us artists are increasingly self funding institutional projects diriyah contemporary art biennale names artists morning links for january 7 2025 1234769026

The article reports that US artists are increasingly expected to self-fund institutional projects, as illustrated by Dominican American artist Lucia Hierro's 7.5-foot chair commission. Fabrication costs exceeded the museum's budget, forcing her to seek grants from a residency program's fund, which had only $125,000 available against $1.8 million in applicant requests. Separately, over 65 artists have been announced for the third edition of the Diriyah Contemporary Art Biennale in Saudi Arabia, titled "In Interludes and Transitions," with artistic directors Nora Razian and Sabih Ahmed emphasizing locally rooted histories. Other news includes artist Thomas McKean using cut-up MetroCards for sculptures, Kenny Schachter reporting a van Gogh private sale above $190 million, an Iron Age carnyx discovery in Norfolk, and critic Ben Luke's critique of uninspired contemporary painting at recent art fairs.

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Rosemarie Trockel, the elusive German artist known for her wildly varied and conceptually challenging work, is the subject of a rare profile in ARTnews. The article traces her emergence from the 1980s Cologne art scene, where she became notorious for refusing interviews and producing art that defies easy categorization—spanning knitting machines, video, sculpture, and drawing. A key photograph from her teenage years, showing her in a room plastered with celebrity cutouts, is presented as a rare origin story, though its authenticity is left ambiguous. The piece highlights her declared constants of "woman, inconsistency, reaction to fashionable trends" and her insistence that art should remain a process of discovery rather than a vehicle for fixed meaning.

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Art Basel returns to its Swiss namesake city from June 19 to 22, with VIP previews on June 17 and 18. The article recommends stepping outside the fair to explore top-tier exhibitions across Basel, including Ernst Ludwig Kirchner's rediscovered painting 'Tanz im Varieté' (1911) at Kunstmuseum Basel, a major survey of Medardo Rosso at the same museum, and a solo show by Thomas Ott at Cartoonmuseum Basel. It also highlights Clearing gallery's off-site project 'Maison Clearing' in a private house with works by over 40 artists.

Megamurals, Guerrilla Girls and something rotten in the Oval Office – the week in art

The Guardian's weekly art roundup highlights several exhibitions, including Wilhelm Sasnal's politically charged paintings at Sadie Coles HQ in London, a Joan Eardley retrospective in Edinburgh, and a Guerrilla Girls show in East Sussex. It also reports on Art UK's digitization of over 6,700 UK murals, the theft of Impressionist paintings from an Italian museum, and the discovery of a stolen ancient gold helmet.

Gagosian Opens a New Ground-Floor Flagship at 980 Madison Avenue with Duchamp-Rauschenberg Double Header

Gagosian is opening a new ground-floor flagship gallery at 980 Madison Avenue in New York, moving from its former upper-floor space in the same building. Designed by Caplan Colaku Architects, the 12,000-square-foot, two-level space consolidates three storefronts into a continuous layout with restrained materials like Portland Taupe stone and brushed stainless steel. The inaugural exhibition pairs a major Marcel Duchamp show with six early works by Robert Rauschenberg on loan from the Cy Twombly Foundation, coinciding with a Duchamp retrospective at MoMA and referencing a 1965 Duchamp exhibition held in the same building.

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A new immersive exhibition titled "David Bowie: You're Not Alone" will open at Lightroom in London on April 22. The show, organized by creative director Mark Grimmer, will feature projected performance footage, interviews, film clips, and drawings, including newly recovered footage of Bowie's 1978 "Heroes" performance at Earl's Court.

new museum sets reopening date in march phillips to sell ex us ambassador to denmarks collection morning links for january 13 2026 1234769584

The New Museum in New York will reopen on March 21 after a two-year closure, following a major expansion designed by OMA’s Shohei Shigematsu with Rem Koolhaas that adds 60,000 square feet, nearly doubling exhibition space. The reopening weekend offers free admission and features new commissions by Tschabalala Self, Klára Hosnedlová, and Sarah Lucas, along with the inaugural exhibition “New Humans: Memories of the Future” showcasing over 200 artists. Separately, Phillips will auction the collection of former US Ambassador to Denmark John L. Loeb Jr., comprising the largest private trove of Danish art, with highlights by Vilhelm Hammershøi, Bertha Wegmann, P. S. Krøyer, and Anna Ancher, expected to exceed $12 million.

