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what are the 10 best works of art in new york museums let the debate begin

Artnet News critic Christian Viveros-Fauné has published a personal list of the ten best works of art in New York museums, sparking debate among readers. The selection includes iconic pieces such as Giovanni Bellini's *St. Francis in the Desert* at the Frick Collection, Gerhard Richter's *October 18, 1977* at MoMA, Paul Cézanne's *The Card Players* at the Metropolitan Museum of Art, James Rosenquist's *F-111* at MoMA, Diego Velázquez's *Juan de Pareja* at the Met, and Pablo Picasso's *Les Demoiselles d'Avignon* at MoMA, among others.

stan douglas bard museum survey review

Stan Douglas's survey at Bard College's Hessel Museum of Art features a new video installation titled "Birth of a Nation" (2025), which reworks a racist sequence from D.W. Griffith's 1915 film of the same name. The installation presents the original footage alongside four new videos from different character perspectives, shot in black and white without sound, and ends with a blue screen left bare to suggest the mutability of historical images. The survey also includes earlier works like "Hors-Champs" (1992), which critiques televisual representation through a staged free jazz performance.

art doron langberg paintings israel

The article reviews Doron Langberg's exhibition "Landscapes" at Jeffrey Deitch in New York, featuring large-scale oil-on-linen paintings that reflect on the artist's identity as a Jewish Israeli painter after October 7, 2023, and the subsequent conflict in Gaza. The works depict three personally significant locations: Yokneam in Israel, Drohobych in Ukraine (where the artist's father survived the Holocaust), and a queer beach community on Fire Island. Langberg's accompanying statement asserts that Palestinians deserve justice and liberation, framing painting as a means to confront atrocity.

art cady noland thomas eggerer jochen klein

Cultured magazine reviews Cady Noland's 2025 exhibition at Gagosian Gallery's 24th Street location in New York, running through October 18. The show features the artist's signature objects—Budweiser cans, shotgun shells, barricades, and images of Patty Hearst and Lee Harvey Oswald—arranged in a fragmented, almost sale-like display. The review notes the inclusion of Steven Parrino's works alongside Noland's, referencing their collaboration at White Columns in 1988, and highlights new elements like "SALE" signs with manicule illustrations. The critic describes the exhibition as a "fascinating mess" rather than a straightforward success.