new museum sets reopening date in march phillips to sell ex us ambassador to denmarks collection morning links for january 13 2026 1234769584

The New Museum in New York will reopen on March 21 after a two-year closure, following a major expansion designed by OMA’s Shohei Shigematsu with Rem Koolhaas that adds 60,000 square feet, nearly doubling exhibition space. The reopening weekend offers free admission and features new commissions by Tschabalala Self, Klára Hosnedlová, and Sarah Lucas, along with the inaugural exhibition “New Humans: Memories of the Future” showcasing over 200 artists. Separately, Phillips will auction the collection of former US Ambassador to Denmark John L. Loeb Jr., comprising the largest private trove of Danish art, with highlights by Vilhelm Hammershøi, Bertha Wegmann, P. S. Krøyer, and Anna Ancher, expected to exceed $12 million.

us artists are increasingly self funding institutional projects diriyah contemporary art biennale names artists morning links for january 7 2025 1234769026

The article reports that US artists are increasingly expected to self-fund institutional projects, as illustrated by Dominican American artist Lucia Hierro's 7.5-foot chair commission. Fabrication costs exceeded the museum's budget, forcing her to seek grants from a residency program's fund, which had only $125,000 available against $1.8 million in applicant requests. Separately, over 65 artists have been announced for the third edition of the Diriyah Contemporary Art Biennale in Saudi Arabia, titled "In Interludes and Transitions," with artistic directors Nora Razian and Sabih Ahmed emphasizing locally rooted histories. Other news includes artist Thomas McKean using cut-up MetroCards for sculptures, Kenny Schachter reporting a van Gogh private sale above $190 million, an Iron Age carnyx discovery in Norfolk, and critic Ben Luke's critique of uninspired contemporary painting at recent art fairs.

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Rosemarie Trockel, the elusive German artist known for her wildly varied and conceptually challenging work, is the subject of a rare profile in ARTnews. The article traces her emergence from the 1980s Cologne art scene, where she became notorious for refusing interviews and producing art that defies easy categorization—spanning knitting machines, video, sculpture, and drawing. A key photograph from her teenage years, showing her in a room plastered with celebrity cutouts, is presented as a rare origin story, though its authenticity is left ambiguous. The piece highlights her declared constants of "woman, inconsistency, reaction to fashionable trends" and her insistence that art should remain a process of discovery rather than a vehicle for fixed meaning.

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A trove of previously undeveloped films shot by Andy Warhol and his team has been recovered and processed. The hour-long collection includes eight new Screen Test portraits, unused footage for known films, and significant pornographic footage predating his famous 'Blue Movie.' The films will premiere in a one-night-only screening at the Museum of Modern Art in New York.

Megamurals, Guerrilla Girls and something rotten in the Oval Office – the week in art

The Guardian's weekly art roundup highlights several exhibitions, including Wilhelm Sasnal's politically charged paintings at Sadie Coles HQ in London, a Joan Eardley retrospective in Edinburgh, and a Guerrilla Girls show in East Sussex. It also reports on Art UK's digitization of over 6,700 UK murals, the theft of Impressionist paintings from an Italian museum, and the discovery of a stolen ancient gold helmet.

Gagosian Opens a New Ground-Floor Flagship at 980 Madison Avenue with Duchamp-Rauschenberg Double Header

Gagosian is opening a new ground-floor flagship gallery at 980 Madison Avenue in New York, moving from its former upper-floor space in the same building. Designed by Caplan Colaku Architects, the 12,000-square-foot, two-level space consolidates three storefronts into a continuous layout with restrained materials like Portland Taupe stone and brushed stainless steel. The inaugural exhibition pairs a major Marcel Duchamp show with six early works by Robert Rauschenberg on loan from the Cy Twombly Foundation, coinciding with a Duchamp retrospective at MoMA and referencing a 1965 Duchamp exhibition held in the same building.

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A new immersive exhibition titled "David Bowie: You're Not Alone" will open at Lightroom in London on April 22. The show, organized by creative director Mark Grimmer, will feature projected performance footage, interviews, film clips, and drawings, including newly recovered footage of Bowie's 1978 "Heroes" performance at Earl's Court.

