The 16 Most Expensive Artworks Ever Sold at Auction

ARTnews published an updated list of the 16 most expensive artworks ever sold at auction, highlighting recent record-breaking sales such as Gustav Klimt's *Portrait of Elisabeth Lederer* (1914–16), which fetched over $236.4 million at Sotheby's, and Jackson Pollock's *Number 7A, 1948*, which sold for well above its $100 million estimate at Christie's in May 2026 from the S. I. Newhouse collection. The article traces the history of top auction prices, including Vincent van Gogh's *Orchard with Cypresses* (1888), which sold for $117 million during the Paul Allen sale at Christie's in November 2022, part of a record $1.5 billion single-evening auction.

Michelle Blade Transforms Everyday California Scenes Into Luminous Reveries

Los Angeles-based painter Michelle Blade is presenting her first solo show with Night Gallery in Los Angeles, titled "It's About Time." The exhibition features a new body of work focused on still lifes and landscapes from around her home, captured at different hours of the day. Using acrylic and ink on cotton poplin with a wet-on-wet technique, Blade creates luminous, shimmering compositions that blend memory, perception, and projections of the future. The show follows her recent solo exhibition at the Powerlong Museum in Shanghai and her inclusion in the group show "Superbloom" at Night Gallery.

7 unique hotel experiences around the world for inspired travelers

7 expériences hôtelières inédites à travers le monde pour voyageurs inspirés

Beaux Arts Magazine presents a curated selection of seven unique hotel experiences worldwide, designed for art-loving travelers. The featured properties include a converted convent in Nice (Hôtel du Couvent, opened summer 2024), a Louis XIII-era castle near Fontainebleau (Domaine de Fleury), a five-star hotel in Amboise (Relais d'Amboise) with artworks by Bernar Venet, and a mountain inn in Sils-Maria, Switzerland (Chesa Marchetta) operated by art dealers Iwan and Manuela Wirth. Each destination blends historic architecture, exceptional landscapes, and artistic elements to offer immersive stays.

Ralph Lemon: The Physical Traces of Racism

Ralph Lemon's exhibition at Paula Cooper Gallery presents 13 black-and-white photographs and three short videos focusing on sites in the Mississippi Delta connected to the 1955 lynching of Emmett Till. Rather than dramatizing the incident, Lemon records physical traces of the locations—such as Bryant's Grocery and Meat Market, the barn where Till was killed, the Tallahatchie River, and a funeral home—capturing dilapidated buildings and landscapes that suggest history slipping away. The show includes the titular video "From Out of Space" (2018–21), which offers closeups and drone footage of these sites, creating a meditative, detective-like examination of memory and erasure.

Is This a JMW Turner Self-Portrait? One Scholar Has Doubts

Art historian James Hamilton has published a paper in the JMW Turner Society’s magazine arguing that a famous portrait long believed to be a self-portrait by JMW Turner was actually painted by John Opie, a British portrait artist 14 years Turner’s senior. Hamilton notes that the work is an anomaly in Turner’s oeuvre, which is dominated by landscapes and seascapes, and that its dramatic lighting closely resembles Opie’s style. He suggests Opie may have given the painting to Turner, and that its authorship became misattributed after Turner’s death when his vast bequest of artworks was transferred to the nation and eventually housed at the Tate.

For Carly Glovinski, Art and Gardening Grow Side by Side

Maine artist Carly Glovinski has opened "Into the Garden," her third solo exhibition with New York's Morgan Lehman Gallery. The show explores gardening as a parallel practice to art-making, inspired by her residency at Surf Point in southern Maine, where she discovered the overgrown grounds of Wild Knoll, the former home of author May Sarton. Glovinski planted a community garden there, the Wild Knoll Foundation Garden, and the experience led her to return to painting after a two-decade hiatus, creating acrylic works that express the experience of gardening rather than traditional landscapes.

