5 Under-Recognized Artists Getting Their Due in New York This Season

The article highlights five under-recognized artists whose exhibitions are on view in New York this season, focusing on Domenico Gnoli at Lévy Gorvy Dayan and Raquel Rabinovich at Hutchinson Modern and Contemporary. Gnoli, an Italian painter who died in 1970, is known for his pallid, claustrophobic depictions of everyday subjects, while Rabinovich, who died at 102 in January 2026, created somber minimalist paintings exploring silence and withholding. The piece notes that New York galleries often use the pre-fair period to showcase less prominent artists of great promise.

Ceramics Are Everywhere, in Museums, Galleries, and Fairs—Has the Market Caught Up?

Ceramics are experiencing a surge in visibility across museums, galleries, and art fairs in major US cities. The article catalogs numerous recent and upcoming exhibitions, including Kathy Butterly's sold-out show at James Cohan with pieces at $45,000 each, Nicole Cherubini's nearly sold-out show at Friedman Benda with prices up to $65,000, and Ruby Neri's work at Salon 94 peaking at $75,000. Other highlights include Ron Nagle at Matthew Marks, Theaster Gates' Gagosian show celebrating David Drake, NADA Ceramics in Tribeca, and ceramic presentations at Frieze Los Angeles, Post-Fair, Expo Chicago, and David Zwirner. Institutional shows include Toshiko Takaezu at Princeton University Art Museum and a ceramic collection at RISD Museum.

Remembering Pat Steir, one of the 20th century’s late-blooming great artists

Pat Steir, the acclaimed American painter known for her Waterfall series, died in Manhattan on 25 March at age 87. The article traces her career from early struggles as a freelance illustrator and art director, through her transformative encounter with Sol LeWitt in the early 1970s, to her eventual emergence as a major figure in contemporary painting. It highlights her teaching at CalArts and Parsons, her involvement with feminist and artist-run institutions like Heresies and Printed Matter, and the pivotal moment in the early 1980s when she cut up a reproduction of a Jan Brueghel the Elder flower painting into 64 panels, repainting each in a different historical style.

Overlooked Artist Louisa Chase Returns to the Spotlight

Artnet News reports on a solo exhibition at Berry Campbell, New York, dedicated to overlooked American painter Louisa Chase (1951–2016). Titled "Louisa Chase: The Eighties," the show is the largest and most comprehensive survey of her work in 25 years and the first since the gallery began representing her estate. It features a curated selection of works on paper from the mid-1970s to mid-1980s, highlighting Chase's unique synthesis of abstraction and representation that positioned her between Neo-Expressionism and the New Image movement. Chase, who studied under Philip Guston at Yale, had major early success including solo shows at Robert Miller Gallery, appearances at the Whitney Biennial (1981, 1983), and inclusion in the American Pavilion at the Venice Biennale (1984), with works held by MoMA, the Met, the National Gallery of Art, and the Walker Art Center.

Lubaina Himid on capturing the 'uneasiness' of Britain for her Venice Biennale pavilion

Lubaina Himid, the Turner Prize-winning artist born in Zanzibar and raised in England, is representing Great Britain at the Venice Biennale with a pavilion that captures the 'uneasiness' of living in Britain. The exhibition features her signature paintings, prints, and cutout figures, alongside a soundscape by Magda Stawarska, designed to evoke ambiguous encounters and the gap between a question and an answer. Himid describes the pavilion as a reflection of Britain's everyday pleasantness undercut by a persistent sense of otherness, drawing on her own experience as an East African brought up by English women.

25th Biennale of Sydney Review: From the Margins

The 25th Biennale of Sydney, titled "Rememory" and curated by Hoor Al Qasimi, features 143 works by 83 artists and collectives from 37 countries across five venues. The exhibition explores marginalized, fragmented, and repressed histories, drawing on Toni Morrison's concept of 'rememory' as a space between remembering and forgetting. Key works include Tuan Andrew Nguyen's film on Vietnam War trauma, Basel Abbas and Ruanne Abou-Rahme's immersive installation on Palestinian displacement, Khalid Albaih's photographs of Sudan, and Massinissa Selmani's drawings on Algerian socialist building projects.