Revealed: the amazing frame once created for Van Gogh’s Sunflowers

A long-lost, custom-designed Art Deco frame for Vincent van Gogh's painting "Three Sunflowers" has been identified through archival research. The frame, which featured a dark lacquer finish, randomly placed gold circles, and angled outer edges, was commissioned by the Parisian couturier and collector Jacques Doucet shortly after he acquired the painting in 1912. Its existence was pieced together from a 1930s interior photograph, a 1967 family snapshot, and a frame sold at Sotheby's in 1989, allowing for a digital reconstruction of the complete artwork.

There will be mud! Could my child (and buggy) survive a day at a sculpture park?

A parent takes their toddler to Yorkshire Sculpture Park (YSP) in West Yorkshire, UK, during a rainy February day. Despite the mud and drizzle, the child engages with outdoor artworks by Barbara Hepworth, Henry Moore, Bharti Kher, Sol LeWitt, Vanessa da Silva, and Damien Hirst, treating the sculptures as playgrounds and objects of discovery. The park offers free activity packs, a Hidden Forest designed for under-fives, and a family-friendly environment that encourages children to explore art and nature without the constraints of indoor galleries.

Estonia exports a modernist, Glasgow gets poetic and Leonora Carrington goes wild – the week in art

The article is a weekly roundup of art events and news highlights. It spotlights several upcoming exhibitions, including a showcase of Estonian modernist Konrad Mägi in London, a poetic conceptual art show by Fiona Banner in Glasgow, lyrical paintings by Turner Prize-shortlisted Hurvin Anderson at Tate Britain, and a surrealist exhibition of Leonora Carrington's work at London's Freud Museum. It also mentions films by Rehana Zaman and features an image story about a unique, family-run trompe l'oeil painting school in Brussels.

Guillaume Cerutti Departs Pinault Collection, Rediscovered Napoleon Hat on View, and More: Morning Links for March 27, 2026

Guillaume Cerutti has been dismissed from his role as president of the Pinault Collection, the vast private art collection of French billionaire François Pinault, after only 13 months in the position. The departure is sudden and unexplained, with the 89-year-old Pinault reportedly set to assume the duties himself. Separately, a long-forgotten bicorn hat belonging to Napoleon Bonaparte has been rediscovered in storage and will be displayed at the Musée Condé in France.

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Two suspects have been arrested in connection with the theft of Napoleonic jewels from the Louvre on October 19, including pieces once owned by Emperor Napoleon III and Empress Eugénie. French authorities detained one man at Charles de Gaulle Airport as he prepared to board a flight to Algeria, and both suspects are in their 30s from the Seine-Saint-Denis area. A newly surfaced video allegedly shows the thieves escaping with $102 million worth of jewelry via a furniture lift; eight artifacts remain missing. Separately, Sotheby's Paris achieved record-breaking totals for Surrealist and modern art auctions during Art Basel Paris, with a Modigliani painting selling for €27 million, the most expensive work ever sold by Sotheby's in France.

Art Basel Curbs Pre-Fair Sales—and More Art Industry News

Art Basel has launched a "Basel Exclusive" initiative to curb pre-fair PDF sales, encouraging galleries to withhold works from previews to drive in-person discovery at its flagship Swiss event (June 16–21). Around 170 of 232 exhibitors have opted in. Meanwhile, Volta returns to Basel with a new "5,000 Edit" section for works under CHF 5,000 to attract younger collectors, and the alternative fair Esther will hold its third edition in New York during Frieze Week. In other news, Sotheby's set a U.S. record for design auctions with the Jean and Terry de Gunzburg collection totaling $96 million, and billionaire collector Mitchell P. Rales pledged $116 million to the National Gallery of Art to fund loans to smaller museums. The Smithsonian American Art Museum named Lynda Roscoe Hartigan as its new director, and Gladstone Gallery plans a new Seoul space for 2026.

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At 92 years old, Puerto Rican artist Carmen De Monteflores has emerged as a breakout star of the 2026 Whitney Biennial. Her inclusion in the prestigious exhibition was facilitated by her daughter, renowned performance artist Andrea Fraser, who urged curators to view her mother's vibrant, shaped canvases that had been sitting in storage for decades. De Monteflores, who studied at the Art Students League and the École de Beaux-Arts, abandoned her painting career in 1969 due to the lack of opportunities for women, eventually becoming a psychologist and novelist.