Mario Schifano in mostra a Roma, non solo a Palazzo delle Esposizioni. Alla Galleria Lombardi il pittore che sapeva osservare

A major retrospective of Mario Schifano (1934–1998) continues at Palazzo delle Esposizioni in Rome through May 27, showcasing over 100 works from his entire career—from early informal and material pieces to the first monochromes of the 1960s, TV Landscapes, oversized 1980s paintings, and 1990s works. Concurrently, a smaller exhibition titled "Mario Schifano | Io guardo" is on view until May 16, 2026, at Galleria Lombardi in Rome. Curated by Lorenzo and Enrico Lombardi, it features about twenty works spanning thirty years of the artist's activity, including monochromes, advertising signs, anemical landscapes, the Futurism revisited cycle, equestrian paintings, and chromatic materials of the 1990s. The show is accompanied by a catalog with a critical text by Silvia Pegoraro.

Getty’s Black Visual Arts Archives receives additional $1.8m in funding

The Getty Foundation has awarded an additional $1.8 million to its Black Visual Arts Archives initiative, bringing total funding to $4.5 million across 20 awards. The program supports institutions in processing, digitizing, preserving, and activating archival collections related to Black artists and arts organizations in the US. Grantees include Afro Charities, the Auburn Avenue Research Library, Berkeley Art Museum and Pacific Film Archive, Charles H. Wright Museum, Morgan State University, the South Side Community Art Center, the University of Chicago’s South Side Home Movie Project, and the David C. Driskell Center. Notable discoveries include footage of the original Wall of Respect mural from the South Side Home Movie Project.

Here Are the Seven Booths We’re Beelining to at NADA’s 2026 New York Edition

The 12th edition of NADA New York is now open through May 17 at the Starrett-Lehigh building in Chelsea, featuring 120 galleries and nonprofit spaces from around the world. The fair emphasizes intimacy and scale, with presentations ranging from wrestling-scene paintings by Ursula Dilley to miniature landscapes stitched onto shirt cuffs by Chang Suyung, alongside collaborations rooted in regional craft traditions and psychedelic excess. Cultured magazine highlights seven must-see booths, including solo shows by Douglas Rieger and Loucia Carlier, and a transatlantic dialogue between Saenger Galería and COHJU.

Yoo Young-kuk’s inner landscapes spotlighted in Seoul retrospective

The Seoul Museum of Art (SeMA) has opened its largest-ever retrospective of pioneering Korean abstract painter Yoo Young-kuk, titled "Yoo Youngkuk: A Mountain Within Me," marking the 110th anniversary of his birth. Running through Oct. 25 at SeMA's Seosomun branch, the exhibition brings together 178 works, including 115 oil paintings, drawings, photographs, archival materials, and previously unseen pieces, as well as BTS RM's collection "Mountain." Rather than a chronological format, the show begins in 1964—the year of Yoo's first solo exhibition—and moves backward and forward through time, highlighting his geometric compositions and bold primary colors inspired by the mountains and sea of his hometown Uljin.

Grand Rapids Art Museum presents: ‘Decadent Spirit: French Art at the Turn of the Century’

The Grand Rapids Art Museum (GRAM) has announced its summer exhibition 'Decadent Spirit: French Art at the Turn of the Century,' on view from May 29 to September 6. Featuring over 130 works spanning 1880 to 1910, the show highlights artists such as Henri de Toulouse-Lautrec, Pierre Bonnard, Jules Chéret, Hector Guimard, and Théophile Alexandre Steinlen, alongside early film pioneers Auguste and Louis Lumière, Georges Méliès, and Alice Guy-Blaché. The exhibition includes works on paper, painting, sculpture, metalwork, interior and urban design, and early film, exploring the cafés, streets, theaters, and domestic scenes of fin-de-siècle Paris. It closes with an 1899 French motorcar, symbolizing the era's new mobility.

