Art Dubai, the UAE's premier art fair, opened its 20th edition as a scaled-down "Special Edition" from May 14–17 at Madinat Jumeirah, after being postponed due to the Iran–Israel war. For the first time, entry was free, and the lineup was pared to 50 galleries, most from the region, including Abu Dhabi, Beirut, Jeddah, Ramallah, and Dubai.
Artist Tarek Atoui has been selected for the next Hyundai Commission in Tate Modern's Turbine Hall, opening October 13 and running into April 2027. The Beirut-born, Paris-based artist is known for complex installations with specially designed instruments incorporating glass, water, or ceramics, activated by touch, breath, or motors. Curators Nabila Abdel Nabi and Dina Akhmadeeva will oversee the exhibition. Atoui has previously shown at S.M.A.K., Luma Westbau, and the Museum of Contemporary Art Australia, and won the Suzanne Deal Booth/FLAG Art Foundation Prize in 2022.
The Baloise Art Prize, worth $36,800, has been awarded to artists Rhea Dillon and Joyce Joumaa at Art Basel. Dillon's "Leaning Figures" sculptures, made from soap and molasses, were presented by London's Soft Opening gallery. Joumaa's installation "Periodic Sights," shown by Montreal's Eli Kerr Gallery, features photographs of Tripoli and Beirut commenting on energy crises in Lebanon. The prize is given annually to two artists in the fair's Statements sector.
This regional update highlights a diverse array of developments, ranging from the seasonal art circuit in Upstate New York to significant human rights actions. Lebanese artist Ali Cherri, a former Venice Biennale Silver Lion winner, has filed a formal war crimes complaint against Israel following a strike in Beirut that killed his parents. Simultaneously, a new report reveals systemic staffing crises within POC-led arts organizations in the Northeast, where over a third of institutions operate without a single full-time employee.
Art Dubai returns to Madinat Jumeirah from 15–17 May 2026 for a special 20th-edition programme that reflects on the fair's evolution and reaffirms Dubai's role as a global cultural hub. Presented in partnership with A.R.M. Holding and Dubai Culture, the fair features approximately 75 presentations from commercial galleries, institutional partners, and cultural initiatives, with around 60% of participating galleries drawn from the region. Highlights include the Made Forward presentation from Dubai Collection, the 20th edition of the Global Art Forum titled 'Before and After Everything', and an exhibition of modern Arab art from the Barjeel Art Foundation. The fair also introduces an innovative risk-sharing model where booth costs are payable based on sales performance, and entry is free for all visitors.
In 2025, a series of major art restorations unveiled transformative discoveries in masterpieces by Caravaggio, Raphael, and Artemisia Gentileschi, among others. Caravaggio's final work, *The Martyrdom of St. Ursula* (1610), owned by Intesa Sanpaolo, was cleaned ahead of Rome's "Caravaggio 2025" exhibition, revealing hidden faces and a soldier's helmet previously only visible by x-ray. At the Vatican Museums, a decade-long restoration of the Raphael Rooms concluded with the revelation that two allegorical figures in the Hall of Constantine were painted by Raphael himself, not just his assistants, rewriting art history. Meanwhile, Artemisia Gentileschi's *Hercules and Omphale* (ca. 1635–37), damaged in the Beirut explosion, underwent emergency conservation by the Getty.
A previously unknown painting by Artemisia Gentileschi, *Hercules and Omphale* (ca. 1635–37), was identified after being damaged in the 2020 Beirut port explosion. The work, which hung in Beirut’s Sursock Palace, underwent a three-year conservation at the J. Paul Getty Museum and is now on view at the Columbus Museum of Art in the exhibition *Artemisia Gentileschi: Naples to Beirut*. It depicts the Greek myth of Queen Omphale enslaving Hercules, a rare subject for Gentileschi that subverts traditional gender roles.