Who is Yto Barrada, France's representative at the Venice Biennale with a world-spanning work?

Qui est Yto Barrada, représentante de la France à la Biennale de Venise avec une œuvre-monde ?

Yto Barrada, the artist representing France at the 2026 Venice Biennale, has created a multidisciplinary installation titled "Saturne" for the French Pavilion. The work centers on textiles and natural dyeing, weaving together themes of postcolonial history, migration, craft transmission, and the symbolism of Saturn—from its astronomical mystery to its mythological role as the devourer of children. The installation features wool curtains, Aubusson tapestry, goat skins, wasp-nest sculptures, masks, muzzles, a color chart, and video, all housed in a renovated pavilion designed with the help of numerous artisans. Barrada, born in Paris in 1971 and raised in Tangier, founded the Cinémathèque de Tanger and later The Mothership, a research center focused on textiles and natural dyes. The exhibition is curated by Myriam Ben Salah.

10 Exhibitions to See in Upstate New York This May

Hyperallergic's guide highlights 10 exhibitions opening in Upstate New York this May, including the Hessel Museum of Art's annual showcase of thesis exhibitions by graduates of the Center for Curatorial Studies at Bard College, featuring works by Alice Aycock, Arthur Jafa, Mike Kelley, and Ana Mendieta. Other notable shows include Daniele Frazier's camera-less photography at September Gallery, Onnis Luque's investigation into resource exploitation at Art Omi, and Japanese woodblock prints at the Frances Lehman Loeb Art Center. The guide also covers Lukaza Branfman-Verissimo's mixed-media works and Maria Auxiliadora da Silva's paintings.

First US Survey of Mexican Artist Teresa Margolles Coming This Fall

MoMA PS1 in New York City will host the first United States survey of Mexican artist Teresa Margolles this fall. Trained as a forensic pathologist, Margolles creates works using organic and bodily materials from homicide victims, morgues, and crime scenes. The exhibition will feature pieces confronting murder and violence along the US-Mexico border, including a 2026 evolution of her ongoing series "Air" (2003–), where a gallery will be humidified with water carrying degradable material from homicide sites. The Museum of Modern Art will also present a new experiential installation, "Aproximación al lugar de los hechos (Approaching the Scene)" (2026), starting September 17, which drips water carrying evidence of violent death onto heated steel plates.

A ‘bird of Mexico City’ strikes a revolutionary pose: Pieter Henket’s best photograph

Photographer Pieter Henket describes the creation of his portrait "La Mujer" (The Woman), part of his series "Birds of Mexico City." The image features Ixchel Paz, a young Mexican woman wearing a lucha libre wrestling mask, captured in a dignified pose on the first day of the project. Henket explains how the series evolved from an earlier project, "Birds of New York," which celebrated young people in New York during the first Trump administration. After the pandemic, he traveled to Mexico City with his husband Roger Inniss, collaborated with stylist Chino Castilla and his team, and encouraged subjects to express their identities through costume and culture.

Diedrick Brackens’s Tapestries Beckon the Light of Freedom

Diedrick Brackens presents his first solo exhibition in the Bay Area, "gather tender night," at Yerba Buena Center for the Arts in San Francisco. Guest-curated by Eungie Joo, the show features 15 tapestries from 2020 onward and three new works from 2026, including the immersive installation "clearing (2026)." Brackens, a Black queer artist and CCA professor, uses hand-dyed cotton and acrylic yarn to weave narratives of personal memory, myth, and the natural world, drawing from West African weaving, California fiber art, European tapestry, and Gee's Bend quilting. His approach, influenced by the "sloppy craft" ethos of his mentor Josh Faught, embraces unfinished edges and visible process as acts of refusal against polished traditions.

