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rate_review review schedule May 13, 2026 visibility 7 link 5 artists

Zineb Sedira review: A chic ode to revolutionary cinema, brainy boozers – and exceptional berets

Zineb Sedira's exhibition at Tate Britain presents a cinematic and sculptural homage to La Cinémathèque Algérienne, the Algerian film archive founded in 1965 that became a hub for leftist African filmmakers. The show recreates a 1970s Algerian cafe in Paris, complete with a jukebox, books on revolutionary cinema, and a model movie theater screening a documentary about the archive's director, Boudjemaâ Karèche. Sedira, born in Paris to Algerian parents and based in London, weaves personal and political narratives to explore identity, diaspora, and the role of art in social change.

newspaper The Guardian open_in_new Read original

rate_review review schedule May 8, 2026 visibility 12 link 11 artists, 1 gallery

The Making of a Maintenance Artist

A new documentary titled "Maintenance Artist" (2025) traces the decades-long practice of Mierle Laderman Ukeles, a pioneering artist who focused on marginal, unpaid, and feminine labor. The film covers her career from her 1969 "CARE" manifesto, through her role as artist-in-residence at the New York City Department of Sanitation, to her first retrospective at the Queens Museum in 2017. It highlights her critique of art-world gender biases and her efforts to recognize discounted labor in all fields.

newspaper Hyperallergic open_in_new Read original

rate_review review schedule May 11, 2026 visibility 10 link 9 artists

Sophia Rivera’s Mythology of Everyday New York

The article reviews "Sophie Rivera: Double Exposures" at El Museo del Barrio, the first survey of the late Nuyorican photographer Sophie Rivera, who died in 2021. The exhibition spans her career, including her feminist conceptual series "Rouge et Noir" and "Bowl Study" (c. 1976–78), which depict intimate bodily waste like used tampons and feces, and her socially engaged "Latino Portraits" series from the late 1970s, which countered negative media stereotypes of Puerto Ricans with affectionate, mythologizing portraits. The review highlights a moment where the critic misidentifies abstract toilet photographs as pinhole or double exposures before learning their true subject.

newspaper Hyperallergic open_in_new Read original

rate_review review schedule May 15, 2026 visibility 3 link 12 artists

The Politics of In-action: Review of In-action: Viennese Actionism and the Passivities of Performance Art

Caroline Lillian Schopp's new book *In-action: Viennese Actionism and the Passivities of Performance Art* (2025) offers a revisionist history of Viennese Actionism, a movement retroactively named in 1970 by Peter Weibel and Valie Export. Schopp introduces the term "in-action" to describe a politics of artistic action that emphasizes intimacy, hesitation, and vulnerability rather than the violent or liberatory extremes typically associated with the movement. She expands the canon to include women artists such as Anna Brus, Hanel Koeck, and Ingrid Wiener, and reexamines the work of Rudolf Schwarzkogler, whose death was mythologized as a suicide by self-castration but was actually a fall from a window. Through close readings of photographs, Schopp argues that Schwarzkogler's performances were characterized by passivity and "in-sincerity," challenging the dominant narrative of actionism as aggressive or heroic.

newspaper e-flux open_in_new Read original