The Marcel Duchamps That Got Away: On Collecting His Work and the Sprawling MoMA Show

The article recounts the author's personal experience as a collector who passed up the opportunity to buy a complete set of Marcel Duchamp's readymades at a 2002 Phillips de Pury and Luxembourg auction. The set, editioned by dealer Arturo Schwartz in 1964, included iconic works like *Fountain* and *Bicycle Wheel*, but the sale was a financial failure, with many pieces bought-in or selling for far below expectations. The author later acquired some of the unsold works privately. The piece is framed around the concurrent Duchamp exhibitions at the Museum of Modern Art and Gagosian.

Mark Rothko Painting Agnes Gund Hung in Her Living Room Sells for $98 M., Setting a Record

A Mark Rothko painting, *No. 15 (Two Greens and Red Stripe)* (1964), formerly owned by prominent art patron and Museum of Modern Art president emerita Agnes Gund, sold at Christie’s on Monday night for $98.4 million (including fees). The work, which Gund purchased directly from Rothko in 1967 and kept in her living room until her death last September, received about a dozen bids before hammering at $85 million to a buyer represented by Christie’s specialist Rachael White Young. The sale broke Rothko’s previous auction record of $86.9 million set in 2012 for *Orange, Red, Yellow* (1961), also at Christie’s New York.

The Wild Nine-Month Journey that Led to Nathaniel Mary Quinn Designing the Rolling Stones’ New Album Cover

Nathaniel Mary Quinn was commissioned to create the cover art for the Rolling Stones' new album *Foreign Tongues*, due July 10, after a three-way call with Mick Jagger and producer Andrew Watt. Over nine months, Quinn developed a composite portrait merging the faces of Jagger, Keith Richards, and Ronnie Wood, and also redesigned the band's iconic tongue-and-lips logo. The process involved regular conversations with Jagger and Richards, a private rehearsal session, and a lunch at the Baccarat Hotel, culminating in the band choosing Quinn's original composite over a second option featuring a vintage sports car.

The village where Van Gogh spent his final days celebrates its most distinguished visitor

An exhibition titled "Van Gogh, Influencer: Legacies in Motion" has opened at the Château of Auvers-sur-Oise, the village near Paris where Vincent van Gogh spent his final 70 days and died by suicide in July 1890. The show, running until 3 January 2027, features nearly a hundred works by artists influenced by Van Gogh, including Léonide Bourges, Charles-François Daubigny, and Léo Gausson, though no original Van Gogh paintings are included. Curated by Wouter van der Veen, the exhibition explores visual parallels and stylistic contrasts between Van Gogh’s iconic works—such as *Church at Auvers* and *Wheatfield with Crows*—and those of his contemporaries and followers.

15 Van Gogh Masterpieces that Set Auction Records

ARTnews published a listicle on May 19, 2026, detailing 15 Van Gogh masterpieces that set auction records, from *Landscape with Rising Sun* (1985) to *Portrait of Dr. Gachet* (1990). The article recounts landmark sales including *Sunflowers* ($39.9 million in 1987), *Irises* ($53.9 million in 1987), and *Portrait of Dr. Gachet* ($82.5 million in 1990), highlighting the buyers, provenance, and institutional homes such as the Sompo Museum of Art and the J. Paul Getty Museum.

Bahar Behbahani Brings the Persian Garden to NYC

Bahar Behbahani's project "Damask Rose: A Gathering" transformed three fountains on Governors Island into a Persian garden using handwoven carpets and crocheted canopies. The event, part of Governors Island Arts's annual Interventions series, brought together over two dozen community practitioners and cultural groups for a four-hour gathering focused on storytelling, music, and art-making. The article also covers Mana Contemporary's Spring Open Studios in Jersey City, a new Gaza monument in Paterson, Sarah Lucas's public sculpture at the New Museum, and other New York-area art news.

Collateral Events Not to Miss at 61st Venice Biennale

The article highlights several collateral events not to miss at the 61st Venice Biennale, including "The Spirits of Maritime Crossing 2026" at Palazzo Rocca Contarini Corfù, featuring 20 artists from Southeast Asia, Ireland, and Serbia, anchored by Marina Abramović's performance piece "Sea Punishing" (2006). Other notable exhibitions include a seven-decade survey of Korean artist Lee Ufan at San Marco Art Centre, "TURANDOT: To the Daughters of the East" at ACP Palazzo Franchetti featuring 11 female artists from Central Asia, Li Yi-Fan's "Screen Melancholy" at Palazzo delle Prigioni, and Nalini Malani's "Of Woman Born" at Magazzini del Sale.