Sketches of Spain at arms: Sim, the anarchist illustrator who drew the civil war from the frontline

The Guardian reports on José Luis Rey Vila, known as Sim, an anarchist illustrator who documented the Spanish Civil War from the frontlines in Catalonia. His bold, colorful sketches captured street battles, militias, nurses, and milicianas, and were widely reproduced in booklets and exhibitions, raising international awareness before Picasso's Guernica. After the war, Sim fell into obscurity and died in near-anonymity in 1983. Now, on the 90th anniversary of the conflict, Barcelona's Museu Nacional d'Art de Catalunya (MNAC) is exhibiting 40 recently acquired Sim illustrations, highlighting his role as a key visual chronicler of the conflict.

New Met Gala fashion exhibit seeks to ‘reclaim’ body types that art history has ignored

The Metropolitan Museum of Art's Costume Institute will launch a new fashion exhibition titled "Costume Art" at the 2026 Met Gala, curated by Andrew Bolton. The show features 400 items across sections exploring body types historically marginalized in art, including the corpulent, disabled, pregnant, and aging body. It debuts in the newly renovated Conde M. Nast galleries on the museum's main floor, with custom mannequins modeled on real individuals such as Sinéad Burke, Aariana Rose Philip, and Goddess Bunny. The exhibition pairs fashion garments with art objects to argue that fashion is art, and will be open to the public from May 10 for eight months.

What’s on for spring? Spiritualism and symbolic systems

This article surveys several spring exhibitions in Chicago that explore themes of spiritualism, symbolic systems, and interconnected consciousness. Featured shows include Mindy Rose Schwartz's "Countersealed" at M. LeBlanc, which uses deconstructed fur coats, wands, and twisted fiber sculptures to evoke rituals addressing ecological disaster and historical subjugation. Daniel G. Baird's "Margin" at Patron examines thresholds between material and spiritual realms through a gilded canoe, wax arm cast, and birchwood oar. Leah Ke Yi Zheng's "Change, I Ching (64 Paintings)" at the Renaissance Society presents 64 hexagram paintings on silk, connecting abstract minimalism with Eastern silk painting traditions.

The Enigma of Alison Knowles

Lauren Moya Ford reviews the only book dedicated to Fluxus artist Alison Knowles, who died six months ago. The book, "Performing Chance: The Art of Alison Knowles In/Out of Fluxus" by Nicole L. Woods (2026), attempts to illuminate Knowles's life and work, but Ford notes that much of her personal life remains mysterious despite the author's efforts. The article is part of a broader books newsletter that also features new tomes on Hans Holbein’s portraits, Jan Staller’s photographs of Manhattan construction sites, and a discussion of a Black Panther family album at the Studio Museum in Harlem.

‘We put our heads above the parapet’: Lubaina Himid on winning her 40-year battle to storm the Venice Biennale

Lubaina Himid, the 71-year-old British artist, is representing Britain at the Venice Biennale with a solo exhibition in the British Pavilion. Known for her decades-long career addressing Black identity and colonial history through paintings, textiles, and cut-out figures, Himid installed her work early and even got married in the lead-up to the biennale. She follows fellow Black British artists John Akomfrah and Sonia Boyce in recent years, completing a trio of artists from the same generation to take over the pavilion.

How Fatinha Ramos Channels ‘Visual Activism’ in Her Richly Layered Illustrations

Fatinha Ramos, a Portuguese artist and illustrator based in Antwerp, describes her work as 'visual activism,' creating richly layered illustrations that give voice to minorities and address social issues. She collaborates with major clients including The New York Times, The Washington Post, Tate, Scientific American, the Anne Frank Museum, and MoMA, which commissioned her to illustrate an essay about being compared to Frida Kahlo. Born with osteogenesis imperfecta (brittle bone disease), Ramos spent much of her childhood in hospitals, where drawing became an escape. After 12 years as an art director in advertising and publishing, she now focuses on her own practice, which challenges stereotypes around disability, climate crisis, sexism, and racism. She is currently working on a graphic novel and a series of anatomical glass sculptures based on brittle bone disease.

