Art News. Vasari Codex

rate_review review schedule Apr 13, 2026 visibility 54 link 3 artists

Comment | Catherine Opie shows us that in dark times, looking for joy can be radical

The artist Catherine Opie is currently the subject of a major three-decade portrait survey, 'To Be Seen', at the National Portrait Gallery in London. The exhibition highlights Opie’s career-long commitment to representing the LGBTQ+ community, specifically the leather dyke scene in Los Angeles, through a lens that balances defiance with playfulness. Even her most provocative works, such as the 1993 self-portrait featuring a domestic scene carved into her back, are revealed to contain elements of humor and historical allusion that counter the despair of the AIDS crisis and personal heartbreak.

newspaper The Art Newspaper open_in_new Read original

rate_review review schedule May 4, 2026 visibility 15 link 19 artists

The Met’s Costume Institute Needs an Art History Lesson

The Metropolitan Museum of Art's Costume Institute spring exhibition, "Costume Art," pairs fashion with artworks from the Met's collection, including ancient Greek statues and Andy Warhol screenprints, alongside garments by designers from Charles James to CFGNY. Curator Andrew Bolton aims to suggest that fashion can expand understanding of art, but the show's juxtapositions often feel vague and sloppy, with only occasional resonant pairings like a Jean Paul Gaultier shirt and Joe Brainard drawing linked by queer artist lineage.

newspaper ARTnews open_in_new Read original

rate_review review schedule Apr 24, 2026 visibility 21 link 9 artists

Handpicked review – delightful dancing dahlias and petals so pillowy you can feel them

The Guardian reviews "Handpicked," an exhibition at Kettle's Yard in Cambridge that brings together over 40 artists from the 20th century to the present, all sharing a floral passion. The show features works by Rory McEwen, Vanessa Bell, Cedric Morris, Christopher Wood, Tirzah Garwood, Celia Paul, Gluck, and Caroline Walker, among others, displayed on white and leaf-green walls inspired by the fresh flowers and floral paintings in the neighboring house. The review highlights specific pieces, such as McEwen's exquisite tulip watercolor and Garwood's poignant painting from the last year of her life, noting the technical variety and emotional depth across the exhibition.

newspaper The Guardian open_in_new Read original

rate_review review schedule Apr 20, 2026 visibility 15 link 2 artists

Martin Parr: Global Warning review – the great photographer in all his gluttonous, giddy glory

A major retrospective exhibition of photographer Martin Parr's work, titled 'Global Warning,' has opened at the Jeu de Paume museum in Paris. The show, which Parr helped plan before his death in December 2023, is on track to become the museum's most visited exhibition, showcasing his signature saturated, ironic, and unflinching observations of global tourism and consumerism.

newspaper The Guardian open_in_new Read original

rate_review review schedule Apr 16, 2026 visibility 12 link 4 artists, 1 gallery

Gardar Eide Einarsson Leaves You in the Dark

Gardar Eide Einarsson’s latest exhibition at Maureen Paley’s East London space presents a haunting exploration of dissociation and coded information. The show features two distinct series: 'Closed Caption,' a collection of monochrome black gouache paintings featuring isolated subtitles from films, and 'Incendiary Test Area,' a set of hyperrealistic woodblock prints created in collaboration with master Shoichi Kitamura. These prints depict the interiors of mock 'Japanese' houses built by the US Army for fire-bombing tests during World War II.

newspaper ArtReview open_in_new Read original

rate_review review schedule Apr 29, 2026 visibility 21 link 22 artists

Édouard Glissant’s Museum-as-Archipelago

The article reviews the exhibition "The Earth, the Fire, the Water, and the Winds: For a Museum of Errantry with Édouard Glissant" at the Center for Art, Research and Alliances (CARA) in New York, the first U.S. showing of works from the personal collection of Martinician philosopher and writer Édouard Glissant. Curated from his archive, the exhibition features artists such as Roberto Matta, Wifredo Lam, Etel Adnan, Irving Petlin, Antonio Seguí, Öyvind Fahlström, Jack Whitten, and Mel Edwards, reflecting Glissant's friendships and intellectual exchanges across Europe, Africa, and the Americas. Highlights include Antonio Seguí's large pastel works from his Titanic series.

newspaper Hyperallergic open_in_new Read original

rate_review review schedule Apr 24, 2026 visibility 15 link 2 artists

Alice Tippit’s Mischievous Erotics

Alice Tippit's solo exhibition "Rose Obsolete" at the DePaul Art Museum in Chicago features 23 small oil paintings, three murals, a neon sign, word drawings, and a series of 46 notepad drawings. The works toggle between multiple interpretations—snakes and smiles, blouses and pears, curtains and bodies—inviting viewers to see shifting forms like a psychological test. Tippit, born in 1975 near Kansas City and based in Chicago since 2006, paints each oil work in a single day without tape, achieving sharp edges and subtle layering that reward close looking.

