filter_list Showing 6 results for "Australian" close Clear
search
dashboard All 238 museum exhibitions 135article local 26article news 24trending_up market 18article culture 12article policy 8rate_review review 6person people 6gavel restitution 2candle obituary 1
date_range Range Today This Week This Month All
Subscribe

V&A Rising Voices review – can decades of stunning global art really be squished into three rooms?

The V&A Museum in London has mounted an exhibition titled "Rising Voices" that attempts to summarize three decades of the Asia Pacific Triennial, a vast survey of contemporary art from Asia, Australia, and the Pacific organized by Queensland Art Gallery. The show crams works from multiple continents, island nations, and Indigenous cultures into just three rooms, featuring bark cloth paintings from Papua New Guinea, Indigenous Australian abstracts, shark sculptures from the Torres Strait, and Tahitian textiles. Many works address colonialism, political oppression, and tyranny, with artists like Elisabet Kauage, Pala Pothupitiye, and Svay Ken using art as resistance. The exhibition includes pieces by Maryam Ayeen, Abbas Shahsavar, Lila Warrimou, Pennyrose Sosa, Aline Amaru, Brenda V Fajardo, and Heri Dono.

25th Biennale of Sydney Review: From the Margins

The 25th Biennale of Sydney, titled "Rememory" and curated by Hoor Al Qasimi, features 143 works by 83 artists and collectives from 37 countries across five venues. The exhibition explores marginalized, fragmented, and repressed histories, drawing on Toni Morrison's concept of 'rememory' as a space between remembering and forgetting. Key works include Tuan Andrew Nguyen's film on Vietnam War trauma, Basel Abbas and Ruanne Abou-Rahme's immersive installation on Palestinian displacement, Khalid Albaih's photographs of Sudan, and Massinissa Selmani's drawings on Algerian socialist building projects.

bianca censori peformance art bio pop

Australian architect Bianca Censori, known globally for her fashion and marriage to rapper Kanye West, debuted her first performance art piece titled "BIO POP" in Seoul. The 14-minute silent performance, staged over two days, features Censori baking a cake in a kitchen before pushing it to a living room filled with contortionists resembling her. The work is the first of seven planned performances over seven years, with future installments including "CONFESSIONAL (THE WITNESS)" and "BIANCA IS MY DOLL BABY (THE IDOL)."

The Big Review | 65,000 Years: A Short History of Australian Art at the Potter Museum of Art, Melbourne ★★★★★

The article reviews the exhibition "65,000 Years: A Short History of Australian Art" at the Potter Museum of Art, University of Melbourne. The show features over 400 works, including 194 loans from 78 lenders, spanning 11 rooms and a decade of planning. It highlights rarely seen bark masterpieces from Arnhem Land, such as Woŋgu Munuŋgurr's "Djapu’ miny’tji" (1942), and juxtaposes colonial depictions with Indigenous perspectives, including works by William Barak and John Glover. The exhibition is on track to become the most visited in the museum's history.

From gunshots to gilded plates: Who are the real hooligans of the art world?

Alex Burchmore reviews 'The Hooligans,' an exhibition that explores the Maoist concept of hooliganism in the context of contemporary Chinese art. The show features works by artists like Xiao Lu, who famously fired a gun at her installation during the 1989 'China/Avant-Garde' exhibition, as well as Zhu Yu and He Yunchang, known for incorporating human body parts and surgical procedures into their art. The exhibition contrasts these transgressive acts with more market-friendly works, such as Zhu Yu's gilded plate paintings and Hu Yinping's commercial-style figurines, highlighting the tension between artistic rebellion and commercial success.

Ballast review: emerging artist Isabella Kennedy considers submerged histories

Emerging multidisciplinary artist Isabella Kennedy has unveiled her installation 'Ballast' at Firstdraft in Sydney, a site-specific work that blends paper sculpture, video projection, and sound. The exhibition draws on the unfinished research of her late father, journalist Les Kennedy, regarding the 1941 disappearance of the HMAS Sydney II. Through delicate stitched paper forms and immersive blue light, Kennedy explores themes of familial grief, maritime history, and the meditative acts of remembrance that bridge personal and national narratives.