Milan Art Week 2026 features a robust program of institutional exhibitions alongside the miart and Paris Internationale Milano fairs. Key highlights include Cao Fei’s multimedia exploration of smart agriculture at Fondazione Prada, Anselm Kiefer’s monumental tribute to forgotten female alchemists at Palazzo Reale, and a major retrospective of Rirkrit Tiravanija’s architectural research at Pirelli HangarBicocca.
The article profiles Lucia Wilcox, a nearly forgotten Surrealist painter born in 1899 who lived an extraordinary life—raised in Beirut, partying with Surrealists in Paris, fleeing to New York in 1938, and becoming a doyenne among expatriate artists in the Hamptons. She painted joyful, mythical women and was shown by major dealers Sidney Janis and Leo Castelli, but after her death in 1974 she faded into obscurity. Now, a tightly curated exhibition titled "Lucia Wilcox: LUCIA" at Berry Campbell in New York (through June 28) reintroduces her work, focusing on over 20 paintings from the 1940s, including the vibrant "Untitled (Jungle)" (1944).
Boston Art Review (BAR) has published a guide titled "Ready, Set, Go: Ten Spring Exhibitions Opening or Closing Within Six Weeks," highlighting a curated selection of ten spring exhibitions in the Boston area and beyond. The article provides a concise overview of each show, including opening and closing dates, venues, and featured artists, aimed at helping readers plan their art-viewing schedules during a compressed six-week window.
This article presents a conversation between artist Ali Cherri and writer Kaelen Wilson-Goldie, marking the second installment of a collaborative series between TextWork by Fondation Pernod Ricard and Mousse Magazine. The series features in-depth dialogues between artists from the TextWork program and magazine contributors, expanding on the traditional interview format, and is set to continue until 2027.
The 61st Venice Biennale, titled "In Minor Keys" and curated by the late Koyo Kouoh, opens amid global turmoil and internal controversy. Kouoh, who passed away in May 2025, conceived the exhibition around the metaphor of a "creole garden," emphasizing deep affinities between 111 artists from diverse locations such as Dakar, Beirut, and Salvador. The Biennale is overshadowed by recent geopolitical events, including US-Israeli airstrikes on Iran, and faces protests: over 70 participating artists signed an open letter opposing the participation of Israel, Russia, and the US, while the Australian pavilion saw the reinstatement of Khaled Sabsabi after being dropped, and South Africa withdrew its official pavilion over Gabrielle Goliath's femicide project, which she will still present independently.
Koyo Kouoh, the first African woman to curate the Venice Biennale, was appointed curator of the 2026 edition and began shaping the main exhibition titled 'In Minor Keys' in October 2024. She died of cancer in May 2025 at age 57, but the Biennale organizers have committed to realizing her vision. The exhibition features 111 artists, collectives, and organizations from cities including Nairobi, New Orleans, Kingston, New Delhi, Beirut, and Bangkok, many of them her longtime collaborators. Kouoh was also the founder of Raw Material Company in Dakar and executive director and chief curator of the Zeitz Museum of Contemporary Art Africa (MOCAA) in Cape Town.
This podcast episode features an in-depth conversation with pioneering conceptual and feminist artist Mary Kelly, now 84 and based in Los Angeles. She reflects on her groundbreaking works such as *Post-Partum Document* (1973-77) and *Interim* (1984-89), her move to Beirut in the 1960s, the influence of May 1968, and her lifelong commitment to non-figurative art after encountering Franz Kline's work at age 15. The episode also covers her current exhibition *We don't want to set the world on fire* at Pippy Houldsworth Gallery in London, running until January 2026.
Haroutiun Galentz: The Form of Colour
A new English-language monograph, *Haroutiun Galentz: The Form of Colour*, repositions the Armenian-Lebanese painter as a major cosmopolitan modernist. The book assembles his work from international collections, arguing his career—spanning formative years in Beirut's pre-war art scene and a later period in the Soviet Union—must be understood beyond national art historical frameworks.
The J. Paul Getty Museum unveils Artemisia Gentileschi's long-lost painting *Hercules and Omphale* (ca. 1635–37) after three years of restoration. The work was nearly destroyed in the August 2020 Beirut port explosion, which caused severe damage to the Sursock Palace where it was housed. Senior conservator Ulrich Birkmaier led the delicate process of reassembling the canvas, removing glass shards and debris, and restoring the original colors.