newspaper Hyperallergic open_in_new Read original

rate_review review schedule May 7, 2026 visibility 6 link 4 artists

Keith Haring Before the End of the World

The article reviews Keith Haring's early work from 1980 to 1983, currently on view at the Brant Foundation in New York. The author reflects on initially dismissing Haring's graffiti-inspired style as trite and playful, but now sees darker, prophetic themes in pieces featuring apocalyptic imagery, UFOs, nuclear power, and mindless obedience to higher powers. The exhibition, curated by Dieter Buchhart and Anna Karina Hofbauer, runs through May 31.

newspaper Hyperallergic open_in_new Read original

rate_review review schedule Apr 14, 2026 visibility 11 link 3 artists

What Do Danh Vo’s Curated Collections Add Up To?

The article reviews the exhibition 'Danh Vo: Untitled' at the Pirelli HangarBicocca in Milan, which presents a collection of objects curated and arranged by the artist. The show features a diverse array of items, including a 17th-century Flemish painting, a meteorite, a taxidermied peacock, and personal memorabilia, all displayed without explanatory labels in a large, warehouse-like space.

newspaper Frieze open_in_new Read original

rate_review review schedule Apr 27, 2026 visibility 27 link 15 artists

The Many Forms of Marcel Duchamp

The New Yorker's Hilton Als reviews "Marcel Duchamp," a major retrospective at the Museum of Modern Art (MoMA) in New York, running through August 22, 2026. Curated by Matthew Affron, Michelle Kuo, and Ann Temkin, it is the first North American retrospective of Duchamp's work since 1973, organized in collaboration with the Philadelphia Museum of Art. The exhibition spans MoMA's entire sixth floor, showcasing Duchamp's shape-shifting practice—from iconic works like "Nude Descending a Staircase (No. 2)" (1912) and "Bicycle Wheel" (1951) to his readymades and conceptual pieces—emphasizing his rejection of commodification and embrace of intellectual freedom, play, and queer sensibilities.

newspaper The New Yorker open_in_new Read original

rate_review review schedule Apr 23, 2026 visibility 11 link 5 artists, 1 gallery

When the story has already been told -- ‘Gordon Parks: The South in Color’ at Jackson Fine Art

Gordon Parks: The South in Color, curated by Dawoud Bey, is on view at Jackson Fine Art in Atlanta through June 13. The exhibition celebrates the 20th anniversary of The Gordon Parks Foundation and the 70th anniversary of Parks’ 1956 Life magazine feature on segregation in the South. The show presents a broader selection of Parks’ photographs than the original magazine spread, including iconic works like In-Home Barbershop, Shady Grove, Alabama, 1956. The article, written by a photographer and writer for ArtsATL, reflects on the experience of seeing Parks’ work in person and contrasts the gallery presentation with the editorial framing of the Life feature.

newspaper ARTS ATL open_in_new Read original

rate_review review schedule Apr 12, 2026 visibility 9 link 3 artists

How Delilah Montoya’s art confronts ICE detention abuses

The Albuquerque Museum is hosting a retrospective of Chicana artist Delilah Montoya, titled "Delilah Montoya: Activating Chicana Resistance." The exhibition's centerpiece is "Detention Nation," an immersive installation created in collaboration with the Sin Huellas Artist Collective that simulates the conditions of ICE detention centers. The work features cyanotype images of detainees on prison cots, chain-link fencing, and displays of meager government-issued personal items alongside the official National Detainee Handbook.

newspaper Albuquerque Journal open_in_new Read original

rate_review review schedule Apr 22, 2026 visibility 10

Inside LACMA’s Eye-Popping New Home, How Do You Find the Art?

