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rate_review review schedule Apr 21, 2026 visibility 19 link 28 artists

What We Loved (And Didn’t) in “Greater New York”

The article presents a critical review of the 2026 "Greater New York" exhibition at MoMA PS1, a massive survey featuring over 150 works by more than 50 artists. The Hyperallergic editorial team highlights specific artists and works they loved, disliked, or found puzzling, offering a curated list of around 20 standout pieces. The review includes detailed commentary on individual works by artists like Dean Millien, the collective Red Canary Song, and Kameron Neal, capturing the diverse and often contentious reactions the show provokes.

newspaper Hyperallergic open_in_new Read original

rate_review review schedule Apr 23, 2026 visibility 17 link 21 artists, 1 gallery

Art for Our Age of Chaos

The article reviews two major New York exhibitions opening in 2026: the Whitney Biennial at the Whitney Museum of American Art, featuring over fifty artists, and "New Humans: Memories of the Future" at the newly expanded New Museum, with over a hundred artists. Both shows are described as enormous and defiant, responding to a distracted public and financial pressures. The reviewer notes that both exhibitions juxtapose large-scale immersive works with tiny, intimate pieces, and finds the Whitney Biennial lacking urgency, while preferring the New Museum's historical narrative about technology and modernity.

newspaper The New York Review of Books open_in_new Read original

rate_review review schedule Apr 22, 2026 visibility 32 link 14 artists

Review: Getting lost in the art is the best part of LACMA’s new revisionist fever dream of a museum

The Los Angeles County Museum of Art (LACMA) has opened its new David Geffen Galleries, a radical reinvention of the museum experience. The installation, conceived by director Michael Govan and architect Peter Zumthor, abandons traditional chronological and departmental silos, instead creating a continuous, curving flow of art from across time, place, and medium. Visitors are encouraged to wander and get lost, forging their own connections between works.

newspaper Los Angeles Times open_in_new Read original

rate_review review schedule Feb 16, 2026 visibility 19 link 8 artists

The Sticky Politics of Wall Texts

A critic's visit to the 36th Bienal de São Paulo led to a pointed critique of the exhibition's didactic strategy. The show, curated by Bonaventure Soh Bejeng Ndikung, featured floor-mounted placards with QR codes, poorly placed basic labels, and extremely lengthy omnibus section texts, creating a frustrating experience that oscillated between providing too little and too much information.

newspaper Hyperallergic open_in_new Read original