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Liliana Angulo Cortés, the trailblazing director of the Museo Nacional de Colombia, has died at age 51. As the first Afro-Colombian artist to lead the historic institution, she was instrumental in diversifying the museum's collection and shifting its focus toward colonial remembrance and the representation of Black and Indigenous communities. Meanwhile, major art centers in Beirut, including the Sursock Museum and the Beirut Art Center, have suspended operations due to escalating regional conflict and airstrikes.

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The Baloise Art Prize, worth $36,800, has been awarded to artists Rhea Dillon and Joyce Joumaa at Art Basel. Dillon's "Leaning Figures" sculptures, made from soap and molasses, were presented by London's Soft Opening gallery. Joumaa's installation "Periodic Sights," shown by Montreal's Eli Kerr Gallery, features photographs of Tripoli and Beirut commenting on energy crises in Lebanon. The prize is given annually to two artists in the fair's Statements sector.

The Week in Art: Iran's Heritage, Art Market Recovery, Sydney Biennale

Art communities and heritage in Iran, moderate recovery in the art market, Sydney Biennale—podcast

The latest episode of The Week in Art podcast covers three main topics. First, it discusses the impact of the ongoing Middle East conflict on cultural communities and heritage sites in Iran and Lebanon, including damage to the Chehel Sotoun palace in Isfahan. Second, it analyzes the new Art Basel and UBS Global Art Market Report, which indicates a market recovery but reveals a complex picture. Third, it features a new installation by Indigenous American artist Cannupa Hanska Luger at the Sydney Biennale, consisting of ceramic dingo skulls, which has gained relevance following a recent tragedy in Australia.

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Nan Goldin used the opening of her retrospective “This Will Not End Well” at Berlin’s Neue Nationalgalerie to deliver a forceful 14-minute speech condemning the Israel-Gaza war and criticizing Germany’s censorship of pro-Palestinian voices. She called for a phone-free moment of silence for the dead in Palestine, Israel, and Lebanon, and framed her exhibition as a test case for artistic freedom. The event drew a large crowd, police presence, and was widely shared on social media by figures like Ai Weiwei and Wolfgang Tillmans.

Ghosts, nudes and lesbian pageant queens: highlights from NYC’s Photography Show – in pictures

Aipad: The Photography Show is taking place at the Park Avenue Armory in New York from April 22-26, 2026, featuring works from over 70 galleries. The exhibition highlights include Bill Brandt's 1952 nude, Rania Matar's portrait of a young woman in Lebanon, and Zanele Muholi's 2009 portrait of a lesbian pageant queen, alongside works by Tania Franco Klein, Ruth Thorne-Thomsen, and others that explore themes of identity, anxiety, and alternative realities.

MENA Artists Are Having a Market Moment That’s Built to Last

Auction sales for artists from the Middle East and North Africa (MENA) region rose 9.4% to $33.2 million in 2025, driven by increased activity from international auction houses and the emergence of new hubs like Riyadh. The Sotheby's 'Origins' sale in Saudi Arabia achieved $17.3 million, setting artist records, while works from Lebanon, Egypt, and Iraq saw particularly strong gains, indicating a market rebalancing.

12 things not to miss at Art Basel's bigger and better 2025 event

Art Basel's 2025 edition in Basel features a packed program across the city, including a new Shop with exclusive drops like a limited-edition porcelain Labubu by Kasing Lung, an FC Basel jersey designed by an artist, and rare prints by Daniel Arsham and Amoako Boafo. Highlights include Jordan Wolfson at Fondation Beyeler, Dala Nasser at Kunsthalle Basel, a ghost train by Rebecca Moss and Augustin Rebetez at Museum Tinguely, and the group show Maison Clearing organized by C L E A R I N G. Joyce Joumaa presents a light-based installation at Art Basel Statements, Thomas Bayrle's 1960s installation Coats appears in Parcours, and Alia Farid shows at Unlimited.

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Berlin’s Academy of Arts has issued a sharp critique of proposed budget cuts to the Berlin Art Prize, which would see the award's prize money halved. The Academy argues that reducing the current €45,000 total funding—already considered modest—devalues the historic award and threatens its future as a symbol of artistic freedom and democratic expression.

