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rate_review review schedule May 26, 2026 visibility 1 link 4 artists

Marianna Simnett’s Furry Friends

Marianna Simnett’s exhibition at Société, Berlin, features a provocative mix of film, painting, and sculpture that revels in grotesque, erotic, and fantastical transformations. Works like *Hyena and Swan in the Midst of Sexual Congress* (2019) and the films *Leda was a Swan* (2025) and *Blue Moon* (2022) reimagine classical myths and fairy tales through a feminist, body-horror lens, using AI-assisted visuals and stop-motion to explore themes of animality, abjection, and pleasure. The show includes taxidermy-inspired animations, BDSM-inflected live-action shorts, and sculptures that ensnare human figures in animal forms.

newspaper ArtReview open_in_new Read original
rate_review review schedule May 26, 2026 visibility 2 link 4 artists

Leonora in the Morning Light review – pioneering British artist who fled convention for the surrealists

A new biopic titled *Leonora in the Morning Light* chronicles the life of British surrealist painter Leonora Carrington, who fled her aristocratic upbringing in London to join the surrealist circle in Paris. The film, adapted from Elena Poniatowska's biographical novel, follows Carrington from her affair with the older Max Ernst through her mental health crisis in Spain and eventual settlement in Mexico, where she created art on her own terms. Olivia Vinall portrays Carrington with a fierce, uncompromising spirit, though the film is criticized for uneven storytelling and clunky dialogue.

newspaper The Guardian open_in_new Read original
rate_review review schedule May 26, 2026 visibility 2 link 2 artists, 1 gallery

Lionel Wendt: The Politics of the Male Nude

ArtReview publishes an essay by Qingyuan Deng analyzing the first US solo exhibition of Lionel Wendt's photographs at American Art Catalogues in Manhattan's West Village. The show presents Wendt's haunting gelatin silver prints of male nudes, still lifes, and solarized images, positioning him as a canonical figure of South Asian modernism. Deng argues that while the exhibition correctly identifies homoerotic desire in Wendt's work, it over-relies on queer theory's framework of opacity and fails to fully address the political radicality of Wendt's practice under British colonial rule in Ceylon, where homosexuality was criminalized under the 1883 Penal Code.

newspaper ArtReview open_in_new Read original
rate_review review schedule May 26, 2026 visibility 1

Review: Dallas artist's latest show is bold, vast and staggering

A review of a Dallas artist's latest exhibition describes the show as bold, vast, and staggering, though the specific artist and gallery are not named in the available text. The article appears to be a critical appraisal of the artist's new body of work, emphasizing its scale and ambition.

newspaper Dallas News open_in_new Read original

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