Vasari Art Codex

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rate_review review schedule May 6, 2026 visibility 6 link 7 artists, 1 gallery

Alma Allen’s US Pavilion Is One of the Emptiest Shows at the Venice Biennale

Alma Allen represents the United States at the 2026 Venice Biennale with a subdued, apolitical exhibition inside the US Pavilion. The show features roughly 25 sculptures—mostly in bronze, wood, and stone—many titled "Not Yet Titled," and deliberately avoids overt political messaging. This marks a stark departure from the previous two US pavilions, curated by Simone Leigh (2022) and Jeffrey Gibson (2024), which directly confronted colonialism and empire. The Trump administration’s call for proposals explicitly asked for work that "reflects and promotes American values," and Allen’s presentation has been criticized as safe, unremarkable, and lacking the incisive edge of contemporary American art.

newspaper ARTnews open_in_new Read original

rate_review review schedule May 7, 2026 visibility 3 link 8 artists

An Unlikely Friendship Between Artist and Forger

The article reviews Steven Soderbergh's 2026 film "The Christophers," which follows an unlikely friendship between two painters in London: Julian Sklar (Ian McKellen), an older artist facing cancellation, and Lori Butler (Michaela Coel), a young painter who restores and forges artworks. The film explores themes of attention, artistic legacy, and the purpose of art, contrasting with darker narratives like "Tár" by offering a comedic yet profound take on these issues.

newspaper Hyperallergic open_in_new Read original

rate_review review schedule May 4, 2026 visibility 9 link 5 artists

I’ve Got the Post-Duchamp Blues

The article is a review of the Marcel Duchamp retrospective at the Museum of Modern Art (MoMA) in New York, the first such show since 1973. Featuring around 300 works from Duchamp's six-decade career, the exhibition includes his iconic readymades like "Fountain" (1917) and early paintings such as "Nude Descending a Staircase, No. 2" (1912). Co-curated by MoMA's Ann Temkin and Michelle Kuo along with Matthew Affron of the Philadelphia Museum of Art, the show runs through August 22, 2026, before traveling to Philadelphia.

newspaper Hyperallergic open_in_new Read original

rate_review review schedule May 2, 2026 visibility 15 link 4 artists, 1 gallery

Ruminations on Rashid Johnson’s “A Poem for Deep Thinkers”

The article is a reflective review of Rashid Johnson's exhibition "A Poem for Deep Thinkers" at the Modern Art Museum of Fort Worth. The author describes standing before Johnson's work "Falling Man" (2016), a piece incorporating broken mirrors, burned wood, and personal objects like a copy of Harry Haywood's "Black Bolshevik" and shea butter, which prompts meditations on visibility, identity, and Frantz Fanon's "Black Skin, White Masks." The review also examines Johnson's large-scale installation "Antoine's Organ" (2016/2026), which fills a gallery typically reserved for Ellsworth Kelly's minimalist canvases, transforming the space with scaffolding, plants, books, and video monitors.

newspaper Glasstire open_in_new Read original