Michael Armitage in Venice, monumental and disturbing. What the exhibition at Palazzo Grassi looks like

Michael Armitage is the subject of a major solo retrospective at Palazzo Grassi in Venice, marking his largest exhibition in Europe to date. Organized by the Pinault Collection, the show features monumental paintings that blend African identity, local Kenyan chronicles, and mythological narratives. Armitage’s work is noted for its physical scale and its ability to transform the chaos of human affairs into a syncretic epic, utilizing traditional materials like Lubugo bark cloth to ground his contemporary subjects.

The Big Review | Lacma's David Geffen Galleries ★★★★

The Swiss architect Peter Zumthor's new $724 million building for the Los Angeles County Museum of Art (Lacma), now called the David Geffen Galleries, has opened after nearly two decades of anticipation. The swooping concrete-and-glass structure is praised for its harnessing of natural light and horizontality, creating a stunning showcase for antiquities and inviting the city inside with floor-to-ceiling windows offering views of the La Brea Tar Pits and Wilshire Boulevard. The building performs best with sculpture and decorative objects, with standout works including Liz Glynn's "The Futility of Conquest" (2023) and Manjunath Kamath's "Vikatonarva" (2024).

Alex Heilbron at as-is

Artist Alex Heilbron presents a solo exhibition at the Los Angeles gallery as-is. The show is featured as a lead review in the February 2026 issue of Contemporary Art Review LA, highlighting Heilbron's continued exploration of painting and visual language within the Southern California art scene.

Ai Weiwei and the Art of Keeping Your Mouth Shut

Dissident artist Ai Weiwei explores the corrosive nature of state control and self-restraint in his new book, "On Censorship" (2026). Drawing from a lifetime of persecution—including his father’s exile to a labor camp, his own 81-day detention in 2011, and recent digital erasure by Chinese AI—Ai argues that censorship fundamentally strips individuals of their humanity. He highlights how the mechanism of silencing has evolved from overt state violence in the East to a more insidious culture of self-censorship in the West, exemplified by the cancellation of his own 2023 exhibition at Lisson Gallery following comments on the conflict in Gaza.

The Unbearable Strangeness of Being

South African artist Cinga Samson makes his New York debut at White Cube with "Ukuphuthelwa," an exhibition of haunting, large-scale oil paintings. The works feature figures with distinctive white pupils engaged in enigmatic rituals within dark, crepuscular landscapes. Drawing from the isiXhosa concept of spiritual alertness during sleeplessness, Samson’s compositions blend the palpable with the unearthly, often depicting scenes that feel choreographed yet remain stubbornly illegible to the Western gaze.

Losing Frida Kahlo in "The Making of an Icon"

The article critiques the Museum of Fine Arts, Houston's (MFAH) exhibition "Frida: The Making of an Icon," arguing that it perpetuates a fetishized, commercialized view of Frida Kahlo by focusing on her biography—her marriage to Diego Rivera, her affairs, her accident—rather than her artistic skill. The author contrasts this with a visit to the Museo de Arte Moderno (MAM) in Mexico City, where the exhibition "Relatos modernos. Obras emblemáticas de la Colección Gelman Santander" presents Kahlo's work alongside other Mexican masters in a quiet, understated manner that allows viewers to appreciate her technical abilities without overwhelming narrative.

REVIEW: The Open: Odyssey at Hastings Contemporary

Hastings Contemporary has launched its inaugural biennial, titled "The Open: Odyssey," featuring over 150 artists with connections to Sussex. Selected from a pool of 2,600 applicants by a panel led by Kathleen Soriano, the exhibition explores themes of marine ecology, migration, mythology, and coastal life. Notable works include Alan Patch’s large-scale hanging of plastic detritus, Kate Howe’s monumental waxed paper installation "The Moving Edge," and Kevin J J Warren’s sculptures made from salvaged fishing nets.

Theresa Hak Kyung Cha Made Human Again

The Berkeley Art Museum and Pacific Film Archive (BAMPFA) is hosting "Theresa Hak Kyung Cha: Multiple Offerings," a comprehensive exhibition that draws from the artist’s complete archives. The show highlights Cha’s multidisciplinary practice, spanning film experiments, performance documentation, and her signature linguistic explorations. By pairing finished artworks with archival materials and personal ephemera, the exhibition reveals a playful, puckish side of the artist that is often obscured by the tragic circumstances of her death and the heavy themes of exile and dislocation in her work.

Nancy Holt review – cosmic thrills as the universe’s hidden power is unleashed

The Guardian reviews a major UK exhibition of land artist Nancy Holt (1938-2014) at Goodwood in West Sussex, the largest show of her work to date. The exhibition features two large outdoor installations—Ventilation System, a metallic tubular structure resembling building lungs, and Hydra’s Head, six concrete pools arranged like the Hydra constellation in a chalk quarry—alongside indoor photographs, diagrams, and light works. The review praises the cosmic scale and bodily connection of the outdoor pieces but finds the indoor works less effective at conveying Holt’s themes of universal vastness and interconnectedness.

