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What does a woman swimming in urine tell us about the state of the world? Lots! – Venice Biennale review

The 2026 Venice Biennale, curated by the late Koyo Kouoh under the theme "In Minor Keys," has been plagued by months of turmoil including countries withdrawing, artists being fired, exhibitions cancelled, funding pulled, and protests during the preview. A five-person curatorial team took over after Kouoh's death, resulting in what the critic describes as a disjointed, committee-driven exhibition that prioritizes quiet contemplation and healing over direct political engagement. The central shows in the Giardini and Arsenale feature a vast, poorly explained array of art from the global south, with installations of ceramics, textiles, slide projectors, and serene natural scenes that the critic finds anachronistic and dull.

Martin Wong’s Brick Monument to Popeye

Hyperallergic reviews Martin Wong's posthumous exhibition "Popeye" at PPOW gallery, featuring six motorized plywood panels that reimagine the cartoon character Popeye as curving brickwork. The show includes smaller works like "Sacred Shroud of Pepe Turcel" (1989–90) and paintings of vintage cartoon characters Mutt and Jeff, Little Lulu and Tubby, all rendered in Wong's signature brick style. The review highlights Wong's queer, magpie sensibility and his ability to cross boundaries between high and low culture.

Karla Knight’s Cosmic Conspiracies

Karla Knight's exhibition "Orbit" at Andrew Edlin Gallery presents her game-like paintings and tapestries filled with cryptic symbols, cosmic diagrams, and celestial imagery. Works such as "Orbiter 2" (2024–25) and "Feelers" (2025–26) feature irregular black devices, floating spheres, and rows of arcane script, inviting viewers to decode what appear to be blueprints for extraterrestrial systems or maps of hidden dimensions. Knight employs meticulous grids, bold primary colors, and textile techniques to render the paranormal as strangely normal.