The Los Angeles County Museum of Art (LACMA) has opened its new David Geffen Galleries building, a major architectural project designed to be a glamorous cultural beacon. The building itself is a striking landmark, but the exhibition spaces within present significant challenges for the display of art, creating a complex, maze-like environment for visitors.

newspaper New York Times Art open_in_new Read original

rate_review review schedule Apr 29, 2026 visibility 18 link 8 artists, 2 galleries

The tiniest event can tear a hole. Sara MacKillop by Margaret Kross

Sara MacKillop's exhibition "The Cutaway View" at Good Weather in Chicago presents sculptures made from humble analog materials like blank wall calendars, empty shopping bags, and gift wrapping. The London-based artist alters these objects with minimal interventions—such as surgically cut holes in shopping bags to accommodate vinyl records—drawing attention to the ephemera and texture of retail culture. Her series "Calendar Houses" (2021–ongoing) uses archive boxes and wall calendars to create miniature modernist dwellings that critique systems of order and self-optimization.

newspaper Flash Art open_in_new Read original

rate_review review schedule Apr 28, 2026 visibility 12 link 3 artists, 1 gallery

Jule Korneffel Captures the Weight of the Pre-Dawn Sky at Spencer Brownstone Gallery, NYC

Jule Korneffel's third solo exhibition at Spencer Brownstone Gallery in New York, titled 'In Search of Lost Light,' presents a series of paintings that capture the quiet, liminal moments just before dawn. Using artist-mixed natural pigments, Korneffel shifts from her previous twilight-focused work to explore the anticipation of daylight, with pieces like the titular painting (2025) standing out for its playful, musical composition. The show also includes a mural in the gallery's back patio that blends colors into a grey neutral tone reminiscent of early-morning skies.

newspaper ArteFuse open_in_new Read original

rate_review review schedule Apr 14, 2026 visibility 10 link 1 artist

‘As If’ by Isabel Waidner, Reviewed

Isabel Waidner’s latest novel, 'As If', follows the surreal intersection of two actors, Lewis and Korine, who share an uncanny resemblance and wives with the same name. After meeting in a Central London sublet, the pair decide to swap lives: the younger Korine takes over a high-stakes audition for the grieving Lewis, while Lewis assumes Korine’s domestic and financial burdens. Set against the brutalist backdrop of London’s Barbican and Golden Lane estate, the narrative uses this identity swap to explore the thin line between performance and reality.

newspaper ArtReview open_in_new Read original

rate_review review schedule Apr 24, 2026 visibility 16 link 9 artists

From gunshots to gilded plates: Who are the real hooligans of the art world?

Alex Burchmore reviews 'The Hooligans,' an exhibition that explores the Maoist concept of hooliganism in the context of contemporary Chinese art. The show features works by artists like Xiao Lu, who famously fired a gun at her installation during the 1989 'China/Avant-Garde' exhibition, as well as Zhu Yu and He Yunchang, known for incorporating human body parts and surgical procedures into their art. The exhibition contrasts these transgressive acts with more market-friendly works, such as Zhu Yu's gilded plate paintings and Hu Yinping's commercial-style figurines, highlighting the tension between artistic rebellion and commercial success.

newspaper SMH.com.au open_in_new Read original

rate_review review schedule May 7, 2026 visibility 2 link 3 artists

"Dispossessions in the Americas" Confronts the Colonialism That Invades All Territory

The article reviews "Dispossessions in the Americas," a group exhibition at Wrightwood 659 in Chicago curated by Jonathan D. Katz and Eduardo Carrera. Featuring works from 1960 to 2025, the show examines colonial legacies in the Americas, focusing on the forced dispossession of land, culture, and language from indigenous, Afro-descendant, queer, and trans communities. The review critically questions how a polished, architecturally prestigious venue can coherently display art about socially voiceless communities without falling into voyeurism or fetishization of pain.

newspaper Newcity Art open_in_new Read original

rate_review review schedule Apr 29, 2026 visibility 10

Zurbarán at the National Gallery is more agony than ecstasy

The article reviews the exhibition 'Zurbarán' at the National Gallery in London, arguing that the show fails to capture the spiritual intensity and emotional power of the Spanish Baroque painter's work. It criticizes the curatorial choices, suggesting the display feels flat and lacks the ecstatic religious fervor that defines Zurbarán's best paintings, leaving viewers with a sense of agony rather than transcendence.

newspaper The Telegraph open_in_new Read original

rate_review review schedule May 7, 2026 visibility 1 link 3 artists

Beyond the body: Jess Self’s emotive power at the Marietta Cobb Museum of Art

Jess Self, a Decatur-based sculptor and educator, presents *Celestial Perspectives* at the Marietta Cobb Museum of Art, an immersive textile environment that explores autobiography through figurative form. The exhibition features works in resin, plaster, felted wool, fiber, and rope, including the large-scale installation *The Veil* and the compelling *She Who Ties Magic Knots*, a resin and plaster cast of the artist's pregnant torso. Self's practice draws on Jungian archetypes and spiritual traditions, and the show communicates themes of connectivity, motherhood, bodily experience, and transcendence without relying on wall text.

newspaper ARTS ATL open_in_new Read original