Revealed: the amazing frame once created for Van Gogh’s Sunflowers

A long-lost, custom-designed Art Deco frame for Vincent van Gogh's painting "Three Sunflowers" has been identified through archival research. The frame, which featured a dark lacquer finish, randomly placed gold circles, and angled outer edges, was commissioned by the Parisian couturier and collector Jacques Doucet shortly after he acquired the painting in 1912. Its existence was pieced together from a 1930s interior photograph, a 1967 family snapshot, and a frame sold at Sotheby's in 1989, allowing for a digital reconstruction of the complete artwork.

There will be mud! Could my child (and buggy) survive a day at a sculpture park?

A parent takes their toddler to Yorkshire Sculpture Park (YSP) in West Yorkshire, UK, during a rainy February day. Despite the mud and drizzle, the child engages with outdoor artworks by Barbara Hepworth, Henry Moore, Bharti Kher, Sol LeWitt, Vanessa da Silva, and Damien Hirst, treating the sculptures as playgrounds and objects of discovery. The park offers free activity packs, a Hidden Forest designed for under-fives, and a family-friendly environment that encourages children to explore art and nature without the constraints of indoor galleries.

Estonia exports a modernist, Glasgow gets poetic and Leonora Carrington goes wild – the week in art

The article is a weekly roundup of art events and news highlights. It spotlights several upcoming exhibitions, including a showcase of Estonian modernist Konrad Mägi in London, a poetic conceptual art show by Fiona Banner in Glasgow, lyrical paintings by Turner Prize-shortlisted Hurvin Anderson at Tate Britain, and a surrealist exhibition of Leonora Carrington's work at London's Freud Museum. It also mentions films by Rehana Zaman and features an image story about a unique, family-run trompe l'oeil painting school in Brussels.

Guillaume Cerutti Departs Pinault Collection, Rediscovered Napoleon Hat on View, and More: Morning Links for March 27, 2026

Guillaume Cerutti has been dismissed from his role as president of the Pinault Collection, the vast private art collection of French billionaire François Pinault, after only 13 months in the position. The departure is sudden and unexplained, with the 89-year-old Pinault reportedly set to assume the duties himself. Separately, a long-forgotten bicorn hat belonging to Napoleon Bonaparte has been rediscovered in storage and will be displayed at the Musée Condé in France.

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A scientific paper published in PNAS reveals that Jackson Pollock's 1948 masterpiece *Number 1A* contains an extinct variety of manganese blue paint. Using Raman spectroscopy, researchers from Stanford University, City College of New York, and MoMA's conservation department identified the synthetic pigment, which was popular in the 20th century but phased out in the 1990s due to environmental concerns.

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A lost painting by 17th-century Flemish master Peter Paul Rubens has been discovered in France. The 1613 painting of Jesus on the cross was found in September 2024 by French auctioneer Jean-Pierre Osenat in a Paris mansion. Experts confirmed its authenticity via X-ray imaging and pigment analysis, with German art historian Nils Buttner delivering the news to Osenat. The painting will be offered for sale on November 30. Separately, the National Gallery in London has announced it will begin collecting art made after its long-held 1900 cut-off date, leading to concerns about renewed rivalry with the Tate, as the two institutions had previously maintained an agreement dividing which works went to which collection.

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In 1985, David Wojnarowicz and other New York artists traveled to Louisville, Kentucky, to create site-specific murals for a weeklong fundraiser benefiting the Kentucky Child Victims' Trust Fund. The murals were expected to be destroyed after the event, but in 2023, the Wojnarowicz Foundation discovered that Wojnarowicz's mural, titled 'The Missing Children Show' Mural, had survived behind a false wall. However, the work has since been covered again, leaving its fate uncertain.