Michaelina Wautier Market Appraisal

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The 17th-century Flemish Baroque painter Michaelina Wautier is experiencing a significant rediscovery following centuries of obscurity and misattribution. Long overshadowed by her male contemporaries and her brother Charles, Wautier's diverse oeuvre—ranging from still lifes to monumental allegorical scenes—is being re-evaluated through major exhibitions at the Kunsthistorisches Museum in Vienna and the Royal Academy of Arts in London. This scholarly revival is correcting the historical record, as works previously attributed to artists like Artemisia Gentileschi are being rightfully returned to her catalog.

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A collection of 35 rare Rembrandt van Rijn etchings has been rediscovered in the Netherlands after being stored in a family safe for nearly a century. Inherited by Charlotte Meyer from her grandfather, the prints were authenticated by experts from the Rembrandt House Museum, who were stunned by their exceptional condition. The works had remained out of the public eye since the early 20th century until Meyer sought professional appraisal during the 2020 pandemic.

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Photographer Graciela Iturbide is the subject of a major exhibition, "Graciela Iturbide: Vintage," at Throckmorton Fine Art in New York. The show features rare vintage prints, including her iconic work *La Señora de las Iguanas* (1979), and was made possible by the rediscovery of 19 long-lost prints that Iturbide had sent to a dealer decades ago.

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Hazel Knapp, a self-taught artist with Charcot-Marie-Tooth disease, painted Vermont landscapes from her wheelchair between the 1930s and 1940s, often with her mother Elsie by her side describing the terrain. Knapp exhibited at the 1939 Museum of Modern Art show alongside Grandma Moses and Morris Hirshfield, was profiled in Sidney Janis's book *They Taught Themselves*, and sold ten paintings to Gertrude Stein, who planned an unrealized Paris exhibition. Despite this promising start, Knapp fell into obscurity after her mother's death.

must see fall gallery shows new york 2682575

The article highlights four must-see fall gallery shows in New York City for September-October 2025. It features Mercedes Matter's first solo show at Berry Campbell, reviving the overlooked Abstract Expressionist; Julio Torres's theatrical debut "Color Stories" at Performance Space New York; Gabrielle Garland's first New York solo exhibition at Miles McEnery Gallery, showcasing surreal suburban paintings; and Omar Ba's exhibition "Promises and Glory" at Templon, presenting fantastical mixed-media works.

art basel miami beach bridget finn interview 2579315

Bridget Finn, who became director of Art Basel Miami Beach in July 2023, has organized the 22nd edition of the fair from start to finish for the first time. In an interview days before the VIP opening at the Miami Beach Convention Center, she discussed welcoming 286 galleries, the importance of hospitality, and the fair's role in Miami's art scene. She highlighted 34 new galleries joining this year, notable works by Augusto Machado and Roberto Huarcaya, and the fair's efforts to engage diverse audiences including VIPs, institutions, and the general public.

See Inside the Long-Lost Lee Miller and Cecil Beaton Album Full of WW2-Era Photographs

The Bodleian Libraries at the University of Oxford has acquired a rare photographic "daybook" compiled by Roland Haupt, a former darkroom assistant at British Vogue. Created between 1943 and 1949, the annotated scrapbook contains hundreds of original photographs and clippings by legendary photographers Lee Miller and Cecil Beaton. The acquisition, brokered by dealer Michael Hoppen, ensures that the album—which includes iconic images of Miller in Hitler’s bathtub and portraits of Picasso—remains intact as a singular historical record rather than being sold piecemeal at auction.

King Charles Visited Tate Britain’s ‘Turner and Constable’ Show and Loved What He Saw

King Charles Visited Tate Britain’s ‘Turner and Constable’ Show and Loved What He Saw

King Charles visited the "Turner and Constable" exhibition at Tate Britain, expressing visible admiration for the works on display. He was particularly struck by J.M.W. Turner's early painting *The Rising Squall, Hot Wells*, which was recently rediscovered and sold at auction. The visit underscores the exhibition's popular success, having already attracted 185,000 visitors since opening last November.

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The Rijksmuseum in Amsterdam has officially authenticated a long-lost painting, 'Vision of Zacharias in the Temple' (1633), as a genuine work by Rembrandt van Rijn. The painting had been dismissed by scholars in the 1960s and remained in a private collection for over six decades until the owner approached the museum for a technical analysis. Using advanced imaging and material studies similar to those used on 'The Night Watch', experts confirmed that the pigments, signature, and date align perfectly with Rembrandt’s early Amsterdam period.

