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Review: The new LACMA is divisive. It’s also ambitious, disorienting — and radically alive

The Los Angeles County Museum of Art (LACMA) has unveiled its $724-million David Geffen Galleries, a massive concrete structure designed by Swiss architect Peter Zumthor that spans Wilshire Boulevard. Replacing several older pavilions, the new building rejects traditional museum conventions like white-cube galleries and encyclopedic organization in favor of a sinuous, organic form that emphasizes light, atmosphere, and a visceral connection to the surrounding landscape.

Column: The new LACMA is sleek, splotchy, powerful, jarring, monotonous, appealing and absurd

The Los Angeles County Museum of Art (LACMA) is nearing completion of its new Brutalist building designed by Swiss architect Peter Zumthor, known as the David Geffen Galleries. Museum members will get a sneak peek at the empty interior spaces starting July 3, though the fully finished project with art installed won't open until April 2026. The poured-in-place concrete structure spans 347,500 square feet, including 110,000 square feet of exhibition space across 90 galleries, elevated 30 feet above ground on seven massive piers crossing Wilshire Boulevard. The article offers a critical preview of the building's aesthetics, noting the overwhelming monotony of concrete across floors, walls, and ceilings, while acknowledging some appealing views and powerful visual impact.