Why our country needs the artist Lubaina Himid right now: "I had to figure out how to represent Britain"

Lubaina Himid has been selected to represent Great Britain at the Venice Biennale, taking over the British Pavilion. The announcement came just before Christmas 2024, shortly before the opening of her first solo exhibition in China at the UCCA Center for Contemporary Art in Beijing, which features major works including 'Naming the Money' (2004). Himid, who was born in Zanzibar and raised in London, is a Turner Prize-winning artist known for centering Black narratives and marginalized histories through theatrical, life-size cut-out figures.

Beyond Body-Con: In the the Met’s Spectacular New Exhibition, “Costume Art,” the Human Form Connects Fashion and Art

The Metropolitan Museum of Art has opened a new fashion exhibition titled "Costume Art" in its newly established Condé M. Nast Galleries. Curated by Andrew Bolton, the show features faceless mannequin heads by sculptor Samar Hejazi that reflect visitors' own images, encouraging self-reflection and empathy. The exhibition is structured around a typology of bodies, using mannequins of diverse body types modeled after named individuals to challenge traditional beauty standards. It explores the connection between fashion and the human form, positioning the dressed body as a unifying thread across the museum's collections.

Ruminations on Rashid Johnson’s “A Poem for Deep Thinkers”

The article is a reflective review of Rashid Johnson's exhibition "A Poem for Deep Thinkers" at the Modern Art Museum of Fort Worth. The author describes standing before Johnson's work "Falling Man" (2016), a piece incorporating broken mirrors, burned wood, and personal objects like a copy of Harry Haywood's "Black Bolshevik" and shea butter, which prompts meditations on visibility, identity, and Frantz Fanon's "Black Skin, White Masks." The review also examines Johnson's large-scale installation "Antoine's Organ" (2016/2026), which fills a gallery typically reserved for Ellsworth Kelly's minimalist canvases, transforming the space with scaffolding, plants, books, and video monitors.

Steven Durland, Champion of Performance Art, Dies at 75

Steven Durland, a longtime editor of *High Performance* magazine and a champion of performance art, died on March 11 at age 75 after a brief illness. His life partner, Linda Frye Burnham, confirmed his death in Saxapahaw, North Carolina. Durland was born in Long Beach, California, raised in South Dakota, and trained as a ceramic artist with a BFA from the University of South Dakota and an MFA from the University of Massachusetts Amherst. He became deeply involved in performance and mail art, and from 1986 to 1994 served as editor of *High Performance*, a magazine founded by Burnham that featured thousands of artists including Nancy Buchanan, Carolee Schneemann, Paul McCarthy, Suzanne Lacy, and Ulysses Jenkins. Durland also maintained his own artistic practice, creating performances such as "Win Defeat/BID FOR POWER" (1978) and "Death and Taxis" (1982), and produced the micro-newspaper *Tacit*.

Ahead of the 2026 Met Gala, the Metropolitan Museum of Art Introduced New Mannequins With Diverse Body Types Inspired by Real People

The Metropolitan Museum of Art has opened a new exhibition titled "Costume Art" ahead of the 2026 Met Gala, featuring mannequins with diverse body types—including larger, pregnant, trans, and disabled bodies—created through 3D printing and based on real-life models. The show pairs roughly 400 artworks with garments, aiming to shift the traditional perspective by viewing art through the lens of fashion rather than the reverse.

Morocco debuts at the Biennale with an exploration of its age-old craft traditions

Morocco is debuting its first national pavilion at the Venice Biennale with a monumental installation titled "Asetta" by artist Amina Agueznay. The 300-square-meter site-specific work, located in the Arsenale, draws on centuries-old Moroccan craft traditions, including weaving, beadwork, and embroidery. Agueznay conducted field research across Morocco and collaborated with over 130 artisans, mostly women, some of whom she has worked with for decades. The installation explores the transmission of traditional craftsmanship and shared memory, and incorporates the concept of the threshold (âatba) from Moroccan vernacular architecture, offering visitors both an immersive experience and functional seating.

4 artistes sami, peuple autochtone d’Europe du Nord, à découvrir avant tout le monde

Four Sámi artists, representing the Indigenous people of Northern Europe, are being highlighted in Finnish museums as Oulu, the European Capital of Culture, hosts exhibitions showcasing their work. The article introduces these artists and their practices, emphasizing their unique perspectives rooted in Sámi culture and traditions.

