The 21st Century’s Biggest Art Trend is Not a Style. But Once You See It, You’ll Notice It Everywhere.

The article traces the evolution of "systems art," a term coined by critic Jack Burnham in 1968 to describe art that uses rules, seriality, and repetition to mirror and reveal the growing protocols of the Cold War era. It highlights early practitioners like Kenneth Noland, Robert Morris, Dan Flavin, and notably Hans Haacke and Adrian Piper, who shifted from atmospheric systems (e.g., Haacke's *Condensation Cube*) to social systems (e.g., Haacke's *Shapolsky et al. Manhattan Real Estate Holdings*). The piece argues that systems thinking has become unavoidable in contemporary life—from algorithms to systemic racism—and that art remains a crucial tool for making these invisible systems legible.

46 Museum Shows and Biennials to See This Summer

ARTnews has published a guide to 46 museum shows and biennials to see this summer, highlighting major exhibitions across the globe. Featured artists include Laure Prouvost at Paris's Grand Palais with a quantum physics-themed show, Carsten Höller at Beijing's UCCA Center for Contemporary Art, Tomás Saraceno at Munich's Haus der Kunst, and a retrospective of Ana Mendieta at Tate Modern. The article also covers biennials such as the Venice Biennale and Manifesta in Germany's Ruhr region, as well as new biennial-style launches in the Northeastern US. Specific exhibitions detailed include Akinsanya Kambon's survey at SculptureCenter and CARA in New York, Cao Fei's European survey at Kunstmuseum Basel, and the group show "Youth Palace" at Rockbund Art Museum in Shanghai.

Five Whirlwind Days in Venice, at (and Beyond) the Biennale

The article recounts a whirlwind three-day visit to the 61st Venice Biennale, focusing on the main exhibition at the Giardini della Biennale curated by the late Koyo Kouoh, titled "In Minor Keys." The author highlights textile works by artists such as Thania Petersen, Billie Zangewa, and Annalee Davis, as well as Beverly Buchanan's "Spirit Jars" and Maria Magdalena Campos-Pons's portrait of Kouoh and Toni Morrison. The trip also includes visits to collateral events, a performance at Jordan Roth's palazzo, and a side trip to Gabriele D'Annunzio's estate on Lake Garda.

‘Something Missing?’ Absence is emotional with Sophie Calle’s new show

Sophie Calle's latest exhibition, 'Something Missing?' at the Louisiana Museum of Modern Art in Copenhagen, explores themes of absence, loss, and disappearance through works spanning 1979 to 2023. The show features series such as 'Because' (2018-2023), where embroidered felt sheets hide photographs; a response to Picasso's works swaddled during Covid lockdowns; 'The Blind' (1986), in which people born without sight describe beauty; and 'Voir la mer' (2011), capturing Istanbul residents seeing the sea for the first time. Calle's characteristic wit and emotional depth turn voids into vantage points, inviting viewers to confront what is missing.

Brand X Editions workshop celebrated at Dallas Museum of Art

The Dallas Museum of Art (DMA) will present "X Marks the Spot: Contemporary Screenprinting at Brand X Editions," an exhibition exploring the expressive possibilities of screenprinting through the work of the legendary New York City-based workshop Brand X Editions. Featuring over 70 works created over four decades, the show highlights collaborations between Brand X's master screenprinters and artists including KAWS, Rashid Johnson, Deborah Kass, Robert Indiana, Glenn Ligon, and Tschabalala Self. The exhibition opens on May 24, 2026, and runs through November 8, 2026, following its debut at the Philadelphia Museum of Art. It includes proofs, video, and interpretive materials to demystify the printmaking process, as well as new works created since the Philadelphia presentation.

What You (Maybe) Didn't Know About Édouard Manet

Ce que vous ne saviez (peut-être) pas sur Édouard Manet

Édouard Manet (1832–1883), a pivotal figure bridging realism and impressionism, is the subject of a feature article in Beaux Arts Magazine. The piece explores lesser-known aspects of his life and career, including his near-miss as a naval officer, his rivalry with Gustave Courbet, his refusal to join the impressionist exhibitions despite close ties to the movement, and his deep fascination with Spanish culture. It highlights his scandalous works like *Le Déjeuner sur l'herbe* (1863) and *Olympia*, the latter entering the Louvre after a subscription launched by Claude Monet in 1889.