Nicole Saikalis Bay, an architect and patron, divides her time between Milan, London, Beirut, and Paris, where she has built a triple-pronged artist support network: the Saikalis Bay Foundation, a Milan exhibition space called Circolo, and the nonprofit WeAre Projects. Her collection began as a private impulse to live with art, focusing on modern Italian masters like Enrico Castellani and Fausto Melotti, and has expanded to contemporary artists such as William Kentridge, Nari Ward, and Tacita Dean. This month, Circolo presents work by ten rising artists of Lebanese heritage, reflecting her commitment to supporting artists from regions in need.
The fifth edition of 'Forever is Now' has transformed the Giza Plateau in Cairo into an open-air gallery, featuring 10 large-scale contemporary art installations by international artists. Running until December 6, the exhibition is organized by the cultural platform Art D’Egypte and invites artists to explore the theme of immortality, sparking a dialogue between ancient Egyptian heritage and contemporary art. Notable participants include 92-year-old Nobel Peace Prize nominee Michelangelo Pistoletto, Portuguese artist Vhils (Alexandre Farto), US-based Alex Proba, the Russian Recycle Group, Lebanese artist Nadim Karam, Franco-Beninese ceramicist King Houdekpinkou, and Turkish sculptor Mert Ege Köse, among others.
The article highlights standout booths at the Independent Art Fair, newly relocated to Pier 36 in Manhattan's Lower East Side. With 76 exhibitors, 26 of whom are presenting an artist's New York debut, the fair features notable presentations including Sprüth Magers' restaging of Gretchen Bender's 'TV Text & Image (PEOPLE WITH AIDS)', Omar Mismar's debut with abstract paintings on salvaged PVC banners referencing Lebanese protests, Carrie Schneider's large-format photographs from the Venice Biennale, and works by Kim Stolz and Raphael Egil at YveYANG. The fair runs through Sunday and aims for greater attendance and institutional influence.
Lebanese artist Ali Cherri, with the International Federation for Human Rights (FIDH), has filed a civil complaint in France seeking an investigation into an Israeli airstrike on a Beirut residential building in November 2024. The strike killed seven civilians, including Cherri's parents. The complaint, supported by forensic analysis from Forensic Architecture and Amnesty International, alleges the attack used munitions documented as being employed by the Israeli air force and targeted a civilian object, potentially constituting a war crime.
The inaugural VIMA contemporary art fair opened in Limassol, Cyprus, at a former SODAP winery industrial site. Co-founded by Lara Kotreleva, Edgar Gadzhiev, and Nadezhda Zinovskaya, the fair aims to spotlight Cypriot and Mediterranean art, featuring a curated outdoor exhibition titled 'The Posterity of the Sun' with 17 artists, including Valentinos Charalambous, Monia Ben Hamouda, and Adrian Pepe. Curator Ludovic Delalan emphasized the site's historical and natural context.
British photographer Giles Duley has opened a pop-up exhibition titled "Distortion/Memory/Resilience" in a 77th-floor penthouse at Sutton Tower in Manhattan, running from 12 to 24 May. The show features haunting war photography alongside installations—Youth, Childhood, and Memory—that draw parallels between historic and current conflicts. Duley, who lost both legs and an arm after stepping on a landmine in Afghanistan, uses a camera obscura, children's art from war zones, and side-by-side images of injured children from the London Blitz and Beirut to create an immersive experience. The exhibition is presented by the luxury tower's developer and includes benefit dinners hosted by Duley.
Sung Tieu's installations, characterized by austere, bureaucratic surfaces, explore the hidden architectures of power embedded in everyday systems. The article examines her series of works that deconstruct administrative forms used in asylum procedures, reducing them to blank spaces and quantified grids to expose how institutional power operates through seemingly neutral documents. Her exhibition "In Cold Print" at Nottingham Contemporary physically manifests these themes by using steel fences to control viewer movement, drawing direct parallels between minimalist sculpture and the dehumanizing design of border controls.