Landmark Works Lead Cowley Abbott’s Sale of Indigenous and International Art

Cowley Abbott is staging its major spring sale, 'Select Masterworks of Indigenous and International Art,' at the Globe and Mail Centre in Toronto on May 27. The auction features a diverse range of works, including Pierre-Auguste Renoir's 'Paysage du Midi' (ca. 1900), Vincent van Gogh's 'Homme à la Pipe: Portrait du Docteur Gachet' (1890), Philip Russell Goodwin's 'Camping – Canadian Club' (1916), Emily Carr's 'Wind' (1936), and Lawren Stewart Harris's 'Above Coldwell Bay, North Shore, Lake Superior (Lake Superior Sketch XV)' (1925), with estimates ranging from CA$150,000 to CA$700,000.

Remembering Bruno Bischofberger, Manuela Hoelterhoff, and Steven Durland

This week's In Memoriam column from Hyperallergic honors seven figures from the art world who recently passed away, including Swiss collector and dealer Bruno Bischofberger (1940–2026), Pulitzer-winning arts critic Manuela Hoelterhoff (1949–2026), and artist-editor Steven Durland (1951–2026). Other notable losses include British painter Ray Burgoyne, iconographer Christina Dochwat, German gallerist Jenny Falckenberg, realist painter Ward Nichols, and MoMA preparator Pamela A. Popeson. Each entry provides a brief biography and highlights their contributions to visual art, criticism, and cultural organizing.

Heir of Goya and Abstract Expressionism, the painting of Roger-Edgar Gillet finally rediscovered in an unprecedented retrospective

Héritière de Goya et de l’expressionnisme abstrait, la peinture de Roger-Edgar Gillet enfin redécouverte dans une rétrospective inédite

A major retrospective at the Musée Estrine in Saint-Rémy-de-Provence finally brings long-overdue recognition to French painter Roger-Edgar Gillet (1924–2004), an artist who emerged from the post-war abstraction scene of the Nouvelle École de Paris but later forged a singular figurative style blending Goya, Delacroix, and Northern grotesque traditions. The exhibition follows two important donations—to the Centre Pompidou in 2017 and the Musée des Beaux-Arts de Rennes in 2022—that helped revive institutional interest in Gillet, whose work had been marginalized since the 1960s.

11 Contemporary Emirati Artists To Know

The article highlights 11 contemporary Emirati artists, providing an overview of their practices and significance within the Gulf's evolving art scene. It contextualizes this list against recent major events in the region, including the debut of Art Basel Qatar in early February and the subsequent U.S. attacks on Iran, which caused turmoil across the Gulf, disrupted airline operations, and forced Art Dubai to scale back its event to a smaller fair in mid-May. Artists and galleries in the Gulf also had to temporarily close.

What does a woman swimming in urine tell us about the state of the world? Lots! – Venice Biennale review

The 2026 Venice Biennale, curated by the late Koyo Kouoh under the theme "In Minor Keys," has been plagued by months of turmoil including countries withdrawing, artists being fired, exhibitions cancelled, funding pulled, and protests during the preview. A five-person curatorial team took over after Kouoh's death, resulting in what the critic describes as a disjointed, committee-driven exhibition that prioritizes quiet contemplation and healing over direct political engagement. The central shows in the Giardini and Arsenale feature a vast, poorly explained array of art from the global south, with installations of ceramics, textiles, slide projectors, and serene natural scenes that the critic finds anachronistic and dull.

The Venice Biennale has long been a sales platform—now no one is pretending otherwise

The Venice Biennale, traditionally a government-subsidized non-commercial institution where sales were downplayed, is experiencing an unprecedented open embrace of commerce. For the first time, Christie's is hosting an invitation-only selling exhibition in Venice, offering works ranging from Old Masters like Lucas Cranach to Modern and contemporary giants such as Andy Warhol, Louise Bourgeois, and Mark Bradford, with prices from $500,000 to over $35 million. Dealers, auction houses, and private foundations are openly pricing and selling works to collectors, spurred partly by Italy's reduced 5% VAT rate on art imports, now Europe's lowest.

What Is the Venice Biennale? Everything You Need to Know

The Venice Biennale returns for its 61st edition, running from May 9 to November 22, 2026. The event, often called the Olympics of the art world, comprises a central exhibition curated by an artistic director, national pavilions from dozens of countries, and officially approved Collateral Events. This year's edition was to be curated by Koyo Kouoh, a celebrated Cameroonian-born curator, but she died at 57 in May 2025 before announcing the title and theme, “In Minor Keys.” The Biennale organization has moved forward with a team of five curatorial advisers executing her vision. The event is overseen by president Pietrangelo Buttafuoco and is expected to draw over 800,000 visitors.

Never-Before-Seen Calder Sculpture Emerges on the Auction Block in Paris

A previously unknown sculpture by Alexander Calder, titled 'Stabile-mobile' (1974), will be auctioned by Oger – Blanchet at Hôtel Drouot in Paris on May 22. The small, kinetic work, estimated to sell for €80,000–€120,000, was a gift from the artist to an archivist at the French National Museum of Modern Art and has remained with her family for 50 years.