More UNESCO Sites Damaged in Isfahan and Lebanon; Democrats Probe Whereabouts of Millions Given to Fund Trump Library; Morning Links for March 11, 2026

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Recent airstrikes have caused significant damage to several UNESCO World Heritage sites and historical landmarks across Iran and Lebanon. In Isfahan, the 17th-century Naqsh-e-Jahan Square, Ali Qapu Palace, and the Jame Abbasi Mosque suffered damage, while in Lebanon, strikes impacted the Al-Bass archaeological site in the ancient city of Tyre. Meanwhile, Democratic lawmakers have launched an investigation into $63 million in settlement payments intended for Donald Trump’s now-dissolved presidential library fund, raising concerns over the whereabouts of the capital.

6 Objects That Capture Everything Brilliant and Strange About the Shakers

The Institute of Contemporary Art in Philadelphia has opened a new exhibition titled "A World in the Making: The Shakers," which places the work of seven contemporary artists alongside over 100 historical Shaker objects. The show, a collaboration with the Vitra Design Museum and the Milwaukee Art Museum, draws heavily from the collection of the Shaker Museum in New York to explore the community's legacy of radical simplicity, order, and purpose.

Lebanese Artist Ali Cherri Files War Crimes Complaint Against Israel After 2024 Beirut Bombing

Lebanese artist Ali Cherri, with the International Federation for Human Rights (FIDH), has filed a civil complaint in France seeking an investigation into an Israeli airstrike on a Beirut residential building in November 2024. The strike killed seven civilians, including Cherri's parents. The complaint, supported by forensic analysis from Forensic Architecture and Amnesty International, alleges the attack used munitions documented as being employed by the Israeli air force and targeted a civilian object, potentially constituting a war crime.

Required Reading

This week’s roundup of essential art reading highlights a diverse range of global initiatives, from the development of a new arts center in Compton by formerly incarcerated painter Mr. Wash to a mural project for displaced children in Lebanon led by artist Abed Al Kadiri. The report also covers a guerrilla projection protest at the Museum of Fine Arts, Boston, where activists criticized the institution for laying off staff members of color despite a massive endowment, and a poignant look at medical students graduating amidst the ongoing crisis in Gaza.

More than 200 cultural figures sign statement criticising international response to destruction of Iran’s heritage

More than 200 international scholars and cultural heritage professionals have signed a joint statement condemning the United States and Israel for inflicting "irreversible damage" on Iran’s cultural heritage. The group, which includes academics from leading global institutions, alleges that recent military strikes have damaged over 130 UNESCO-registered monuments and museums, including the Senate Palace in Tehran and sites in Isfahan. They argue these actions violate the 1954 Hague Convention and criticize international bodies like UNESCO for failing to issue a sufficiently forceful response.

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Gabrielle Bejani, a Lebanese Palestinian artist based in South London, created a new series of works in response to the November 2024 ceasefire between Israel and Lebanon that was quickly broken. The series, exhibited as "Deliberate Dreams" at Beirut's Saleh Barakat Gallery in July 2025, uses painting, drawing, and collage to process grief, anger, and guilt over the violence. Bejani incorporates everyday cultural items like bougainvillea and 20th-century Lebanese postage stamps to explore themes of land, identity, and resistance, reclaiming darkness as a source of empowerment rather than a metaphor for evil.

Sculptural works by emerging artists win Baloise Art Prize

The Baloise Art Prize has been awarded to London-based artist Rhea Dillon and Lebanese Canadian artist Joyce Joumaa for their presentations in the Statements section of Art Basel. Dillon, represented by Soft Opening gallery, exhibited *Leaning Figures*, a series of wall-mounted sculptures made from resin mixed with molasses and Jamaican soil, replicating cut-crystal plates. Joumaa, shown with Montreal’s Galerie Eli Kerr, presented *Periodic Sights*, an installation of repurposed fuse boxes illuminated with photographs of everyday scenes from Beirut and Tripoli, addressing Lebanon’s energy crisis. As part of the prize, Dillon’s work was acquired by the Museum für Moderne Kunst (MMK) in Frankfurt, and Joumaa’s by Mudam Luxembourg.

Lebanon’s Art Scene Is Living in ‘War Mode’

On April 8, 2025, a wave of Israeli airstrikes across Lebanon killed 357 people and injured over 1,200, a day now known as 'Black Wednesday.' Amid the violence, Lebanese artist Abed Al Kadiri, who grew up during Lebanon's civil war and Israeli occupation, has been working with displaced children in shelters, using art to help them process trauma. He collects their drawings and plans to combine them with sketches by other artists reflecting their own war experiences, creating concertina-style books to be exhibited and sold to raise funds for over 1.1 million displaced people.