In Pol Taburet’s New Show, Being Paranoid Is the Point

French artist Pol Taburet has opened a solo exhibition titled *Paranoia as Method* at Villa Medici in Rome, on view through July 15. The show features sculptures, large-format paintings, and charcoal drawings created during his spring residency at the institution, transforming the villa’s gardens, loggias, and salons into tense psychic landscapes. Taburet’s figures drift between human and animal, evoking transformation, mortality, and spiritual tension, drawing on his Caribbean roots, voodoo traditions, contemporary culture, and classical painting.

“Joseph Barrett: Views from his Lahaska Studio” to open at Silverman Gallery

The Silverman Gallery of Bucks County Impressionist Art in Holicong, Pennsylvania, will open a new exhibition titled “Joseph Barrett: Views from his Lahaska Studio” on May 16-17, 2025, with opening receptions featuring live jazz and refreshments. The show runs through June 20 and includes previously unseen works such as “View from My Window,” “Neshaminy,” and “County Theater in Snow,” alongside Barrett’s painting “Estate of Joseph Stanley,” recently returned from a two-year display at the U.S. Embassy in Kigali, Rwanda, as part of the State Department’s Art in Embassies program.

In ‘Piercing the Veil,’ Marina Kappos Gets to Know the Spectre of Grief

Artist Marina Kappos opens her solo exhibition 'Piercing the Veil' at SHRINE gallery in New York City, running from May 15 to June 27. The show features her signature acrylic-on-wood-panel paintings that use thin layers of pigment to create gauzy, prismatic effects. Inspired by the sculptural figures of grieving women she encountered at Père Lachaise Cemetery in Paris, Kappos explores themes of loss, memory, presence and absence, and the threshold between life and death. Works like 'Veil Study (Eclipse)' (2026) and 'Quantum Study (Green Entanglement)' (2025) depict hazy landscapes and keyhole-shaped portals that invite viewers to contemplate the unknown and the spiritual.

Adrian Ghenie: Roman Campagna | Exhibition review

Adrian Ghenie's exhibition "Roman Campagna" at a Paris gallery presents a series of paintings and charcoal drawings that subvert the romantic cliché of an artist's transformative encounter with Rome. Ghenie populates landscapes inspired by the Appian Way with grotesque, alien-headed figures hunched over smartphones, urinating on monuments, or weeping at sunsets, using brown and grey tones punctuated by bright colors. The works reference Francis Bacon and William S. Burroughs, and include direct allusions to Bacon's reinterpretation of van Gogh's self-portrait, as well as a copy of a Pompeii mosaic. The show also features large charcoal drawings on paper that reveal Ghenie's process of constructing his contemporary, alienated figures.

Taos Art Museum The pull of the landscape

The Taos Art Museum has opened a new exhibition titled “Land, Legacy, and Perspective: Landscapes of Northern New Mexico” on May 12, 2026, in the Janis and Roy Coffee Gallery. Featuring 30 works from the museum’s permanent collection and select loans from private collections, the show includes paintings and works on paper by artists such as Ernest L. Blumenschein, Leon Gaspard, Gene Kloss, Barbara Latham, Joseph Henry Sharp, Victor Higgins, and E. Martin Hennings. Spanning the early to mid-20th century, the exhibition captures scenes of Taos Pueblo, adobe villages, Black Mesa, snowy mountain passes, and aspen groves in various media.

Blood-Red Landscapes by Andrew McIntosh Conjure the Terrifying Unknown

Scottish artist Andrew McIntosh presents a new series of crimson-hued landscape paintings in his solo exhibition "I Hope This Transmission Finds You Soon" at School Gallery in Folkestone, U.K. The works, including pieces titled "Whitney," "K2," "Gasherbrum," and "Matterhorn" (all 2026), transform familiar mountain forms into eerie, otherworldly scenes with glowing orbs and uncanny light, drawing inspiration from Cormac McCarthy's novel "Blood Meridian." The exhibition runs through May 30.