Let’s dress like a Mark Rothko! How gen Z fell for the king of colour field paintings

Mark Rothko, the abstract expressionist known for his color field paintings, is experiencing a cultural resurgence among Generation Z on social media platforms like TikTok and Instagram. Videos inspired by his work amass hundreds of thousands of views, with creators styling outfits based on his canvases, assigning his paintings to personality archetypes, and comparing his palettes to dream pop bands like the Cocteau Twins. The Rothko Chapel in Houston, Texas, has also seen a wave of curious young visitors drawn to the meditative, confrontational experience of his art.

7 unique hotel experiences around the world for inspired travelers

7 expériences hôtelières inédites à travers le monde pour voyageurs inspirés

Beaux Arts Magazine presents a curated selection of seven unique hotel experiences worldwide, designed for art-loving travelers. The featured properties include a converted convent in Nice (Hôtel du Couvent, opened summer 2024), a Louis XIII-era castle near Fontainebleau (Domaine de Fleury), a five-star hotel in Amboise (Relais d'Amboise) with artworks by Bernar Venet, and a mountain inn in Sils-Maria, Switzerland (Chesa Marchetta) operated by art dealers Iwan and Manuela Wirth. Each destination blends historic architecture, exceptional landscapes, and artistic elements to offer immersive stays.

Dale Chihuly Is Synonymous With Seattle. But Venice Gave Him a Medium, a Career Blockbuster, and a Son.

Dale Chihuly returns to Venice with "Chihuly: Venice 2026," a public exhibition marking the 30th anniversary of his landmark 1996 project "Chihuly Over Venice." The new show features three large-scale glass sculptures installed along the Grand Canal, viewable from the Accademia Bridge, at Palazzo Franchetti, Palazzo Querini alla Carità, and Palazzo Balbi-Valier Sammartini. The article also recounts Chihuly's 1968 Fulbright-funded study at Venini, where he learned Murano glassblowing and embraced glass as his primary medium, and reveals that his son Jackson Chihuly was conceived in Venice after a party hosted by the late Paul Allen.

At TEFAF New York, the Masterpiece Market Had Plenty to Celebrate

TEFAF New York returned to the Park Avenue Armory with record attendance on its Collector Preview day, May 14, featuring 90 exhibitors showcasing modern and contemporary masterpieces, antiques, decorative arts, and jewelry. Dealers reported strong sales across price tiers, including an Andy Warhol Mao sold by ML Fine Art within the first hour, a Lucio Fontana *Concetto Spaziale* for $2.3 million at Mennour, and works by Giorgio Morandi, Giosetta Fioroni, and Meret Oppenheim sold by Galleria d’Arte Maggiore g.a.m. A new secondary-market partnership, Pace Di Donna Schrader Galleries, debuted with a booth anchored by a 1956 Rothko, signaling renewed confidence in the market.

Raymond Pettibon, Chris Johanson | You're Not Worth Much (Hand Signed by Raymond Pettib… (2017) | For Sale

This article is a sales listing for a collaborative artwork by Raymond Pettibon and Chris Johanson, titled "You're Not Worth Much" (2017), hand-signed by Pettibon. The listing includes a biography of Pettibon, detailing his career, exhibitions, and gallery representation by David Zwirner, as well as his influences and major museum shows.

Venice off the beaten track

The article highlights collateral exhibitions at the 2024 Venice Biennale that take place beyond the main venues of the Giardini and Arsenale, offering visitors unexpected discoveries in historic Venetian palazzos and warehouses. Featured shows include Hernan Bas's 'The Visitors' at Ca' Pesaro, exploring tourism's contradictions; 'Turandot: To the Daughters of the East' at Palazzo Franchetti, a group exhibition of women artists from Central Asia; and Amoako Boafo's first solo show in Italy at Palazzo Grimani, presented by Gagosian.

In Giuseppe Penone’s Sculptures, Humankind and Nature Are One

Giuseppe Penone is preparing for his exhibition 'The Reflection of Bronze' at Gagosian's New York flagship, running from April 22 through July 2. The show, curated by former Whitney Museum director Adam D. Weinberg, features eighteen artworks from 1995 to the present, including the new sculpture 'Marsia (Marsyas)', and is designed to create a forest-like sensory immersion using materials like cork.

Switzerland’s flagship fair brings the art world to town

The article recounts a journalist's trip to Switzerland for Art Basel 2025 and the surrounding satellite events, including Zurich Art Weekend and visits to galleries and museums in Zurich and Bern. It highlights the participation of Canadian galleries like Catriona Jeffries and Eli Kerr, as well as encounters with artists such as Jeffrey Gibson, Monster Chetwynd, and Pipilotti Rist. The tour covers institutional highlights like the Kunsthalle Zürich, Kunsthaus Zürich, Zentrum Paul Klee, and the Kunstmuseum Bern, with exhibitions featuring Carol Rama, Kurt Schwitters, and Tai Shani.

