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The tiniest event can tear a hole. Sara MacKillop by Margaret Kross

Sara MacKillop's exhibition "The Cutaway View" at Good Weather in Chicago presents sculptures made from humble analog materials like blank wall calendars, empty shopping bags, and gift wrapping. The London-based artist alters these objects with minimal interventions—such as surgically cut holes in shopping bags to accommodate vinyl records—drawing attention to the ephemera and texture of retail culture. Her series "Calendar Houses" (2021–ongoing) uses archive boxes and wall calendars to create miniature modernist dwellings that critique systems of order and self-optimization.

REVIEW: The Open: Odyssey at Hastings Contemporary

Hastings Contemporary has launched its inaugural biennial, titled "The Open: Odyssey," featuring over 150 artists with connections to Sussex. Selected from a pool of 2,600 applicants by a panel led by Kathleen Soriano, the exhibition explores themes of marine ecology, migration, mythology, and coastal life. Notable works include Alan Patch’s large-scale hanging of plastic detritus, Kate Howe’s monumental waxed paper installation "The Moving Edge," and Kevin J J Warren’s sculptures made from salvaged fishing nets.

Book Review: The Disoriented Garden... A Breath of Dream

A new book titled 'The Disoriented Garden... A Breath of Dream' has been published by the Jim Thompson Art Center to accompany Vietnamese artist Trương Công Tùng's 2024 solo exhibition. The volume, edited by Hùng Mạnh Dương, is a multilingual, multidisciplinary collection featuring poetry, myths, curatorial texts, and photographs that mirror the artist's exploration of nature, gardens, and spiritual cosmology through video, installation, and painting.