from the 1MDB scandal—by Picasso, Miró, Balthus, and Maurice Utrillo—have gone on public display for the first time at the Malaysian Anti-Corruption Commission headquarters in Putrajaya. The paintings were repatriated from New York after being traced through Sotheby’s and shipped back to Malaysia on April 14. They are part of a broader art trail linked to the massive financial fraud, with Malaysian officials framing the display as an act of restitution rather than an art event.

David Nahmad maintains that his Modigliani was not looted by the Nazis

David Nahmad is continuing his legal battle to prove that his Modigliani painting, *Seated Man with a Cane* (1918), was not looted by the Nazis from the Jewish dealer Oscar Stettiner. Despite a recent New York ruling against him, Nahmad’s lawyers have filed a motion to review the case based on new eyewitness testimony. Two witnesses claim the painting they saw in the Van der Klip family—which bought the Nazi-looted work in 1944—is completely different from Nahmad’s painting, lacking a seated man or a cane. Nahmad’s legal team also cites a 1946 French bailiff report and a recent catalogue raisonné by Marc Restellini to argue that Mondex, the restitution firm working for Stettiner’s heirs, misidentified the work.

Nahmad Seeks to Reopen Modigliani Restitution Case With New Witnesses

David Nahmad's lawyers are asking a New York court to reconsider its April 3 decision in the restitution case over Amedeo Modigliani's *Seated Man with a Cane* (1918), which awarded the painting to the estate of dealer Oscar Stettiner. They cite new eyewitness testimony from Frédéric Allain, who recalls a different Modigliani—smaller, darker, and without a seated man or cane—hidden by the Van der Klip family in Paris during World War II, suggesting the wrong painting may have been the focus of the case. The filing also references a 1946 report describing the missing work as a self-portrait and a new catalogue raisonné by Marc Restellini that finds no link between the painting and Stettiner. Mondex, representing Stettiner's heirs, rejects the claims, asserting that *Seated Man with a Cane* bears Stettiner's name and was in the family's possession from 1944 to 1996.

In This Nazi-Era Restitution Dispute, the Focus Turns to a Missing Cow

A family is seeking restitution of a painting they believe is a lost Rubens work, looted by Nazis during World War II. However, an expert has cast doubt on the claim, arguing the painting is a copy because it lacks a distinctive detail found in the original: a urinating cow. The dispute has shifted focus to this missing element, complicating the family's efforts to recover the artwork.

Guatemala stakes claim to stone lintel by 'the Michelangelo of the pre-Columbian era' that was repatriated to Mexico

A Maya stone lintel, dating from AD600-AD900 and depicting a ritual scene associated with the ruler Cheleew Chan K'inich, was repatriated to Mexico on April 16 after being turned over to the Mexican consulate in New York by an unnamed US businessman. However, hours after the ceremony, experts determined the lintel actually originated from Guatemala's Petén Basin. Guatemala's cultural ministry, led by minister Luis Méndez Salinas, has formally requested the object's return through diplomatic channels, citing technical analysis and consultations with archaeologists.

Who Owns These Artworks? Musée d’Orsay Hopes Visitors Can Help Find Out.

The Musée d’Orsay in Paris has opened a new room in its permanent display featuring 13 artworks recovered from Germany and Austria after World War II, whose provenance remains unknown. The museum is inviting visitors to help identify the original owners of these pieces, which were looted or displaced during the war and later restituted to France.

Authorities in New York return more than 650 looted antiquities, valued at nearly $14m, to India

The Manhattan District Attorney's office, led by Alvin Bragg, returned 657 looted antiquities valued at nearly $14 million to Indian authorities in late March 2025. The pieces, recovered through investigations into criminal trafficking networks, include a $2 million bronze Avalokiteshvara stolen from a museum in Raipur, a $7.5 million red sandstone Buddha smuggled by convicted trafficker Subhash Kapoor, and a sandstone dancing Ganesha looted from a Madhya Pradesh temple that passed through dealer Doris Wiener and was sold at Christie's in 2012.

1,200-Year-Old Limestone Lintel was Inadvertently Repatriated to Mexico Instead of to Guatemala

A 1,200-year-old limestone lintel, carved by the ancient Maya artist Mayuy and depicting a ruler of Yaxchilán, was repatriated from the United States to Mexico in mid-April after an American businessman turned it over to the Mexican consulate in New York. However, Guatemala's cultural minister has begun proceedings to reclaim the artifact, arguing that it was originally removed from the Guatemalan side of the Usumacinta River, not Mexico. The lintel was first documented by American explorers Dana and Ginger Lamb in the 1950s in an area called Laxtunich, and its exact provenance has been disputed by scholars.

Manhattan D.A.’s Office Returns More Than 650 Looted Artifacts to India

On April 28, Manhattan District Attorney Alvin L. Bragg, Jr., announced the return of 657 trafficked antiquities valued at nearly $14 million to India. The items were recovered by the D.A.'s Antiquities Trafficking Unit and Homeland Security Investigations, and formally returned at a ceremony in New York. Among the repatriated pieces are a bronze figure of Avalokiteshvara (valued at $2 million), stolen from the Mahant Ghasidas Memorial Museum in Raipur in 1982; a red sandstone Buddha statue (valued at $7.5 million) smuggled by convicted dealer Subhash Kapoor; and a sandstone Ganesha sculpture looted by trafficker Vaman Ghiya and sold through Christie's by Nancy Wiener, who was later convicted of antiquities trafficking.

US Returns 337 Looted Objects to Italy in Repatriation Effort

The United States officially returned 337 looted antiquities to Italy at a ceremony held at La Marmora barracks in Rome. Of these, 221 objects were repatriated through the Manhattan District Attorney’s Office, while the remaining 116 were recovered on April 10, 2026, via joint efforts by the FBI, Homeland Security Investigations, the District Attorney’s Office, and Christie’s New York auction house. The objects span from the Villanovan era (900–700 BCE) to the Hellenistic period (323–31 BCE) and include a 1st-century CE marble head of Alexander the Great, a bronze sculpture from Herculaneum, and two Egyptian basalt sculptures.

Les États-Unis restituent près de 300 biens culturels à l’Italie

Italy presented 337 cultural artifacts repatriated from the United States at the Caserma "La Marmora" in Rome, following operations between December 2025 and April 2026. The objects span from the 5th century BCE to the 3rd century CE, including Roman sculptures, bronze works, pottery, jewelry, coins, and architectural fragments. Among the notable pieces is a marble head attributed to Alexander the Great, stolen from a Roman museum in 1960, and a bronze sculpture looted from Herculaneum. The recovery involved the Manhattan District Attorney's office, the FBI, Homeland Security Investigations, and Christie's New York, with 221 items seized through the DA's collaboration and 116 returned in April.

France Passes Law Easing Process of Returning Looted Art

France has passed a new law that simplifies the process of returning looted art and cultural artifacts to their countries of origin. The legislation, championed by President Emmanuel Macron, is seen as a major step in addressing colonial-era acquisitions, particularly for African artworks held in French museums. Experts describe the law as a seismic shift in restitution policy, enabling faster and more systematic returns without requiring individual parliamentary approvals for each item.

U.S. and Italy Honor Alliance to Curb Art Looting, Amid Broader Tensions

Officials from the United States and Italy gathered near dozens of repatriated artifacts to celebrate their ongoing alliance against art looting, which has resulted in the return of thousands of artworks to Italy. The event highlighted collaborative efforts between the two nations to curb the illegal trafficking of cultural property, even as broader diplomatic tensions persist.