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rate_review review schedule May 26, 2026 visibility 2 link 4 artists, 1 gallery

The In-Between Worlds of Larissa Borteh

Hyperallergic reviews Larissa Borteh's solo exhibition "In the Wind" at Devening Projects in Chicago, featuring a dozen oil paintings that blur the line between still life and ethereal abstraction. The works, including "Glass House" (2025) and "Tending and Receiving" (2026), use thinned, viscous oil paint to create tactile surfaces that evoke plants in decay, ghosts, deities, or dreamlike visions. The review highlights Borteh's distinctive merging of image and elongated mark, reminiscent of fingerpainting, and her exploration of the spectrum between legibility and opacity.

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rate_review review schedule May 26, 2026 visibility 2 link 4 artists

Haegue Yang’s Constellations for a Divided Korea

Haegue Yang's exhibition "Star-Crossed Rendezvous" at the Museum of Contemporary Art in Los Angeles features two large-scale Venetian blind installations that explore themes of division, exile, and reunification. The works draw on the arbitrary 1945 division of Korea by U.S. military officers and the life of composer Isang Yun, who was tortured and imprisoned by South Korean authorities. One installation mirrors and inverts a cube of white blinds inspired by Sol LeWitt, while the other uses colored blinds, projections, and Yun's "Double Concerto" to create a fragmented, shadow-filled meditation on longing and separation.

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