McEvoy Gallery Open House & Art Sale Planned

Newtown artist Dick McEvoy will open his studio and gallery at 51 Taunton Lake Road to the public for a weekend open house and art sale on June 13-14, 2026, from 1-4 pm each day. This is the first time in five years he has hosted such an event. McEvoy, known for his pastel landscapes and later large-scale oil paintings, synthesizes techniques from Impressionism and Abstract Expressionism, with curator Peter Hastings Falk praising his evolution into drip-action painting and his ability to reconcile seemingly opposing art movements.

Nicht mal Engel sind frei von der Gewalt

Janiva Ellis presents a multifaceted exhibition at Kunsthalle Basel, exploring the history of violence in modernity through paintings that blend history painting, cartoon, and abstraction. Her works, including "Glint" and "Une nuit agitée," feature angels, hybrid creatures, and dystopian landscapes, questioning the origins and functions of violence in art history and society.

'Preserving the art of Utah culture': Utah-artist museum opens in Salt Lake City

A new art museum, the Salt Lake Art Museum, is opening in the historic B'nai Israel Temple in downtown Salt Lake City, dedicated to preserving and celebrating Utah culture through visual art. Founded by art historian Micah Christensen and led by executive director Chris Jensen, the museum is the first new art museum to open in the city in over 40 years. It has already begun programming, including an interactive 'Make Your Mark' installation and a Utah Master Series highlighting influential local artists such as Galina Perova, Stanley Wanlass, and Ben Hammond. Opening exhibitions will feature works by Albert Bierstadt, Pilar Pobil, and a show on Julia Reagan billboards, alongside a gallery on the temple's history.

FYI Calendar: Traveling exhibition “Painting the Arkansas Parks” is on display at Arts On Main

A traveling exhibition titled "Painting the Arkansas Parks" is on display at Arts On Main in Van Buren, Arkansas, through June 27. The show features artworks created outdoors that highlight the natural beauty and character of Arkansas's landscapes. The article also lists numerous other events and exhibitions in the region, including "In Full Color" showcasing pastel works, "Peeking Inside the Imagination" featuring student art from Southside High School, and "Soul Taking Shape" by Arkansas Living Treasure Longhua Xu at the Fort Smith Regional Art Museum. Additionally, the calendar includes theater performances, culinary classes, a plant swap, and a cycling festival.

Boca Raton Public Library Announces Summer Arts Exhibits

The Boca Raton Public Library in Florida will host two summer art exhibits featuring local and international artists. The first, “Fine Art Photography” by Jacoby, runs June 1–July 6, 2026, at the Downtown Library, showcasing infrared and intentional camera movement photography. The second, “Discover You” by Marina Veen, runs June 8–July 17, 2026, at the Spanish River Library, presenting layered mixed-media works exploring nature and emotion. Both exhibits are free and open to the public.

Gallery Conversation: Ideal Landscapes in Painting and Photography

The Art Institute of Chicago is hosting a gallery conversation on June 1 titled "Ideal Landscapes in Painting and Photography." The program, led by curators Yechen Zhao and Felice Graciela Robles, will examine idealized representations of nature in East Asian art, comparing painted landscapes from the Korean National Treasures exhibition with a 1938 photograph by Chinese artist Lang Jingshan. The discussion will explore the blurred boundaries between ideal and real, as well as between painting and photography.

Art Born of Pain: Frida Kahlo

This article is a promotional piece for the DW English program 'Arts Unveiled,' highlighting several upcoming segments. It announces the start of the 61st Venice Biennale, the world's largest art exhibition, and poses questions about its standout features and art's role in times of crisis. Other segments explore the American Dream as a nightmare on the 250th anniversary of US independence, and feature Indigenous artist Britta Marakatt-Labba, who creates embroidered polar landscapes reflecting Sámi culture.