“Melting Glaciers, Water Futures from the Alps to the Nile” photo exhibition by Swiss photographer Pierre Jeanneret and Egyptian documentary photographer Roger Anis is a must see - Exhibitions - Al-Ahram Weekly

The article announces a photo exhibition titled "Melting Glaciers, Water Futures from the Alps to the Nile" at the Goethe Institute in Cairo, featuring Swiss photographer Pierre Jeanneret and Egyptian documentary photographer Roger Anis. Jeanneret's work documents the rapid melting of Swiss glaciers and its impacts on hydroelectric dams, tourism, and new landscapes, while Anis explores water, climate, and human resilience along the Nile. The exhibition is part of SABBART, a cultural initiative by EUNIC Cluster Egypt focusing on climate and environmental issues, and runs from 17 May to 4 June.

The Short Circuit of Art in Venice. The Tensions at the Biennale Are Not Just Geopolitics

Il cortocircuito dell’arte a Venezia. Le tensioni alla Biennale non sono solo geopolitica

The article analyzes the recent tensions and controversies surrounding the 2026 Venice Biennale, which began with President Pietrangelo Buttafuoco's announcement in March that Russia, Iran, Israel, Ukraine, and Belarus would all be allowed to participate, framing it as a foreign policy gesture. This sparked immediate polarization, leading to two open letters from half the invited artists and curators demanding the exclusion of Russia, Israel, and the United States; the resignation of the jury a week before the opening over a decision to exclude countries under ICC indictment; and a historic strike by workers on May 8 that shut down many pavilions, merging protests against genocide with those against precarious labor conditions.

Review of the Italian Pavilion by Chiara Camoni and its relationship with the Biennale

La recensione del Padiglione Italia di Chiara Camoni e la sua relazione con la Biennale

Chiara Camoni's Italian Pavilion at the 2026 Venice Biennale, titled "Con te con tutto," is reviewed in relation to Koyo Kouoh's central exhibition "In Minor Keys." Camoni's installation features a crowd of female figures sculpted in clay and natural materials, described as "donne tronco" (trunk women), which evoke growth, transformation, and the intuitive, manual gestures that Kouoh champions. The review highlights how Camoni's work dialogues with Kouoh's curatorial emphasis on drawing, painting, and craft as intuitive practices, moving away from conceptual art. It also notes a performance by Magdalena Campos Pons at the Tese theatre, which includes a portrait of Toni Morrison and Kouoh, accompanied by music by Kamal Malak.

A Como sta per arrivare una grande mostra su William Turner e il Romanticismo inglese

A major exhibition on William Turner and English Romanticism is set to open on May 29 at Palazzo del Broletto and the Pinacoteca Civica in Como, Italy. Titled "Turner. L’incanto del lago di Como e del paesaggio italiano," the show features seven precious watercolors inspired by Turner's travels to the Lake Como region, alongside an immersive film produced by Tate Digital. The exhibition traces Turner's stylistic evolution from his 1819 sketches to later chromatic studies from 1842-1843, and is organized by the City of Como in collaboration with the Tate in London.

Ukrainian art resists war

An exhibition titled "Still Joy" opened in Venice during the preview days of the Biennale, organized by the Pinchuk Art Center in Kiev, showcasing Ukrainian art that responds to the ongoing war with Russia. The show features works by artists including Kateryna Aliinyk, Piotr Armianovski, Roman Khimei and Yarema Malashchuk, Zhanna Kadyrova, Alevtina Kakhidze, and Nikita Kadan, addressing themes of resilience, memory, and resistance. The Ukrainian Pavilion at the Biennale also centers on the conflict, with Kadyrova's work referencing the Budapest Memorandum. Many of these artists have chosen to remain in Ukraine despite the dangers, keeping the cultural scene alive.