SILSILA: Highlights from the Dalloul Collection Including Modern & Contemporary Middle Eastern Art - Christie's

Christie's will hold a live auction titled 'SILSILA: Highlights from the Dalloul Collection including Modern and Contemporary Middle Eastern Art' on 6 November 2025 at King Street, London, with an online sale running from 28 October to 11 November. The evening sale features 20 exceptional works from the esteemed Dalloul Collection in Beirut, Lebanon, led by masterpieces from artists such as Mohamed Melehi, Mahmoud Saïd, Dia Al-Azzawi, Marwan, Huguette Caland, Paul Guiragossian, Samia Halaby, and Kamal Boullata. A preview will be held at Christie's Dubai from 3-10 October, showcasing highlights including Guiragossian's 'Automne (Autumn)', El Rayess's 'Soukhour Meyrouba', and Said's 'La colline de Mekarzel'.

Fragments of Home: A Dual Review of New Exhibitions at the Amarillo Museum of Art

The Amarillo Museum of Art is hosting two concurrent exhibitions: "Home, Love, and Loss" (May 31 – September 14, 2025) and "Jeri Salter: Rugged Beauty of the Texas Panhandle" (June 20 – September 28, 2025). The first, organized in partnership with the Amon Carter Museum of Art, features over 60 works by artists including Thomas Hart Benton, Rania Matar, and Francisco Delgado, exploring family dynamics, identity, and belonging. The second showcases Jeri Salter's pastel landscapes of the Texas Panhandle alongside miniature studies by 19th-century artist Frank Reaugh.

'I never imagined we'd get here': Beirut gallery Marfa' Projects turns ten

Beirut gallery Marfa' Projects celebrates its tenth anniversary, a milestone founder Joumana Asseily never expected to reach given the immense challenges faced since opening in 2015. The gallery, located in the city's port district, survived widespread civil protests, Lebanon's economic crisis, and the devastating 2020 Port of Beirut explosion that destroyed its premises. Asseily rebuilt within a year, supported by a global network of fellow dealers who inspired her with virtual shows and offered solidarity during Israel's 2024 bombardment. The anniversary group exhibition features works consigned by partner galleries including Sadie Coles HQ, Experimenter, and Emalin, alongside Marfa' Projects artists like Mohamad Abdouni and Stéphanie Saadé, both of whom won major art fair prizes last year.

Historic Strike Disrupts Biennale as Thousands March in Venice

On May 8, 2026, artists and cultural workers staged the first strike in the 131-year history of the Venice Biennale, disrupting the pre-opening of the international exhibition. At least 27 of the 100 national pavilions were partially or fully shut down, and thousands marched through Venice to the Arsenale, which was barricaded by Italian riot police. The strike, organized by the Art Not Genocide Alliance (ANGA) and local activist groups, was a 24-hour action for Palestine and workers' rights, with some artists altering or draping their works in the main exhibition, "In Minor Keys."

Ali Cherri Files War Crime Case Over Israeli Airstrike on Beirut

French-Lebanese artist Ali Cherri, in collaboration with the International Federation for Human Rights, has filed a civil complaint in a French court regarding a 2024 Israeli airstrike in Beirut. The strike, which occurred in the Noueiri neighborhood just hours before a ceasefire, destroyed Cherri’s family home and killed seven civilians, including his parents and their domestic helper. The legal action, submitted to a specialized war crimes unit, alleges that the targeting of a civilian residence constitutes a war crime under both French and international law.

Venice Biennale strike sees more than 15 pavilions temporarily or partially close

On 8 May, more than 15 national pavilions at the Venice Biennale temporarily or partially closed in a coordinated strike organized by the Art Not Genocide Alliance (ANGA). The protest opposes Israel’s participation in the event, which organizers say normalizes what they call genocide and exploits precarious labor. Participating countries include Austria, Lebanon, Slovenia, Egypt, Poland, and the Netherlands, whose artist Dries Verhoeven stood outside his shuttered pavilion with a Palestinian flag. Some pavilions, like Japan’s, remained open but suspended interactive elements. The strike follows earlier controversies, including the resignation of the prize jury and an open letter demanding the Israeli pavilion’s cancellation.

