What ‘Costume Art’ Gets Wrong About the Body

The Metropolitan Museum of Art's Costume Institute spring exhibition, featuring nearly 400 objects, pairs garments and ensembles with Western figurative artworks from the museum's permanent collection in dyadic, associative displays. The show eschews traditional art-historical timelines and context in favor of visual and thematic parallels—comparing, for example, Rudi Gernreich's Pubikini with an Egyptian statuette, or Ying Gao's sound-responsive dress with a David Hockney drawing. The exhibition is sponsored by Jeff and Lauren Sánchez Bezos.

Winston Churchill: The Painter review – We will daub them on the beaches

The Guardian reviews "Winston Churchill: The Painter," an exhibition of nearly 60 paintings by the former British prime minister, curated by Xavier Bray and Lucy Davis. The show assembles works from across the UK and private collections, depicting scenes from Churchill's travels, stately homes, and leisure moments, painted as an amateur Sunday painter for stress relief rather than artistic acclaim. The review notes Churchill's use of techniques borrowed from Walter Sickert, including projectors and monochrome underlayers, and describes his style as charmingly amateurish with a vivacity in seascapes but weakness in figures and architectural luminosity.

Why is contemporary art afraid of the present?

Warum fürchtet sich die Gegenwartskunst vor der Gegenwart?

The article critiques the 2024 Whitney Biennial, which emphasizes themes of compassion, vulnerability, and community. It argues that the exhibition feels like a capitulation to reality, failing to confront the rise of contemporary fascism and the political urgency of the present moment.

Art Review: "The Rip in Her Sleeve" and "Iliana Arocho: Drawings" at Maiden Lane Gallery in Kingston

Maiden Lane Gallery in Kingston is hosting two concurrent exhibitions curated by Matt Moment: "The Rip in Her Sleeve," featuring pigment print photographs by Alicia Schirrmeister and Ruth Lauer Manenti, and "Iliana Arocho: Drawings," a solo show of ethereal drawings and metalpoint works by Iliana Arocho. The shows occupy two floors of a brick building that serves as an outpost for Headstone Gallery, run by Lauren Aitken and Chase Folsom, marking Moment's first collaboration with the gallery as a guest curator.

Ghosts in a Postcard Idyll

Geister im Postkartenidyll

Kôji Fukada's film "Nagi Notes" premieres in competition at the Cannes Film Festival, following Yoriko (Takako Matsu), a sculptor and farmer living a quiet, self-sufficient life in the rural Japanese town of Nagi. Her routine is disrupted when her old friend Yuri (Shizuka Ishibashi), an architect, arrives to model for a sculpture, stirring buried emotions and past conflicts. The film explores the slow, delicate process of creating art and the psychological tensions between the two women, set against the backdrop of Nagi's idyllic but symbolically flat landscape.