Headfirst into Eternity

Kopfüber in die Ewigkeit

Conceptual artist Timm Ulrichs, who died on April 29 at age 86, has been buried in a self-designed grave in the Künstlernekropole (artists' necropolis) near Kassel, Germany. His tomb features a life-size bronze cast of his body buried head-first in the earth, with only the soles of his feet visible above ground. Ulrichs, a pioneer of West German postwar conceptual art known for provocative works like tattooing himself and locking himself inside a hollowed boulder, was laid to rest in the forest cemetery founded by artist Harry Kramer in 1992.

Foster + Partners lines Shanghai art gallery with tubular glass

British architecture firm Foster + Partners has completed the Jia Art gallery in Shanghai's Putuo district, a building wrapped in ribbed tubular glass that takes its curvilinear form from the blossoming flowers in nearby Changfeng Park. The gallery features a double-height atrium dividing exhibition spaces on the north side from community-oriented event and education areas on the south, with cantilevered upper levels and curved stainless steel tubes framing the facade.

Sir John Akomfrah’s Venice Biennale Exhibition Comes To Liverpool’s Walker Art Gallery

Sir John Akomfrah's exhibition, originally presented at the Venice Biennale, is now on view at Liverpool's Walker Art Gallery. The show brings together a selection of the artist's acclaimed film and video works that explore themes of memory, migration, and the African diaspora, offering UK audiences a rare chance to see the Biennale presentation in a new context.

Jack Leigh and Parker Stewart exhibit opens in Savannah

An exhibition titled "Jack Leigh & Parker Stewart: In Place" has opened at Laney Contemporary in Savannah, featuring black-and-white photographs by Jack Leigh (1948–2004) and Parker Stewart (b. 1992). Both artists document the landscape and communities of the coastal South, with Leigh known for his work on oystermen, shrimp boat crews, and Gullah Geechee communities, and Stewart focusing on tidal landscapes of coastal Georgia and the Savannah River Basin. The show includes serendipitous parallels, such as nearly identical photographs of a water tower taken by each artist decades apart. Co-curated by Stewart and gallerist Susan Laney, it marks the first time Leigh's work has been exhibited alongside a living photographer in nearly a decade.

ISA Art Gallery and Fitri DK’s ‘Nine Kartinis of Kendeng’

ISA Art Gallery in Jakarta recently held the first exhibition in its 'Biophilia' series, titled 'Exquisite Corpse', which ran from February 14 to April 16. The show features works centered on nature and sustainability, with a standout piece by artist Fitri DK: two batik works titled 'Selamatan Bumi 1 and 2'. These works depict the 'Nine Kartinis of Kendeng', a group of women from Central Java fighting to protect their karst mountains from a cement factory that threatens their clean water supply. The exhibition draws its title from Elza Adamowicz's book on Surrealist collage, emphasizing fragmented, collective creation.

Billy Ireland museum reopens with redesigned galleries, new exhibits

The Billy Ireland Cartoon Library & Museum at Ohio State University reopened on May 23 after six months of renovations, featuring redesigned galleries and a new permanent collection titled "The Story of Comics." This exhibition spans over 400 years of cartoon art history, including works by William Hogarth, a large manga collection, and a dedicated mini-gallery for Bill Watterson's "Calvin and Hobbes." A special exhibition by cartoonist Chris Ware, "Life is Complicated," is on display until January 2027, with a public program featuring Ware scheduled for October 17.

The Top 5 Art Exhibitions to see in London right now

Tabish Khan, the @LondonArtCritic, selects five current exhibitions in London. These include Aleksandra Karpowicz's 'Remember What You Forgot' at Felstead Art, which transforms her cancer treatment into a powerful installation; Gabriel Abrantes' 'Bardo Loops' at Gasworks, featuring emotionally charged video works; Racheal Crowther's 'Liquid Trust' at Chisenhale Gallery, examining psychological manipulation through a militaristic structure; Eleanor May Watson's 'There is No Time Like Spring' at Soho Revue, capturing nostalgic domestic moments; and the group show 'South Open 4' at OHSH Projects, showcasing diverse works from an open call.