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A 4.9-meter stainless steel sculpture titled "Chaînes de Lumière" was unveiled on March 15, 2025, in Bikfaya, Lebanon, by artist duo Pierre and Cedric Koukjian. The work, composed of seven monumental links, was inaugurated in the presence of local officials including Bikfaya Mayor Nicole Gemayel, former President Amine Gemayel, Swiss Ambassador Marion Weichelt, and several UN envoys. It is part of a series of chain-motif sculptures installed globally, with previous works like "X-Link" (2022) in Geneva, Switzerland, and future installations planned for London and Bristol.

‘We’re attached to this land like a tree is rooted in soil’: unexpectedly timely exhibition speaks up for the people of south Lebanon

An exhibition titled 'Forget Me Not: South Lebanon in Memory and Motion' was held at London's Palestine House earlier this month. It featured archival news footage from 2000, photographs, audiovisual materials, and children's drawings to document the history, culture, and resilience of southern Lebanon, a region experiencing renewed conflict.

Watch: Khaled Sabsabi and Michael Dagostino in Conversation

Artist Khaled Sabsabi and curator Michael Dagostino discuss their project 'conference of one’s self' for the Australia Pavilion at the 61st Venice Biennale. Sabsabi explains how the work draws on the twelfth-century Sufi poem 'The Conference of the Birds' by Farīd al-Dīn ʿAṭṭār, mapping its seven spiritual valleys and adding an eighth level of 'wholeness and completeness'. He also reflects on his childhood in Lebanon, migration to Australia, and how his return to Lebanon in 2002 reconnected him with his Sufi lineage, which informs his artistic practice focused on memory, displacement, and social justice.

Blue Shields Placed at 34 Archaeological Sites Across Lebanon, Signaling Enhanced Protections

The Lebanese Culture Ministry has placed distinctive blue shields at 34 archaeological sites across the country. This action formally designates the sites as protected cultural property under the 1954 Hague Convention, aiming to shield them from destruction during the ongoing armed conflict involving Israel and Hezbollah.

Syrian Artist Sara Shamma To Present An Ode To Palmyra At The 61st Edition Of La Biennale Di Venezia

Syrian artist Sara Shamma will present a large-scale immersive installation titled 'The Tower Tomb of Palmyra' at the 61st edition of La Biennale di Venezia in 2026. This marks Syria's first participation in the Biennale since the fall of the Assad regime and the appointment of President Ahmed Hussein al-Sharaa. Shamma's project, inspired by the ancient funerary towers of Palmyra destroyed during the Syrian Civil War, aims to restore the heritage site to life through a multisensory journey combining architecture, painting, and other elements. It will be the first solo presentation by a single Syrian artist at the Biennale, departing from previous group exhibitions with European collaborators.

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Lebanon’s Ministry of Culture has formally petitioned UNESCO to secure enhanced protections for the nation’s cultural heritage sites as regional conflict intensifies. Culture Minister Ghassan Salamé urged the UN agency to intervene with belligerent parties to ensure the safety of irreplaceable landmarks, including the National Museum of Beirut and the Roman ruins of Baalbek. UNESCO confirmed it has shared the coordinates of these World Heritage sites with all involved parties to prevent accidental or intentional targeting during military operations.

Lebanon appeals to Unesco to intervene amid fears protected citadel has been destroyed

Lebanon’s Ministry of Culture has filed an urgent complaint with Unesco following reports that Israeli military forces destroyed the 12th-century Chama’ Citadel in southern Lebanon. The site, a Crusader-era fortress, had recently been granted "enhanced protection" status under the 1954 Hague Convention, a designation intended to shield it from military targeting. Lebanese authorities are currently unable to access the site due to ongoing military occupation and have requested that Unesco utilize satellite imagery to verify the extent of the demolition.

Art Notes: AVA Gallery's 18th Annual High School Exhibition

The AVA Gallery and Art Center in Lebanon, New Hampshire, recently opened its 18th annual high school exhibition, featuring over 100 artworks from students across 14 Upper Valley schools. The exhibition showcases a diverse range of media, including ceramics, digital collage, and painting, with awards granted across multiple disciplines. While some critics noted a shift toward more traditional classroom assignments compared to previous years, the show remains a vital platform for young artists to express personal and social commentary.