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The second edition of the Aspen Art Fair returns to the historic Hotel Jerome from July 29 to August 2, marking the launch of Aspen Art Week. The fair has more than doubled its exhibitor count from 21 to 44 galleries across 15 countries, including newcomers like Sean Kelly and Marianne Boesky, alongside international participants such as Praise Shadows, Anat Ebgi, the Sunday Painter, La Loma Projects, and 193 Gallery. Programming includes talks with artists Mickalene Thomas and Issy Wood, curated home tours, and a site-specific exhibition inspired by *A Room of One’s Own*. Cofounders Becca Hoffman and Bob Chase emphasize the fair's intimate, un-boothlike atmosphere, with in-room installations transforming guest suites into salon-style exhibitions.

Art Basel Curbs Pre-Fair Sales—and More Art Industry News

Art Basel has launched a "Basel Exclusive" initiative to curb pre-fair PDF sales, encouraging galleries to withhold works from previews to drive in-person discovery at its flagship Swiss event (June 16–21). Around 170 of 232 exhibitors have opted in. Meanwhile, Volta returns to Basel with a new "5,000 Edit" section for works under CHF 5,000 to attract younger collectors, and the alternative fair Esther will hold its third edition in New York during Frieze Week. In other news, Sotheby's set a U.S. record for design auctions with the Jean and Terry de Gunzburg collection totaling $96 million, and billionaire collector Mitchell P. Rales pledged $116 million to the National Gallery of Art to fund loans to smaller museums. The Smithsonian American Art Museum named Lynda Roscoe Hartigan as its new director, and Gladstone Gallery plans a new Seoul space for 2026.

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At 92 years old, Puerto Rican artist Carmen De Monteflores has emerged as a breakout star of the 2026 Whitney Biennial. Her inclusion in the prestigious exhibition was facilitated by her daughter, renowned performance artist Andrea Fraser, who urged curators to view her mother's vibrant, shaped canvases that had been sitting in storage for decades. De Monteflores, who studied at the Art Students League and the École de Beaux-Arts, abandoned her painting career in 1969 due to the lack of opportunities for women, eventually becoming a psychologist and novelist.

Michaelina Wautier Market Appraisal

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The 17th-century Flemish Baroque painter Michaelina Wautier is experiencing a significant rediscovery following centuries of obscurity and misattribution. Long overshadowed by her male contemporaries and her brother Charles, Wautier's diverse oeuvre—ranging from still lifes to monumental allegorical scenes—is being re-evaluated through major exhibitions at the Kunsthistorisches Museum in Vienna and the Royal Academy of Arts in London. This scholarly revival is correcting the historical record, as works previously attributed to artists like Artemisia Gentileschi are being rightfully returned to her catalog.

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A collection of 35 rare Rembrandt van Rijn etchings has been rediscovered in the Netherlands after being stored in a family safe for nearly a century. Inherited by Charlotte Meyer from her grandfather, the prints were authenticated by experts from the Rembrandt House Museum, who were stunned by their exceptional condition. The works had remained out of the public eye since the early 20th century until Meyer sought professional appraisal during the 2020 pandemic.

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A trove of previously undeveloped films shot by Andy Warhol and his team has been recovered and processed. The hour-long collection includes eight new Screen Test portraits, unused footage for known films, and significant pornographic footage predating his famous 'Blue Movie.' The films will premiere in a one-night-only screening at the Museum of Modern Art in New York.

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Photographer Graciela Iturbide is the subject of a major exhibition, "Graciela Iturbide: Vintage," at Throckmorton Fine Art in New York. The show features rare vintage prints, including her iconic work *La Señora de las Iguanas* (1979), and was made possible by the rediscovery of 19 long-lost prints that Iturbide had sent to a dealer decades ago.

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The article highlights four must-see fall gallery shows in New York City for September-October 2025. It features Mercedes Matter's first solo show at Berry Campbell, reviving the overlooked Abstract Expressionist; Julio Torres's theatrical debut "Color Stories" at Performance Space New York; Gabrielle Garland's first New York solo exhibition at Miles McEnery Gallery, showcasing surreal suburban paintings; and Omar Ba's exhibition "Promises and Glory" at Templon, presenting fantastical mixed-media works.

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Bridget Finn, who became director of Art Basel Miami Beach in July 2023, has organized the 22nd edition of the fair from start to finish for the first time. In an interview days before the VIP opening at the Miami Beach Convention Center, she discussed welcoming 286 galleries, the importance of hospitality, and the fair's role in Miami's art scene. She highlighted 34 new galleries joining this year, notable works by Augusto Machado and Roberto Huarcaya, and the fair's efforts to engage diverse audiences including VIPs, institutions, and the general public.