US artist takes stage in Venice exhibition

U.S. artist Alma Allen, a self-taught sculptor based in Mexico, has mounted an exhibition titled "Call Me the Breeze" at the U.S. Pavilion for the Venice Biennale after a fraught selection process. The process, which removed language on diversity, equity, and inclusion in favor of promoting "American values," caused several institutions to withdraw from vying for the commission. Allen created a bronze evil eye for the pavilion's exterior to ward off bad vibes, and his show includes a dozen new works alongside pieces from the last 20 years. The prior proposal for artist Robert Lazzarini fell apart after its institutional sponsor backed out, leading to a new project with the American Arts Conservancy as sponsor and Jeffrey Uslip as curator.

Vacant New Brunswick Bank Building to Become an Art Gallery in 2027

A vacant bank building in New Brunswick is set to be transformed into an art gallery, with plans to open in 2027. The project aims to repurpose the historic structure into a cultural venue for the local community.

The Holy Spirit in a Rapture of Pain

Der Heilige Geist im Schmerzrausch

Florentina Holzinger's "Pfingstspiel" (Pentecost Play) is a multi-hour performance staged across two locations in Austria—the Wiener Eislauf-Verein in Vienna and Schloss Prinzendorf—as a satellite event to her contribution to the Venice Biennale. The work features extreme physical stunts, including a performer rappelling down a hotel facade, a car drifting with Holzinger on its roof, and a crucifixion scene, all drenched in blood, pain, and religious imagery. The performance, presented only once before 700 guests as part of the Wiener Festwochen, is described as a brutal, uncompromising marathon that pushes the boundaries of live art.

Au CAPC de Bordeaux, Trevor Yeung recueille nos vœux les plus intimes et relit la mythologie chinoise

Hong Kong artist Trevor Yeung has transformed the 1,000-square-meter nave of the CAPC in Bordeaux into an immersive installation titled "Jardin des neuf soleils" (Garden of Nine Suns). Visitors climb a monumental rainbow-colored scaffolding structure to the ceiling, tying colored ribbons as wishes, accompanied by a symphony of bells. The exhibition also features green light inspired by an Insectron device found in the museum's storage, and nine "Chaotic Sun" light sculptures that reinterpret a little-known Chinese myth about ten suns crossing the sky.

Controversy resurfaces in Colombia over treasure-filled San José shipwreck

Controversy has resurfaced in Colombia over the San José, a Spanish galleon that sank in 1708 with a cargo of gold, silver, and emeralds. The oversight group Veeduría Nacional para el Control Social del Patrimonio Cultural Sumergido de Colombia (VNPCS) issued an open letter to the attorney general, alleging a lack of transparency, looting, and unauthorized interventions at the wreck site in 2016 and 2022. The group claims that the site's coordinates, considered a state secret, have been disclosed. The dispute involves multiple parties, including the Swiss treasure-hunting firm Maritime Archaeology Consultants (MAC), which helped locate the ship in 2015 and is now seeking compensation, and the US-based salvage company Sea Search Armada, which claims to have found the galleon in the 1980s and is seeking $10 billion. The ship was designated a protected archaeological area in 2024, placing it under the jurisdiction of the Colombian Institute of Anthropology and History (ICANH), but critics argue that earlier allegations of looting were ignored.

New Orleans artist Andrew Lamar Hopkins channels folk art legend Clementine Hunter in new exhibit

The article profiles New Orleans artist Andrew Lamar Hopkins and his new exhibition "Her Way, His Way" at the Orleans Gallery on Julia Street. The show pairs Hopkins' contemporary folk-inspired works with paintings by the late, legendary Louisiana folk artist Clementine Hunter, who died in 1988. Hopkins, now 48, draws directly from Hunter's subjects—such as wildflower bouquets and pecan harvesting scenes—creating a dialogue between two artists who never met. The piece also traces Hopkins' career trajectory from a self-taught history nerd in Mobile, Alabama, to a rising star with works displayed in Venice during the Venice Biennale.