Experience the Full Breadth of Morandi's Artistic Legacy

The Museum of Art Pudong (MAP) in Shanghai has announced "Giorgio Morandi. Solo," the largest and most comprehensive exhibition of Giorgio Morandi in the 21st century, opening June 17 and running through October 2026. Presented with the Museo Morandi in Bologna, the show brings together over 200 works from 39 institutions and private collections worldwide, including more than 140 original artworks by the Italian painter, with over 120 shown in China for the first time. Highlights include Morandi's only known seascape, one of seven self-portraits, a never-before-exhibited portrait of his sister, and his personal star-wheel etching press on loan from descendants of his friend Francesco Bagnaresi.

The Italian Way of Symbolism in the Exhibition at the Fondazione Magnani-Rocca

La via italiana del Simbolismo nella mostra alla Fondazione Magnani-Rocca

The Fondazione Magnani-Rocca in Mamiani di Traversetolo, Parma, recently made headlines due to a dramatic theft targeting its permanent collection. Despite the incident, the museum's temporary exhibition spaces remain unaffected, and the show "Simbolismo in Italia" (Symbolism in Italy), curated by Francesco Parisi, continues without disruption. The exhibition aims to update critical discourse on Symbolism, a movement that spread across Europe from the 1880s to the early 1900s and arrived in Italy with a distinct, often tradition-rooted character. It features works by artists such as Cesare Saccaggi, Giulio Aristide Sartorio, and Adolfo Wildt, organized into thematic sections exploring literary sources, mythological landscapes, and the dual nature of femininity.

New exhibit at Art Museum of Eastern Idaho celebrates region's agricultural identity

A new exhibition titled "Sacred Spaces: Visions of the West from the Prosaic to the Sublime" has opened at The Art Museum of Eastern Idaho in Idaho Falls, featuring works by six contemporary artists—David Dibble, Bryan Mark Taylor, Josh Clare, Allie Zeyer, Louisa Lorenz, and Carson Thompson. The show, curated by museum Executive Director Alexa Stanger, focuses on the agricultural landscapes of the American West, portraying farms, ranches, and working spaces not as scenic backdrops but as living environments shaped by labor, memory, and generational stewardship. It runs through July 3.

Mennello Museum’s 'Our Orlando' group show returns, featuring three innovative local artists

The Mennello Museum in Loch Haven, Orlando, has launched the fourth edition of its 'Our Orlando' group exhibition, featuring three local artists: Tasanee Durrett, Mado Smith, and Martha Jo Mahoney. The show, curated by museum director Shannon Fitzgerald and co-curator Flynn Dobbs, includes four works each by Durrett and Mahoney and two by Smith, drawn from studio visits. The exhibition runs through late August with an opening reception on Friday.

Minnesota Marine Art Museum celebrates two new collections with weekend events

The Minnesota Marine Art Museum in Winona is hosting a "Spring New Look Weekend" from Friday through Sunday to celebrate two new collections. The first, "Myths & Legends of Minnesota: An Exhibition of the Minnesota Plein Air Collective," features 43 paintings by 32 artists created outdoors across the state, focusing on folklore, oral traditions, and waterways. The second, "Gordon Coons: Gidibaajimomin / We Tell Stories," showcases 18 new works by Ojibwa artist Gordon Coons, along with earlier pieces and examples of Woodland Style art from Norval Morrisseau and Sam Ash. The weekend includes plein air painting demonstrations, a printmaking activity with Coons, meet-the-artist tours, and an evening social.

New Midland exhibit explores landscapes, memory and reflection

A new exhibition titled 'Seen/Unseen' has opened at the Midland Cultural Centre in Ontario, curated by Gayle Fortin. It features immersive fibre installations, atmospheric landscapes, and abstract works by four artists from The October Collective: Charlotte Williams, Amy Bagshaw, Pauline Bradshaw, and Lindsay Smail. Highlights include Bagshaw's site-specific fibre installation using industrial materials, an interactive 'Grounded Echoes Cairn' where visitors add inscribed stones, and QR codes linking to artists' stories. The exhibition runs alongside a Members' Exhibition and a community mural celebrating Quest Art School + Gallery's 30th anniversary.