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‘Transcription’ by Ben Lerner Review: No Phones

Ben Lerner’s latest novel, Transcription, marks a departure from his previous sprawling autofiction like The Topeka School, opting instead for a spare, three-part structure set during the COVID-19 pandemic. The narrative unfolds through three pivotal conversations involving the protagonist, his aging mentor Thomas, a curator, and Thomas’s son Max. Central to the plot is the protagonist’s failure to record a final interview with Thomas due to a broken phone, forcing a reliance on fallible memory and reconstruction.

The Left Side of History: On Haile Gerima’s Black Lions—Roman Wolves

The article is a critical essay analyzing Haile Gerima's 2026 film 'Black Lions—Roman Wolves: The Children of Adwa,' focusing on its exploration of Italy's colonial occupation of Ethiopia and the repression of this history. The author uses a scene from Gerima's earlier film 'Teza'—featuring children playing near a decaying fascist monument in Ethiopia—as a starting point to discuss how colonial memory and trauma are cinematically excavated.