Khaled Sabsabi’s Rocky Road From Australia to the Biennale

Lebanese-Australian artist Khaled Sabsabi was nearly removed from his commission for the Venice Biennale after being accused of supporting terrorism, but was later reinstated. He is now arriving in Venice to present not one but two works at the prestigious international exhibition.

Sung Tieu on Representing Germany at the 61st Venice Biennale

Sung Tieu, who is co-representing Germany at the 61st Venice Biennale alongside Henrike Naumann, responds to a questionnaire from ArtReview about her plans for the German Pavilion. She describes her inspiration as her mother and childhood home, a site built for foreign contract workers in the GDR that later became a refuge for the diaspora. Tieu states that her work relates to the Biennale theme "In Minor Keys" through the lens of Gehrenseestrasse, a concrete record of collective memory. She also expresses skepticism about the Biennale's importance, noting that the German Pavilion's fascist architecture compels artists to work against it, and that national pavilions reveal how much work remains in undoing nationalism.

Campbell River Art Gallery presents Sacred in All Forms

The Campbell River Art Gallery (CRAG) is presenting a new group exhibition titled "Sacred in All Forms: Artists Reclaim the Divine Feminine Across Bodies, Lands, and Worlds," curated by Jenelle Pasiechnik. The show features four contemporary artists—Sandeep Johal, Xiaojing Yan, Kourtney Jackson, and Aaron McIntosh—whose works in textiles, video, sculpture, installation, and mixed media explore the sacred in everyday life, the body, relationships, and nature. The exhibition runs from May 7 to August 8, 2026, with an opening reception on May 9. Public programs including artist talks, workshops, and community conversations will accompany the show.

The Fabric Workshop and Museum presents Jesse Krimes: Elegy Quilts by Bucks County artist

The Fabric Workshop and Museum (FWM) in Philadelphia, in partnership with Mural Arts Philadelphia, presents "Jesse Krimes: Elegy Quilts," an exhibition featuring works from the artist's ongoing Elegy Quilt series (2020-present). The show debuts a newly commissioned quilt, "Riverside" (2026), created from used clothing collected from incarcerated people. Krimes, a Bucks County-based multidisciplinary artist who experienced incarceration himself, gathers donated clothing and textile fragments from currently and formerly incarcerated individuals and reconstitutes them into patterned quilts that meditate on memory, loss, and resilience. The exhibition also includes collages made during workshops with graduates of Mural Arts' Restorative Justice reentry program, which informed both the quilt and a forthcoming public mural in Philadelphia's Spring Arts District, to be unveiled June 3.

Pinta Lima Offered Curated Content–and Context–for the Curious

Pinta Lima, the 13th edition of the art fair, opened with a vibrant VIP preview and strong attendance of 16,000 visitors. The fair features around 50 booths and special presentations, with a curation-driven approach that includes sections like NEXT (curated by Juan Canela) and RADAR (curated by Ilaria Conti), as well as FORO panel discussions. The fair emphasizes Latin American art, particularly Peruvian contemporary art, and is part of the broader Pinta network that stages fairs and Art Weeks across Latin America and the U.S. Textile, fiber, and ceramic works are notably prominent, recontextualizing indigenous craft traditions.

Paulina Carretero exhibition moves from Laredo arts center to La Posada

Mexican artist Paulina Carretero's exhibition "Reminiscence and Furor" is moving from the Laredo Center for the Arts to La Posada Hotel starting May 8. The show, which opened in March for International Women's Month, features paintings that pay tribute to seven historical women artists: Artemisia Gentileschi, Berthe Morisot, Georgia O'Keeffe, Tamara de Lempicka, María Izquierdo, Remedios Varo, and Yayoi Kusama. Carretero created two works for each artist—one capturing their spirit and another reflecting her personal vision. The exhibition also includes a large-format painting titled "El Juego de la Consciencia (The Game of Consciousness)" that incorporates magical realism. Carretero will mark the closing at the Laredo Center for the Arts on May 1.