Review: The Good, The Bad and The Venice Biennale

The article reviews the 2024 Venice Biennale, focusing on controversies over Russia's and Israel's participation. Protests erupted during opening week, leading the EU to cut funding and the International Jury to resign. As a result, awards like the Golden Lion and Silver Lion will be decided by public vote, with many pavilions and artists withdrawing in protest. The main exhibition, curated under the theme 'Minor Keys,' features standout works by Alfredo Jaar and Carrie Schneider, alongside national pavilions like Austria's provocative entry by Florentina Holzinger.

Faces of Russian Art

Gesichter der russischen Kunst

On the Venice Biennale, the Russian Pavilion presents itself as a space for dialogue, while simultaneously a major exhibition in St. Petersburg titled "Russischer Imperativ" (Russian Imperative) opened on May 8 at the Manezh exhibition hall, glorifying war as a historical imperative of Russian identity. Curated by Anton Belikov, a Moscow artist and former Russian soldier who fought in Ukraine, the show features works from state museums like the Tretyakov Gallery, blending historical battles with the current war in Ukraine, and includes a monumental, fascistoid design with a ten-meter-tall installation of a soldier's head. The exhibition has sparked outrage on social media and in Russian exile media for its militaristic propaganda.

Orsay inaugure une salle destinée aux œuvres « MNR »

The Musée d'Orsay in Paris has opened a new dedicated gallery, Room 10b, to display works from its MNR (Musées nationaux Récupération) collection—artworks looted or acquired under dubious circumstances during the Nazi era. The room features detailed labels and educational texts, with some works shown verso to reveal provenance labels. The initiative is funded by the American Friends of the Musée d'Orsay and the Musée de l'Orangerie with €1 million over four years, and includes a fake Monet, a Degas subject to a restitution claim, a Rodin sculpture, and a debated Cézanne. The museum's provenance research team, led by Inès Rotermund-Reynard, collaborates with the French Ministry of Culture's M2RS mission.

Cécile Debray : « Une proposition poétique de dialogue entre trois œuvres pour une délectation esthétique »

Cécile Debray, president of the Musée national Picasso-Paris, discusses a rare collaboration with galleries to present a three-artist exhibition in Venice during the Biennale. The show brings together Pablo Picasso, Giorgio Morandi, and Claudio Parmiggiani around the theme of the object and still life, highlighting unexpected philosophical and poetic connections. Debray explains how the selection of 14 Picasso works balances iconic pieces with lesser-known ones, including sculptures, to create a dialogue with Morandi's rigorous, serial approach and Parmiggiani's metaphysical art.

Maximilien Durand

Maximilien Durand has been appointed to a new role in the art world, as reported by Le Journal des Arts. The article announces his position, though specific details of the appointment are not provided in the given text.

Interview with the great sculptor Charles Ray who shows in two different galleries in Los Angeles

Intervista al grande scultore Charles Ray che a Los Angeles si mostra in due diverse gallerie

Charles Ray, the renowned American sculptor, opened two simultaneous solo exhibitions in Los Angeles on April 18, one at Matthew Marks Gallery and the other at Jeffrey Deitch Gallery, located about a mile apart. The Matthew Marks show features three new works, including "Junk 2" (2026) and "The Animation of Pandora" (2026), while the Deitch exhibition presents three older iconic pieces such as "Firetruck" (1993), "Pepto-Bismol in a Marble Box" (1988), and "Table" (1990). Ray, who has lived in Los Angeles for four decades, is known for his meticulous, slow-working process and his exploration of the human body and everyday objects at altered scales.

In Genoa, an exhibition dedicated to Giovanni Korompay, the Futurist who loved Pink Floyd

A Genova una mostra dedicata a Giovanni Korompay, il futurista che amava i Pink Floyd

A major retrospective exhibition dedicated to Giovanni Korompay, a Venetian painter, sculptor, and illustrator associated with the second wave of Futurism, has opened at the Wolfsoniana in Genoa Nervi. Titled "Korompay, un’antologica," the show runs until November 1st and features around sixty works, including paintings, sculptures, graphic works, photographs, and documents. It explores Korompay's evolution from traditional training under Ettore Tito to his embrace of Futurist aeropainting, exemplified by works such as "Alta velocità" (High Speed), which celebrates a 1934 world speed record set by a Macchi-Castoldi MC 72 seaplane. The exhibition is curated by Alex Casagrande, Matteo Fochessati, Franco Tagliapietra, and Anna Vyazemtseva, with loans from public museums (Mart, Mambo), private collections, and the Fondazione Korompay.