Christie's is presenting an online sale titled "Modern and Contemporary Middle Eastern Art: Online" from June 2–16, 2026, in London. The auction features 62 lots by leading modern and contemporary artists from the Gulf, the Levant, Iraq, Iran, and North Africa, including works by Samia Halaby, Saliba Douaihy, Baya, Parviz Tanavoli, Mohamed Melehi, and Abdul Halim Radwi. The sale marks 20 years since Christie's inaugural Middle Eastern art auction in the UAE in 2006.
On April 8, 2025, a wave of Israeli airstrikes across Lebanon killed 357 people and injured over 1,200, a day now known as 'Black Wednesday.' Amid the violence, Lebanese artist Abed Al Kadiri, who grew up during Lebanon's civil war and Israeli occupation, has been working with displaced children in shelters, using art to help them process trauma. He collects their drawings and plans to combine them with sketches by other artists reflecting their own war experiences, creating concertina-style books to be exhibited and sold to raise funds for over 1.1 million displaced people.
San Francisco museums are navigating a mix of upcoming exhibitions and financial challenges in May 2026. SFMOMA is closing "KAWS: Family" on May 3 and opening "Matisse’s Femme au chapeau: A Modern Scandal" from May 16 to September 13. The Mission Cultural Center for Latino Arts has suspended operations due to funding issues, and SOMArts is also facing a budget gap. Meanwhile, the Museum of Craft and Design presents "Video Craft" through August 16, and the Letterform Archive hosts "Black Memory Scholar: The Language of Storytellers" and "Piet Zwart: Brand Architect." SFMOMA has announced three SECA award winners—CrossLypka, Em Kettner, and Chanell Stone—who will exhibit from December 2026 to May 2027, and the museum continues to showcase "Reimagined: The Fisher Collection at 10" and new installations by Alexander Calder, Claes Oldenburg + Coosje van Bruggen, and Rose B Simpson.
Wereldmuseum Amsterdam is presenting "Rogue Agents of History," the first solo exhibition in the Netherlands by Palestinian artist Larissa Sansour. Running from April 24 to September 27, 2026, the show features three films—including the premiere of "A Sunken Tale of Losses Delayed" commissioned by the museum—alongside Sansour's artworks, personal heirlooms, film props, and historical objects. Curated by Nat Muller, the exhibition explores themes of identity, memory, belonging, and loss through a science-fiction lens, drawing on the Palestinian context and blurring boundaries between fact and fiction.
Christie’s has announced a major auction titled "SILSILA: Highlights from the Dalloul Collection," scheduled for November 6, 2025, in London. The sale features 20 exceptional works from the Beirut-based Dalloul Collection, a premier repository of Modern and Contemporary Middle Eastern art, alongside pieces from other private owners. Key highlights include masterpieces by Paul Guiragossian, Mahmoud Saïd, and Samia Halaby, with a specific focus on Lebanese and Palestinian artistic heritage.
The 61st Venice Biennale, titled 'In Minor Keys,' will proceed as a posthumous tribute to its late Artistic Director, Koyo Kouoh, who passed away in May 2025. Before her death, Kouoh had already finalized the curatorial framework, artist selection, and exhibition architecture during a pivotal meeting at her RAW Material Company in Dakar. The exhibition is scheduled to run from May 9 to November 22, 2026, across the Giardini, Arsenale, and various Venetian venues.
Beirut-born artist and composer Tarek Atoui has been selected to create the next Hyundai Commission in Tate Modern's Turbine Hall, running from 13 October 2026 to 11 April 2027. Known for his innovative musical performances with intricately engineered instruments, Atoui will transform the vast space into a multisensory environment exploring sound and vibration. His previous works include performances at Tate Modern's South Tank in 2016 and a presentation at the 2019 Venice Biennale. The announcement comes amid reports that Tate chair Roland Rudd floated offering naming rights to the Turbine Hall for £50m, though a Tate spokesperson called that hypothetical.