Split decision: The Art Museum’s missed opportunity with its new ‘Rocky’ exhibition | Opinion

The Philadelphia Museum of Art's new exhibition, "Rising Up: Rocky and the Making of Monuments," celebrates the 50th anniversary of the film *Rocky* and highlights Philadelphia's boxing history, including figures like Joe Frazier and Bernard Hopkins. However, the author, a street reporter who wrote a book about people running the museum steps, argues the exhibit missed a key opportunity by focusing on the Rocky statue and monuments rather than centering on the film's transformative power and the iconic steps-running ritual that has drawn visitors for decades.

Early David Hockney artwork to be sold at auction

A previously unseen early artwork by David Hockney is being offered at auction through Tenants Auctioneers. The piece was purchased directly from Hockney's end-of-year student show by a buyer named Riley and has remained in the same family ever since. Francesca Young, a modern and contemporary art specialist at the auction house, described the consignment as a rare and exciting discovery.

The Forgotten of Art: The Story of Artist Valeria Alberti

I dimenticati dell’arte. La storia dell’artista Valeria Alberti

Valeria Alberti (1930-2011), a courageous, rebellious, and nonconformist Italian artist, had a brief but intense career before disappearing from the art world. Recent research by scholar Manuel Barrese reconstructs her trajectory as the only woman in a circle of artists and intellectuals around poet Emilio Villa and the Galleria Appia Antica. Alberti debuted in 1957 alongside Alberto Sartoris, collaborated with ceramist Mario Molli, and created painted panels for the transatlantic liners Leonardo Da Vinci and Michelangelo. She exhibited at Galleria Ferro di Cavallo and Galleria Azimuth, and received Piero Manzoni's Certificate of Authenticity No. 26 in 1961. Her later work included geometric metal sculptures, but she ultimately vanished from the art scene.

Tra carte, fotografie e concettualismo. Tutto il programma di mostre da vedere alla GAM di Torino nella seconda metà del 2026

The Galleria d'Arte Moderna (GAM) in Turin has launched "Quarta Risonanza," an exhibition program running from May 21 through November 1, 2026. The program comprises four distinct projects: a major survey of works on paper from the museum's collections titled "Un altro Novecento," curated by Fabio Cafagna and Elena Volpato; an intervention by artist Pesce Khete as the program's "Intruso"; a photographic series by Lisetta Carmi exploring eroticism and authority at the Staglieno cemetery, presented in dialogue with sculptures; and a centenary exhibition for conceptual artist Vincenzo Agnetti, "Oggi è un secolo," curated by Chiara Bertola and Virginia Lupo, focusing on his Photo-graffi works from 1979–1981.

Omaggio a Luigi Ghirri ad Artbox su Sky Arte

The new episode of Artbox on Sky Arte, airing May 26, focuses on the exhibition "Luigi Ghirri. A series of dreams. Paesaggi visivi e paesaggi sonori" at the Musei Civici and Teatro Valli in Reggio Emilia, which explores the unique relationship between Luigi Ghirri's photography and music. The episode features curator Ilaria Campioli and Adele Ghirri, president of the Fondazione Luigi Ghirri and the artist's daughter. Additionally, Maria Vittoria Baravelli's segment "Invito al viaggio" examines female royalty through art, cinema, and fashion, and the program visits the Galleria d’Arte Moderna Ricci Oddi in Piacenza to discuss recent renovations by architect Piero Lissoni. The episode also includes a book review of "Histoire des galeries d’art en France" by Alice Ensabella.

Clasutta Explores the Dynamics of Love in Solo Exhibition at Whitestone Gallery Singapore

Indonesian artist Clasutta presents a solo exhibition titled "Roommates?" at Whitestone Gallery Singapore, exploring the emotional dynamics of love and relationships through her playful painting style. The exhibition is part of a larger curatorial narrative called "Through Reverie: Love and Memory," which also features a concurrent presentation by Malaysian artist C.K. Koh titled "Folded Glimpses," drawing from his personal photographic archive. Clasutta's works trace the subtle shifts from lighthearted beginnings to spaces shaped by attachment, expectation, and unspoken negotiation, portraying love as fluid and ever-changing.