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The article explores how ancient Egyptian art and design have influenced modern Western aesthetics, from Empire furniture to Art Deco. It traces the phenomenon of 'Egyptomania' back to the 19th century, when European artists and archaeologists like Dominique Vivant Denon, Jean-Léon Gérôme, and Howard Carter brought Egyptian motifs and artifacts to public attention. The piece highlights three key examples: the adoption of Egyptian-inspired Empire furniture under Napoleon, the use of Nubian tribute scenes in decorative arts, and the impact of King Tutankhamun's tomb discovery on early 20th-century design.

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Maurice Mielcarek, a 43-year-old Zurich-based collector, exemplifies a new generation of younger art buyers who prioritize lasting engagement over speculation. At Zurich Art Weekend, he introduced friends to New York artist Travis Boyer, whose velvet paintings Mielcarek has collected for two years. This cohort, mostly in their 30s and 40s, takes a slower, research-driven approach to collecting, often building relationships with artists and galleries before purchasing. They focus on discovery, conceptual works, and supporting artists' visions beyond mere acquisition.

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The article reviews the Independent art fair, highlighting its curated approach that results in a visually cohesive and easeful experience compared to other fairs. It notes the prevalence of neo-bucolic landscapes and animal paintings by artists like Sameen Agha, Tim Braden, and Lisa Sanditz, as well as delicate abstractions and small ceramic works. Standout pieces include Pope.L's provocative paint-scribbled underwear at Mitchell-Innes and Nash, Rosa Barba's kinetic painting at Vistamare, Ibrahim El-Salahi's silkscreen painting at Vigo Gallery, and works by emerging artists such as Constanza Camila Kramer Garfias and Ada Friedman at Kendra Jayne Patrick Gallery.

See Inside the Long-Lost Lee Miller and Cecil Beaton Album Full of WW2-Era Photographs

The Bodleian Libraries at the University of Oxford has acquired a rare photographic "daybook" compiled by Roland Haupt, a former darkroom assistant at British Vogue. Created between 1943 and 1949, the annotated scrapbook contains hundreds of original photographs and clippings by legendary photographers Lee Miller and Cecil Beaton. The acquisition, brokered by dealer Michael Hoppen, ensures that the album—which includes iconic images of Miller in Hitler’s bathtub and portraits of Picasso—remains intact as a singular historical record rather than being sold piecemeal at auction.

King Charles Visited Tate Britain’s ‘Turner and Constable’ Show and Loved What He Saw

King Charles Visited Tate Britain’s ‘Turner and Constable’ Show and Loved What He Saw

King Charles visited the "Turner and Constable" exhibition at Tate Britain, expressing visible admiration for the works on display. He was particularly struck by J.M.W. Turner's early painting *The Rising Squall, Hot Wells*, which was recently rediscovered and sold at auction. The visit underscores the exhibition's popular success, having already attracted 185,000 visitors since opening last November.

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The Rijksmuseum in Amsterdam has officially authenticated a long-lost painting, 'Vision of Zacharias in the Temple' (1633), as a genuine work by Rembrandt van Rijn. The painting had been dismissed by scholars in the 1960s and remained in a private collection for over six decades until the owner approached the museum for a technical analysis. Using advanced imaging and material studies similar to those used on 'The Night Watch', experts confirmed that the pigments, signature, and date align perfectly with Rembrandt’s early Amsterdam period.

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A previously unknown red-chalk drawing by Michelangelo, a study for the foot of the Libyan Sibyl from the Sistine Chapel ceiling, sold for $27.2 million at Christie’s New York on Thursday, far exceeding its $1.5–$2 million estimate. The work was submitted to Christie’s online estimate portal last March by an anonymous owner who inherited it from their grandmother; it had hung on a wall for years, assumed to be a copy. After months of authentication using infrared reflectography and cross-referencing with drawings at the Metropolitan Museum of Art and the Uffizi Gallery, Christie’s specialists confirmed it as an authentic Michelangelo. The sale set a new auction record for the artist, surpassing the previous $24.3 million record set at Christie’s Paris in 2022.