7 Shows to See in Milan Right Now

Gallery Applications Open for Frieze Abu Dhabi

Milan's art scene is currently anchored by several high-profile exhibitions coinciding with the Miart fair. Key highlights include Cao Fei’s exploration of global farming and technology at Pirelli HangarBicocca, alongside Anselm Kiefer’s monumental tributes to female alchemists. Other notable shows feature historical and contemporary dialogues, ranging from Italian post-war masters to experimental multimedia installations.

Review: “Canvas to Clay” at the San Antonio Museum of Art

The San Antonio Museum of Art (SAMA) has launched "Canvas to Clay," an exhibition that pairs the modernist paintings of Georgia O’Keeffe with the black-on-black pottery of Maria Martinez. While these two icons of the American Southwest are frequently exhibited together, this show distinguishes itself by expanding the conversation southward. It integrates Mexican earthenware from Mata Ortiz and Tonalá, highlighting the work of Juan Quezada and Hector Gallegos to showcase a broader regional tradition of abstraction and indigenous revival.

Jan Staller Photographs the Nuts and Bolts of Manhattan's Urban Symphony

Photographer Jan Staller has released a new book titled "Manhattan Project," featuring photographs of construction materials—pipes, beams, rebar, and drill bits—suspended midair against white skies. The book marks a shift from his earlier moody night photography to a hard-edged focus on utilitarian objects, transforming New York City's construction sites into otherworldly, readymade-like visions. The book includes a foreword by Neil deGrasse Tyson and an essay by curator Brett Littman, with images spanning locations across the Upper West Side.

Biennale Jogja 18 Review: Occasional Moments of Brilliance

The 18th edition of Biennale Jogja, titled 'KAWRUH: Land of Rooted Practices,' explores Javanese concepts of lived knowledge and alternative epistemologies to challenge Western, human-centric frameworks. The exhibition is split into two phases: a process-driven residency in Boro Hamlet and a larger presentation featuring 60 artists across 11 venues in Yogyakarta. While the show features standout works like Faisal Kamadobat’s mythological illustrations and Yuta Niwa’s cross-cultural mandalas, the physical experience is marred by unfinished venues and logistical hurdles.

How Delilah Montoya’s art confronts ICE detention abuses

The Albuquerque Museum is hosting a retrospective of Chicana artist Delilah Montoya, titled "Delilah Montoya: Activating Chicana Resistance." The exhibition's centerpiece is "Detention Nation," an immersive installation created in collaboration with the Sin Huellas Artist Collective that simulates the conditions of ICE detention centers. The work features cyanotype images of detainees on prison cots, chain-link fencing, and displays of meager government-issued personal items alongside the official National Detainee Handbook.

Inside LACMA’s Eye-Popping New Home, How Do You Find the Art?

The Los Angeles County Museum of Art (LACMA) has opened its new David Geffen Galleries building, a major architectural project designed to be a glamorous cultural beacon. The building itself is a striking landmark, but the exhibition spaces within present significant challenges for the display of art, creating a complex, maze-like environment for visitors.

Exhibition Review and Studio Visit Feature: Contemporary Color Field Painter Vanessa Johansson

Contemporary painter Vanessa Johansson recently debuted her solo exhibition at the Sky Garden Penthouse in Gramercy Park, New York. Curated by Jenny Mushkin Goldman of Agency Esta, the show featured Johansson’s large-scale acrylic on canvas works, which utilize fluid, transparent layers to evoke the spiritual and visual language of mid-20th-century Color Field abstraction. Pieces such as the triptych 'Windows' and the diptych 'Flow State' demonstrate her intuitive approach to motion, buoyancy, and orbital forms.

Zurbarán review: Even the godless will be enraptured by this drama

The article reviews a major exhibition of 17th-century Spanish painter Francisco de Zurbarán, highlighting his dramatic religious works such as a stark crucifixion, a depiction of St. Peter crucified upside down, and a series of saintly princesses. It notes the exhibition's effective hanging, the artist's use of vivid color and theatrical lighting, and includes recently attributed works like a mysterious giant head. The review emphasizes the blend of high drama, emotion, and Catholic piety in Zurbarán's paintings, as well as his still lifes that rival those of Velázquez.

When the story has already been told -- ‘Gordon Parks: The South in Color’ at Jackson Fine Art

Gordon Parks: The South in Color, curated by Dawoud Bey, is on view at Jackson Fine Art in Atlanta through June 13. The exhibition celebrates the 20th anniversary of The Gordon Parks Foundation and the 70th anniversary of Parks’ 1956 Life magazine feature on segregation in the South. The show presents a broader selection of Parks’ photographs than the original magazine spread, including iconic works like In-Home Barbershop, Shady Grove, Alabama, 1956. The article, written by a photographer and writer for ArtsATL, reflects on the experience of seeing Parks’ work in person and contrasts the gallery presentation with the editorial framing of the Life feature.

REVIEW: Now is not forever, when art mimics reality

Theresa-Anne Mackintosh’s solo exhibition, "Now is not Forever," recently debuted at the Wits Art Museum (WAM), featuring a provocative blend of older paintings and new sculptures. The show centers on anthropomorphic figures and the erasure of senses, notably in the "hear no evil, see no evil, do no evil" series, where body parts are painted over to symbolize the avoidance of moral decay. These works, alongside vivid sculptures representing the artist's alter egos, challenge viewers to look past aesthetic surfaces to confront the inherent chaos and dysfunction of contemporary society.