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A previously unknown red-chalk drawing by Michelangelo, a study for the foot of the Libyan Sibyl from the Sistine Chapel ceiling, sold for $27.2 million at Christie’s New York on Thursday, far exceeding its $1.5–$2 million estimate. The work was submitted to Christie’s online estimate portal last March by an anonymous owner who inherited it from their grandmother; it had hung on a wall for years, assumed to be a copy. After months of authentication using infrared reflectography and cross-referencing with drawings at the Metropolitan Museum of Art and the Uffizi Gallery, Christie’s specialists confirmed it as an authentic Michelangelo. The sale set a new auction record for the artist, surpassing the previous $24.3 million record set at Christie’s Paris in 2022.

peter paul rubens drawing attribution klaas muller 1234769375

Belgian art dealer Klaas Muller has identified a previously unattributed oil-on-paper study as a work by Flemish master Peter Paul Rubens, titled "Bearded old man, looking down to his left" (ca. 1609). Muller purchased the piece for under €100,000 at a lesser-known northern European auction house three years ago, where it was listed as an unknown artist from the "Flemish school." After recognizing the bearded figure as Saint Thomas from Rubens's "Apostolado Lerma" series at the Prado, Muller commissioned research from art historian Ben van Beneden, former director of Rubenshuis, who confirmed the work's exceptional quality and likely attribution to Rubens. The study also features a ghostly woman's face visible when turned upside down, reflecting Rubens's playful reuse of materials.

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Belgian art dealer Klaas Muller purchased a painting at an online auction three years ago, identified only as a study by an unknown artist of the Flemish school. After research, he discovered the work is likely a rediscovered study by Peter Paul Rubens (circa 1609), featuring a hidden second image of a woman's face visible when the painting is turned upside down. The work will debut at the BRAFA art fair in Brussels, where Muller serves as chairman.

10 art restorations in 2025 2725850

In 2025, a series of major art restorations unveiled transformative discoveries in masterpieces by Caravaggio, Raphael, and Artemisia Gentileschi, among others. Caravaggio's final work, *The Martyrdom of St. Ursula* (1610), owned by Intesa Sanpaolo, was cleaned ahead of Rome's "Caravaggio 2025" exhibition, revealing hidden faces and a soldier's helmet previously only visible by x-ray. At the Vatican Museums, a decade-long restoration of the Raphael Rooms concluded with the revelation that two allegorical figures in the Hall of Constantine were painted by Raphael himself, not just his assistants, rewriting art history. Meanwhile, Artemisia Gentileschi's *Hercules and Omphale* (ca. 1635–37), damaged in the Beirut explosion, underwent emergency conservation by the Getty.

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The Palace of Versailles has agreed to reexamine the provenance of a Jacques-Louis David sketchbook from 1790 after a Radio France investigation revealed it was looted by the Nazis during World War II. The sketchbook was stolen from Professor Lereboullet in July 1940, sold by Munich's Karl and Faber gallery in 1943, then acquired by dealer Otto Wertheimer before being purchased by Versailles in 1951. The museum claims it was unaware of the theft, and France's ministry of culture has promised further research and discussions with the descendants.

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A long-lost painting by Peter Paul Rubens, a dramatic crucifixion scene dated to around 1614–15, was discovered among the possessions of a deceased Parisian homeowner during a routine appraisal. Auctioneer Jean-Pierre Osenat identified the work and consulted Rubens expert Nils Büttner, who confirmed its authenticity through x-ray imaging and pigment analysis. The painting sold at auction on November 30 for €2.3 million ($2.7 million), exceeding its presale estimate of €1–2 million.

rembrandt print drawer auction 2718031

A rare Rembrandt counterproof print, "The Goldweigher" (1639), was discovered in a Victorian chest in the Norfolk studio of the late theater designer Alan Barlow. His son, Edward Barlow, found the print while sorting through the studio and initially assumed it was a common reproduction. After examination by Cheffins auction house, it was identified as an original preparatory print, with reversed orientation, a Strasbourg lily watermark, and black chalk lines indicating Rembrandt's hand. It will be auctioned on December 3 with an estimate of £10,000–£20,000.